The Regrator patiently waits for him at the base of the grand staircase, which ascends gracefully to the left and right of the palatial, circular entrance hall, the latter bordering on sacrilegious in its Fontainian-neo baroque opulence of bas-reliefs and gold. Shimmering chandeliers dangle above like low hanging fruits, whilst sumptuous rugs are weighted down by ornate furnishings upholstered with brocade. Upon every surface, treasures gleam in the shafts of light that pierce through arched windows ; ormolu clocks, sculptures, jewel-encrusted vases, the impeccably carved walls decorated with life-sized victorian style portraits and framed detailed oil paintings of Teyvatian landscapes. To a great many of Petrichor’s citizens, Vincent Voclain’s manor— which was situated high up the city where the air is cool and fresh, the outlook broad and beautiful, and where there is silence in the heart of business,— is a monument to Teyvat’s most illustrious artisans, with an interior he himself had meticulously designed ; a delicate marriage between traditionalism and modernism, and gold, so much gold, spilled and sprinkled so that the rooms shine with it.
Tartaglia appears marginally less misplaced amidst such obscene extravagance in the aftermath of preening himself. Polished light reflects on his rosy-freckled cheeks, a replication of his defunct boyish self, as he descends the red-carpeted steps with a leisurely gait. In tandem to the porcelain paleness of his now blemishless visage, he assembles quite impeccably the illusion of a charming foreigner of patrician pedigree. At the sight of him, Pantalone hums his approval as he pivots towards the entrance. ❛❛ You shall get the opportunity to peer along the sights. Nonetheless, you ought to remain at my side, this shall facilitate matters. I do not wish for you to go running off now lest you lose your way ⸻ i have more important matters to concern myself with than supervising you. ❜❜
He pushes in through the heavy wooden doors of the estate leading to the spacious front area, thus guiding Tartaglia to stride past well-organized and well-arranged extractions of the world and life ; immaculately trimmed boxwoods demarcate the main pathway from the meandering steps of the hedged gardens. Shy rockfoils blossom in the flower beds, as cecilias and qingxin stretch in their yawning white in the low flocking shapes of pale groundcover blooms. The thick, waxy foliage sparkles in the glow of the setting sun, where purple and green, yellow and dark blue, all throbbed and boiled up and seemed like a single color in which now saffron and vermilion was the dominant hue. Once they reach the end of the path, he circumnavigates a rotunda of rosebushes ere proceeding outward to a section of topiaries, clipped into unobtrusive shapes, beyond which looms the main iron gate. The crudely cut silhouette of an attendant lounging about in the shade stands next to it, who promptly adjusts his posture dramatically upright and rushes to open the gate the moment he sees Pantalone and his guest approaching. « Bonne soirée, Mr. Voclain. » the man intones in fontainian with a courteous bow of his head as they carry onwards towards the city.
A sky-line cab awaits them further on. The driver offers them a reverential bow as well, his eyes somehow drawn to Tartaglia’s unfamiliar features.
« Souhaitez-vous vous rendre en ville, Mr. Voclain? »
❛❛ Conduisez-nous sur la place principale. ❜❜
« Bien sûr, Mr. Coclain. Installez-vous, je vous prie. » the man turns around hastily and begins shouting to the engineers operating the railing system, « Un taxi en direction de la Place Principale du Centre de la ville, et plus vite que ça ! »
❛❛ Come along. ❜❜ The banker beckons the Eleventh Harbinger over as he enters the cabin, settling himself comfortably on the downy seats. The instant the metal door closes behind Tartaglia, the cabin begins its languid descent through the thin cocoon of clouds, swaying to the music of gears scraping unto steel rails. Through the windows, numerous other cabs and light airships could be seeing eclipsing the sky in a twisting maelstrom, weaving to and fro like a haze of insects with the largest amongst them, ‘La Baleine’, dominating the horizon like a great seabeast made of copper and alloy, its snout piercing the dark autumn dusk in a trailing plume of steam — a grand procession of Fontaine’s as yet unparalleled technology.
Their ride comes to a halt near the central basin of the main plaza. One of the loafing men at the corner, noticing who is in the cab, dashes forward to open the door in the hope of earning a few coins, but is elbowed away by another loafer, who has rushed up with the same attention. The alabaster silk of the Regrator’s coat slithers at his coltskin boots as he steps from the cabin, his regal figure outlined against the bedazzling lights of the streets. Nonchalantly, he tosses a mora up in the air to the desirous dawdlers, ere continuing on his way. Behind him, the gesture precipitates a fierce quarrel to break out — a blow is struck, and in an instant, the plaza becomes the stage of a little knot of flushed and struggling men, who strike savagely at each other with their fists and sticks over measly gold. A pair of policemen move to intervene, whilst a number of better-dressed people, who had watched the scuffle without taking part in it, crowded in like a band of vultures famished for the spectacle of scandal. Pantalone pays no heed to such a loathsome demonstration of human’s selfishness.
If evenings atop the city were seductive, the nights were ravishing. The lamps that lace every building and walkway produce the most elaborate demonstration of electric illumination ever attempted in Teyvat and the first large-scale test of alternating current. These were important engineering milestones, however, what visitors adored was the sheer beauty of seeing so many lights ignited in one place, at one time, akin to getting a sudden vision of the heavens. Every building, including the Palais de Justice, is outlined in white bulbs. Giant searchlights have been mounted on rooftops and sweep the grounds and surrounding neighborhoods. Large colored bulbs light the hundred-foot plumes of water that burst from the fountains. Here, the lights and the infilling darkness served to mask the many flaws of the city— amongst them, the unspeakable debris of innumerable luncheons, the intense stench of rust and grease, the impurities of the water, the poor souls crushed by the din and filth of the gentry— and to create for a few hours the perfect illusion of an artificial paradise of richness and splendor.
The Regrator finally comes to a standstill near a toy shop entrance, wheeling to face his company and direct his gaze to the asphalted path neath their heels. ❛❛ The sewer system connects the entire nation through countless many pipes buried deep underground. They are the veins of Fontaine. It is through them that the energy is supplied to Petrichor’s heart — this is where we are. ❜❜ The vibration of vehicles engines and the plosive rhythm of hooves on granite echo in the streets as landaus led by mechanical horses gusting steam into the murk above pass them by. A maddening, ceaseless chorus of noise and bustle.
❛❛ The locals say that Petrichor is alive, that it lives on as its own organism through the mechanical rumble of the flow of its blood, through the breathing rhythmical rotation of its gears ⸻ after all, have you ever seen another city like this? With as many plates, as many tall towers? Whenever a new skyscraper is built, countless old buildings are inevitably torn down. It is this thick layer of dust, accumulated over hundreds of years, that made today's Fontaine. The wealthy construct cemeteries inside cities where land comes at a premium, and the commoners, with little to their name, have no choice but to cast ashes out beyond the city orbits. ❜❜ The hum of human industry fill out his momentary pause whilst amber eyne gaze skyward, through cinder and smoke drifting like soiled gauze and onto the gods abode, Celestia, hovering over Fontaine's unerring hammer of justice. ❛❛ A wondrous city whose grandeur and beauty exceed itself, situated just under the vicinity of the gods. What do you suppose Focalor is trying to accomplish? Is this merely an act of folly, brought upon by solid ignorance, or nothing short of hubris, a confidence in the necessity of her aggrandization? ❜❜