Harry Styles and I backstage at the One Direction show in Dubai. See this picture and more at https://www.erikakatherine.com
Back in the good old days!
trying on a metaphor

祝日 / Permanent Vacation
taylor price
noise dept.

oozey mess

if i look back, i am lost

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JBB: An Artblog!

Product Placement

ellievsbear
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Peter Solarz
Mike Driver
One Nice Bug Per Day

Love Begins

titsay

Origami Around
Xuebing Du
Cosimo Galluzzi

Kaledo Art

seen from Iraq
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seen from India

seen from Italy
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seen from Ukraine
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seen from Syria
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seen from Malaysia
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@erikaferszt
Harry Styles and I backstage at the One Direction show in Dubai. See this picture and more at https://www.erikakatherine.com
Back in the good old days!
In honor of their last live performance, another shot of backstage silliness. Will miss the boys and wish them the best of luck on their future projects.
The end of another Ray-Ban shoot with Erik Vervroegen and Mark Seliger. On set here at Paramount Pictures. Erik recently had the following to say about working with me “Erika is incredibly smart, creative and is willing to take risks. She truly understands what it means to build a brand. And to keep one. Over my 32 year career, I have seen very few clients that have vision and intelligence with the drive to back it up. Erika has all three.”
Let’s face it. There’s a ton of advertising out there that’s just pure crap. That somebody spent a lot of money to make. I watch TV and flip through magazines and shake my head at how painfully bad some of the advertising is. (the above image is not an example of that). Usually the reason is quite simple: the person responsible for producing it probably has absolutely no idea what their doing. So today, i would like to talk about staffing. And roles. And abilities. And respect for those roles and abilities.
My early career was in an advertising agency where i had the opportunity to encounter many different people, in many companies, in the role of advertising/communication director. What i found, more often than not, is that the role of advertising director is usually a necessary pitstop of any aspiring CEO on their way to the top. Usually they start out in sales, perhaps product, and then they move through marketing before they actually move on to a role their more comfortable in. More times than not, the person driving strategy and driving creative really showed no refined creative skills or understanding of the rules of communication, making them a very frustrating counterpart for the agency and, no doubt, very frustrated in their own personal awareness of their inadequacy.
Usually a person that is responsible for advertising, but has little experience, will use an age old “diplomacy” approach by creating a committee of respondents. This protects them from having to publicly make a wrong decision and at the same time creates a, false, feeling of team. I have sat through meetings, on both ends of the business, where a cross functional team of people ranging from all levels, all ages, and all disciplines were invited to comment on an agency’s creative work. What inevitably happens in those meetings is that each person - to avoid risking looking out of place - adds another unskilled comment and the creative gets whittled down piece by piece until there’s absolutely nothing left to the idea. Then the company comes to the agency at the end of the year and says “you guys aren’t very good because that campaign sucked.” If you had a cake and took away every ingredient except for the flour, you wouldn’t have a very good cake either.
Let’s look then at how the process works. The person responsible for the advertising delegates feedback to a team of unskilled workers, despite agency protests no doubt. This allows the person responsible to look like the good guy because s/he defends the comments that come from their team. The agency needs to earn their money, and is under contract, so they’re forced to produce a piece of work that they don’t believe in, fully knowing what will happen in the end. The creative comes out and is more often than not, unsuccessful. The team that commented looks to the boss for leadership. The boss thinks the team got it wrong. And at the end of the day, somehow it’s the agency’s fault, or that’s what we tell ourselves and each other to protect our jobs. Any company that has this dangerous cycle going on, and allows this process to continue, is actively choosing to knowingly throw their money out the window.
I don’t drive. I hate cars. I think the ability to drive is a miracle skill and the inside of a car looks like a spaceship. If your car was broken - would you come to me for advice? I hope not, because I wouldn’t have a CLUE as to what I was talking about. So why can *anyone* do advertising? Why do companies believe that communication is an ability that all possess equally? A clueless company will think that anyone can do advertising and will make that job a necessary stop on your career train. A good company will find a mix, where they rotate that job but at least create training specific to that role. A great company will hire someone with a specific skill set to lead that charge and a staff of successors in training. I have been quite lucky to have spent the last 10 years in a great company. The only way to get strong creative work as a brand is to have a person in that position who has the right skills, a vision, and the ability to bring their vision to fruition. Anything else is just running in a hamster wheel.
On location in London, shooting Georgia May Jagger, with photographer Matt Irwin and fashion/celebrity hairstylist Alex Brownsell
Had the good fortune and honor to sit down with David Shing at the 2014 Cannes Festivity of Creativity to talk about working on Ray-Ban and keeping things cool. Click here to watch
Here's a lovely interview with Erik Vervroegen and the Clio awards on how we got to our award winning Legends campaign. Click here to read.
Erik Vervroegen, Mark Seliger and I accepting the Grand Clio at the Clio Image awards in NY.
With the stunningly gorgeous and talented Jo Strettel at the after party for Ray-Ban in LA. My make up by Jo. So great.
With LA's best stylist, Franck Chevalier, at a Ray-Ban event in LA.
Jamal Hammadi, celebrity/fashion hairstylist and owner of Hamadi Beauty, and I worked together on defining a brand space for his line of natural hair products. Jamal had this to say "Erika has instincts that just make sense. She knows how to make u fall in love, with the hamadi brand, she brings you into the world of beauty with a simple, real, honest approach. I respect and love her process. Her marketing techniques are effective and relatable to today's generations. Thank you Erika for an amazing presentation, you captured the essence of the HAMADI brand."
Harry Styles and I backstage at the One Direction show in Dubai. See this picture and more at https://www.erikakatherine.com
captured in between film legend Abel Ferrara and photographer Tom Craig on location at Atelier Persol, 2013 Edition, Venice.
After collaborating together on social media strategy, Mark Seliger had this to say "Erika knows social media and brand marketing inside and out. She is a strategic thinker with a refreshingly intelligent point of view, who has been able to provide the framework and inspiration for social media within the photography industry." Here we are on set at Paramount Pictures in LA.
Steven Appleyard, Business Director of Boiler Room, said about our partnership "Erika is one of the savviest, most strategic marketing people I've ever worked with. Constantly challenging the status quo & identifying ways to disrupt the youth marketing space, she has a deep understanding of the relationship between youth culture & commerce, and was one of the first to spot & support the brand partnership potential with Boiler Room." This is Steven and I at the O2 festival in London in 2013.
Celebrating strategy with Carlo Cracco in Milan.
So, here it is again. The I'm loving it campaign from McDonald's. I have to say I kind of hoped that they'd retired it last year after they sacrilegiously used a pair of wayfarers in their "super cool guy with a surfboard and a yankees hat" execution but alas...no luck.
Let's start with the pay off...i'm loving it. Really? It sure doesn't look like she's loving anything. Or is the completely inexpressive face supposed to convince us of the "stolen moment" nature of this shot? Of course we're expected to completely ignore the studio white background and the fact that she's not doing anything but I imagine they bet the far on the power of suspension of disbelief.
Next...the casting, the hair, the styling, the prop...a ginormous skateboard that's almost as tall as she is on which she would look absolutely ridiculous were she truly riding it. I can hear the marketing team briefing the agency now "our segmentation research shows that today's youth is moved by this reported "hipster" movement and further research proves that they like bangs, striped shirts and are avid skateboarders, the larger the better".
The campaign is pointless. About as far from authentic as one can get. Communicates no emotion, no message, no inspiration and no information. A sad looking girl with an improbable prop and a box of chicken mcnuggets. And the campaign extends with other segmentation stereotypes that are so obvious and banal it's insulting to the general public's intelligence. That's the best you got McDonald's?
Definitely not lovin' it.