Giotto, Lamentation, fresco, Italy, 1300

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Giotto, Lamentation, fresco, Italy, 1300
Duccio, Virgin and Child Enthroned with Saints, Maesta Altarpiece, tempera on wood, Italy, 1300
Cimabue, Madonna Enthroned with Angels and Prophets, tempera on wood, Italy, 1290
Berlinghieri, St. Francis Altarpiece, tempera, Italy, 1235
Virgin of Paris, cut stone, High Gothic, 1300
Ekkehard and Uta, cut stone, Naumburg, Germany, High Gothic, 1250
Notre Dame, Amiens, France, High Gothic, 1250
Notre Dame, Chartes, France, Gothic, 1150-1350
St. Denis, Paris, France, Gothic 1150-1350
Gislebertus, Tympanum, St. Lazare, Autun, France, cut stone, Romanesque, AD 1000-1150
Demonstrative of: Byzantine influence (elongation, Hieraticism, mandorla), dove-tail drapery, horror vacui, mix of Classical elements with Germanic elements, Germanic layering of human forms
Tympanum/Trumeau of St. Pierre, Moissac, France, Romanesque, 1000-1150
Demonstrative of: (the tympanum) Celtic/Germanic preoccupation with animals/Herald motif, horror vacui, Jesus as monarch (the trumeau) Celtic/Germanic preoccupation with animals, contraposto, departure from Hieratic style due to Romanesque revival of the Classics
St. Etienne, Caen, France, Romanesque, 1000-1150
Demonstrative of: ribbed vaulting, tripartite division
St. Sernin, Toulouse, France, Romanesque, AD 1000-1500
Demonstrative of: cruciform shape, crossing square, Basilican based, barrel vaulting
Plan from St. Gall, AD 800, Carolingian, manuscript
Demonstrative of: modified Basilican plan, square schematism, a untited whole composed of interlocking parts
St. Michael's, Hidesheim, Germany, AD 1000, Ottonian
Demonstrative of: basilica-style plan, square schematism
St Matthew, Ebo Gospels, AD 800, Carolingian, illuminated manuscript
Demonstrative of: Byzantine/Classical influence
Carpet page, Book of Lindesfarne, 7th Century, England, illuminated manuscript
Demonstrative of: predatory motif, interlacement, blending of indigenous Germanic/Celtic figurative vocabulary with christian themes