katrina âthe hands that launched a thousand lesbiansâ lenk (for @lightsoverastoria)
One Nice Bug Per Day

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katrina âthe hands that launched a thousand lesbiansâ lenk (for @lightsoverastoria)
Katrina Lenk performs âOmar Sharifâ on The Tonight Show
Katrina Lenk performing âOmar Sharifâ on The Tonight Show
love makes a rhythmâŠ
the bandâs visit + going âround in circles from amĂ©lie, a new musical
Just take a look around This cafĂ© is no place to settle âCause this is the sound of going âround in circles This is the site of what might have been This is the circus you run away from This is the boat thatâs okay to miss
(insp.)
the 5 stages of grief i went through after seeing TBVâs closing notice
Denial: @christinedwyer sending me a message that said âIM GONNA CRY I WANTED TO SEE TBV SO BADâ and nothing else, and me ignoring it as I try to get ready for class and thinking that itâs just our usual talk of wanting to see shows, despite the fact that @misspoulain planted the thought of them closing in my head weeks ago.
Anger: me furiously texting all my friends about tbvâs closing and making 3 posts about it on here â>Â âLike I get tbv wanting to close while theyâre still at the top of the game to be âelegantâ or whatever but they couldâve kept going and not even lose money like other shows that close since everything theyâre making rn is profit and upkeep costs. //Â Playbill literally says theyâre still making money even though other shows are suffering the seasonal lull ugh Iâm sad.â
Bargaining:Â âI hope theyâre closing so they can focus on bringing it to the Middle East like they said they were gonna do, or another international production like in the West End.â
Depression: Do I even need to clarify LOL
Acceptance: While I donât particularly agree with closing the show at the moment, especially since itâs getting high grosses and already recouped, I can see why the producers would want to close while the image of the show is still good and not some overextended, half-filled, overplayed musical. Ending right now gives them dignity and is a power move that few producers will ever do (because capitalism LOL). Plus closing the show on broadway will lead the way for licensing of this show in regional and local productions, therefore allowing people who otherwise canât make it to Broadway (say they live in a town outside of NE USA or internationally) to experience this beautiful show and allow for many up and coming Middle Eastern artists to have a chance at adding this show to their career.Â
young poc (performers of color) WILL inherit broadway, and that is a promise
rude
(jk jk ofc im just kidding i respect their decision but thats not gonna stop me bc i cant read)
About The Bandâs Visit
So Iâve seen some people bring up discussion about TBV being an unrealistic, idealistic presentation of Israel, whilst ignoring the conflict with Palestine. The thing is, when you bring politics into the conversation, youâre totally missing the point. TBV is not about politics. Itâs about people, and their small stories; itâs about connection and communication, not necessarily across cultural bounds and language barriers, but through music. Itâs literally about people coming together through a medium which has no language, hence why it works so well in the musical format.Â
Bet Hatikva, the fictional small town in the middle of nowhere of the Negev Desert , is not a sugar-coated, ideal look at Israel. Listen to the lyrics of ââWelcome to Nowhereââ once more. Itâs a boring, drab, dull, desert town where literally nothing happens, where the residents want to escape but find themselves trapped for reasons of their own. The Alexandria Ceremonial Police Orchestraâs unexpected visit is their little bit of excitement. But notice how the story avoids the cliche theme that the bandâs visit is somehow life-changing. The showâs closing line is: ââOnce, not long ago, a group of musicians came to Israel from Egypt. You probably didnât hear about it. It wasnât very important.ââ Itâs not that the band had no impact on the townsfolk whatsoever, but the story concerns itself more with attention to detail as opposed to the Big Picture; the authorâs intent was more interested in telling small stories instead of a large one. Rather than making lifelong friendships or becoming seriously romantically involved, neither party reaches absolute closure. But theyâve made connections in the present moment; Dina even has a one-night stand with Haled despite her obvious attraction to her kindred spirit, Tewfiq. No one actually falls in love long-term or establishes a lasting relationship; realistically, we know these people will never see each other again. Sean Axmaker on the TCM website writes that ââItâs a gently low-key character piece⊠First-time writer and director Eran Kolirinââ was ââWary of building a film around some big theme of bridging the divide between the cultures, he kept the stories small and intimate and made a point of avoiding the expected clichĂ©s of cultural collision. As Roger Ebert wrote in his review, The Bandâs Visit has, by the end, âprovided something more valuable: An interlude involving two âenemies,â Arabs and Israelis, that shows them both as only ordinary people with ordinary hopes, lives and disappointments.âââ Their commonality is ââloneliness and isolationââ.Â
 TBV could have been about politics, but the author opted out of it because itâs nice for a change to see a Middle Eastern story thatâs relatively free of problems, that decides not to tell tired stories about tribal conflict. Thatâs not to say there isnât emotional and dramatic conflict between characters, but the story tends to be very self-contained in favor over real world issues. There was no need to introduce the complicated political relationship between these two cultures; that doesnât mean it ignores the problems that persist, but they just wanted to tell a story about people, not politics. Thatâs why this show is so beautiful, because you can unite all these Middle Eastern audience members from all backgrounds who come see the show, in one single theatre. Broadway needs more musicals like this. They didnât want to use TBV as an outlet for political debateâ it just is what it is: a simple story about finding common ground.   Â
The Bandâs Visit One Year Anniversary â Happy Anniversary to the Cast and Crew of The Bandâs Visit!
âThis portrait of a single night in a tiny Israeli desert town confirms a lyric that arrives, like nearly everything in this remarkable show, on a breath of reluctantly romantic hope: âNothing is as beautiful as something that you donât expect.ââ - The New York Times
Tell me, Tewfiq, how does it feel to do music? To have the orchestra? How does it feel to have all the people waiting for you, and all their eyes for you? You know?
he makes me feel somethingÂ
different
The Bandâs Visit One Year Anniversary: Favourite Song (Day 3)
Sunny, thank you for the smile upon your face Sunny, thank you for the gleam that shows its grace Youâre my spark of natureâs fire Youâre my sweet complete desire Sunny one so true, I love youÂ
The Bandâs Visit One Year Anniversary: Memories (Day 7) Â
âOnce not long ago a group of musicians came to Israel from Egypt. You probably didnât hear about it. It wasnât very important.â
and shoutout to @oiveyzmir who basically put up with me when i asked them to translate adklfj;akdsljfalkdsj anyways the bottom text is a menu and the writing under the polaroid is âI walked into the seaâ lmao catch me crying byeeee I really fucking enjoyed this so much and congrats to tbvâs one year on bway!!!! Thanks so much to @katrinaslenk for doing this i love yall
i said id refine it but eh here it is
reblog and write in the tags 1) the very first musical you ever listened to and loved, 2) the most recent musical you ever listened to and loved, and 3) your all time favorite musical. if any of them are the same thatâs ok too
because in this house we donât discriminate people based on what musical is their favoriteÂ
Are you there? Can you answer me?
lyrics requested by @lesbianfrodobaggins