The Kamijirou mood from the last 72 hours has been: đđđŒđ€đžâĄïž
KIROKAZE
TVSTRANGERTHINGS

gracie abrams

Andulka
we're not kids anymore.
taylor price
$LAYYYTER
Misplaced Lens Cap
I'd rather be in outer space đž

@theartofmadeline
Sweet Seals For You, Always
Noah Kahan
Xuebing Du
Today's Document
Sade Olutola
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă

ellievsbear
No title available

No title available

No title available
seen from South Africa
seen from Colombia

seen from United States
seen from United States
seen from Japan

seen from Portugal

seen from Singapore

seen from Italy
seen from Bangladesh
seen from United States

seen from United States
seen from Germany

seen from TĂŒrkiye

seen from United States

seen from Guyana
seen from Colombia

seen from Jamaica
seen from Palestinian Territories
seen from Venezuela

seen from Colombia
@disheol
The Kamijirou mood from the last 72 hours has been: đđđŒđ€đžâĄïž
Edible Flower Lollipops, by Blue Bowl Kitchen on Etsy
TO LIVE ON by Min Jeong Seo, 2005
The stalks of these roses are already dried up but their blossoms are preserved and kept fresh by medical infusin bags. The life-span of every living creature is limited. The infusion bags stand for progress in medicine and the prolonging of human life. They have a mixed meaning as they refer to both life and death at the same time. Both states are immanent. To preserve the beauty of the flowers artificially with the help of the infusion bags points out manâs tendency to repress the inevitable fact that we all have to die, and trying to postpone death.
Identity theft, Mercedes Helnwein
Louis Womack, Sleeping person  -  Ola Billgren, 1969.
Danish, 1940-2001
Colour lithograph, 46/75, 40 x 55 cm.
Ferdowsi magazine // Iranian old magazine cover , in 1966 ( i think )
Devenir féministe (partie 1)
Un article de Héloïse
ENGLISH VERSION COMING SOONâŠ.
Devenir féministe (partie 1)
Un article de Héloïse
ENGLISH VERSION COMING SOONâŠ.
carnet de vacances
Du crayon de couleur (encore!)Â
Accidental Movement Poster
Untitled,acrylic,oil, gesso, crayon, charcoal on cotton canvas. 50 x 40 x 2 cm
Punishment Island, Masahiro Shinoda (1966)