Europe 2018
9.01 - FUGA / Forum Absurdum (Bratislava, SK) 9.03 - Rhiz (Vienna, AT) 9.06 - Le Bourg (Lausanne, CH) 9.09 - Cafe OTO (London, UK) 9.15 - Playfair Library (Edinburgh, UK)
"I'm Dorothy Gale from Kansas"
Monterey Bay Aquarium
I'd rather be in outer space 🛸
h

tannertan36
dirt enthusiast
PUT YOUR BEARD IN MY MOUTH
Not today Justin
cherry valley forever

ellievsbear
let's talk about Bridgerton tea, my ask is open

祝日 / Permanent Vacation
noise dept.
$LAYYYTER

Kiana Khansmith

❣ Chile in a Photography ❣
will byers stan first human second
i don't do bad sauce passes

PR's Tumblrdome
Keni
seen from United States
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seen from China
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seen from United States

seen from France
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seen from Ireland

seen from Malaysia

seen from Hungary
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seen from Netherlands
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@ericanthonyfrye
Europe 2018
9.01 - FUGA / Forum Absurdum (Bratislava, SK) 9.03 - Rhiz (Vienna, AT) 9.06 - Le Bourg (Lausanne, CH) 9.09 - Cafe OTO (London, UK) 9.15 - Playfair Library (Edinburgh, UK)
Beatriz Ferreyra / Eric Frye ISSUE Project Room Brooklyn, NY February 24, 2018
ISSUEProjectRoom.org
Graphic design by Anja Kaiser with typography by Pierre Pané-Farré anjakaiser.info panefarre.com
Japan 2017 9.30 - Tokyo :: WWWβ 10.3 - Nagoya :: Spazio Rita 10.4 - Kyoto :: Soto 10.6 - Osaka :: Socore Factory 10.8 - Tokyo :: Pool
00年代後半、創作物を発表する場がインターネットへ移行して以降、ネットの持つ匿名性や、情報量、スピード感に合わせて、様々な表現は細分化され、これまで以上に新しいジャンルを開拓することに価値が見出されました。今回のツアーで初来日を果たすJeff WitscherとEric Fryeも、かつては数多くの名義を使い分け、それぞれが運営するインディペンデント・レーベル等から、実体をつかむことが困難なほどに多種多様の音楽的作品を発表していた音楽家です。そんな二人は、時を同じく2010年代前半に、オーバーグラウンドな評価を獲得していた名義を含む、ほぼすべての名義を捨て、これまでの雑多な情報を持った音楽から、より無垢で素直な非音楽的表現を本名名義で発表することを始めます。
The Sharpest Point of Sensation is Pointless
Inigo Wilkins presents a talk at PAF Performing Arts Forum Summer University based on a text written for Eric Frye's album, On Small Differences in Sensation.
glass-bead.org/contributor/inigo-wilkins
pa-f.net
Curtis Roads / Eric Frye ISSUE Project Room Brooklyn, NY March 11, 2017
ISSUEProjectRoom.org
Graphic design by Anja Kaiser anjakaiser.info
Special support provided by FCA Foundation for Contemporary Arts Emergency Grant foundationforcontemporaryarts.org
Eric Frye - On Small Differences in Sensation
CEJ08 - Released November 2016 by Cejero
Written and produced by Eric Frye. Album design by Cejero and Eric Frye. Texts by Andrée Ehresmann, Mathias Béjean, Fernando Zalamea, and Inigo Wilkins. Voice: Luciana Parisi Software developed and designed by Guerino Mazzola and Sam Wolk. Booklet design by Justin Meyers. Photography by Katy Vonk at Midway Contemporary Art, Minneapolis.
Recorded at Harvard University Studio for Electroacoustic Composition, Cambridge. Anechoic chamber recordings at Orfield Laboratories, Minneapolis. Mastered and cut by Rashad Becker at Dubplates & Mastering, Berlin.
Special thanks to Andrée Ehresmann, Mathias Béjean, Fernando Zalamea, Inigo Wilkins, and Luciana Parisi for their invaluable contribution. Sincere appreciation to Guerino Mazzola, Sam Wolk, David Berg, Katy Vonk, and Justin Meyers for their important assistance.
Special appreciation to Thomas Buhl-Wiggers and Emil Kragh-Schwarz for their commitment to this project.
audio excerpt
lp / digital
Jeff Witscher / Rashad Becker / Eric Frye Berghain Kantine Berlin, Germany October 2nd, 2016 Berghain.de NKProjekt.de
Eric Frye - Some Consequences of Four Incapacities
Released November 2015 by Salon
Total Running Time: 24:08
Written and produced by Eric Frye. Design by Jeff Witscher. Text "Objects Without Structure" by Andrei Rodin.
Recorded at Harvard University Studio for Electroacoustic Composition. Anechoic chamber recordings at Orfield Laboratories, Minneapolis.
Special thanks to Andrei Rodin, Sam Wolk, and David Berg for their invaluable contribution and important assistance. Sincere appreciation to Jeff Witscher.
Recent developments in mathematics, including Grothendieck’s work in algebraic geometry, showed once again that the representational leg of mathematics is more than just an auxiliary tool for its conceptual leg. The new concepts like that of Topos require new modes of representation, otherwise they remain to be properly treated (and in some cases even properly identified). The new modes of mathematical representation require us - but also allow us - to conceive, imagine and perceive things differently. The very fact that most of today’s mathematical concepts have no rigidly associated “bodies”, visible or otherwise perceivable, serves as a strong motivation for an artistic work aiming at the aesthetic - and hence also material and technological - construction and a further reworking of these abstract concepts.
Eric Frye’s compositional output perfectly demonstrates how this works in practice. Through a series of methodically structured auditory events Frye investigates new modes of perception and spatial cognition. These events are composed specifically to stimulate and disrupt the cognitive perceptual process as the human mind attempts to correctly segregate and organize sound objects. As the piece unfolds it reveals topologically transformed sonic morphologies which trigger hallucinatory reactions through a succinct succession of auditory cues. Frye's sound pieces emerge as an artistic expression of novelty and freedom, which, by Georg Cantor’s popular quote, is indeed the essence of mathematics. - Andrei Rodin
audio excerpt
saloncdr.blogspot.com
Eric Frye: Zenzizenzizenzic, 12-Channel Diffusion, Rochester Art Center, October 2, 2015 – November 15, 2015
5.1 audio excerpt
October 2, 2015 – November 15, 2015
As part of the 2015 3rd Floor Emerging Artist Series, Zenzizenzizenzic is a site-specific, 12-channel sound installation by Eric Frye, a Minneapolis-based artist. The exhibition’s title functions as an onomatopoeia (a word that phonetically appears as the sound that it describes) that linguistically mirrors an abstraction of sound one might experience in the work. Focusing on the concept of sonic objects, the listener is asked to question both the reliability of their own senses, and the materiality of sound. Investigating the perceptual organization of sound, Frye exposes the objecthood of sonic events and emphasizes the spatial aspects of compositional structures. Listeners experience the sound installation by constructing personal navigations within a sound-filled space, and are asked to consider what happens when the human and sound relationship is acutely reconfigured.
rochesterartcenter.org
Various flyers from April 2015 East Coast performances.
Machines With Magnets by CF.
Cyberarts by Eric Frye.
Little Berlin by Roy Werner.
Trans-Pecos by Justin Meyers.
Exploring Compositional Epistemologies: A Series of Notional Synthesization on Topological Morphologies and Heuristic Gestures in the Realm of Sonic Language
Florian Hecker, James Hoff, Roc Jiménez de Cisneros, Guerino Mazzola, Reza Negarestani, Curtis Roads — Organized by Eric Frye
Midway Contemporary Art, Minneapolis Generous exhibition support provided by Meyer Sound
"The 'hidden beauty of things' appears to be the hidden beauty of mathematical structures, an intrinsic beauty that the mathematician discovers by means of the extrinsic invention of sufficiently expressive languages. And so, in Grothendiek's perspective, mathematical structures appear in the phenomenological spectrum of the world, and so they are discovered - but these are discoveries that can only be made by inventing, in an almost synchronic dialectic, adequate representations of the structures in question. The (musical, cohomological) metaphor of the motif itself shores up the idea that there exist hidden germs of structuration, which a good 'ear' should be able to detect. And so Grothendiek's motifs appear to be already present in the dynamic structure of forms, independent of their future discoverers, who's work would consist essentially in creating the adequate languages, the theoretico-practical frameworks, and the sound boxes required to register their vibrations." - Fernando Zalamea (Synthetic Philosophy of Contemporary Mathematics)
anomia.info
Luciana Parisi: For a New Computational Aesthetics: Algorithmic Environments as Actual Objects.
Richard Maxfield Collection at Stanford Archive of Recorded Sound
Guerino Mazzola :: Melting Glass Beads - The Multiverse Game of Strings and Gestures (4.25.2014)