@erypoo - Tumblr Blog

purplebuddhaquotes

“It was not my lips you kissed, but my soul.”

— Judy Garland

freshmoviequotes

Loving Vincent (2017)

flyngdream

purplebuddhaquotes

“Hurt people hurt people. That’s how pain patterns gets passed on, generation after generation after generation. Break the chain today. Meet anger with sympathy, contempt with compassion, cruelty with kindness. Greet grimaces with smiles. Forgive and forget about finding fault. Love is the weapon of the future.”

— Yehuda Berg

purplebuddhaquotes

“You’ve got to invest in the world, you’ve got to read, you’ve got to go to art galleries, you’ve got to find out the names of plants. You’ve got to start to love the world and know about the whole genius of the human race. We’re amazing people.”

— Vivienne Westwood

konczakowski

i-just-dont-understand-myself

“We do not escape into philosophy, psychology, and art—we go there to restore our shattered selves into whole ones.”

— Anaïs Nin, In Favor of the Sensitive Man and Other Essays (via wordsnquotes)

adrenaline

neckkissesandcoffee-deactivated

Concept: We’re living in a nice apartment together , Frank Sinatra is playing softly in the background. Your hand is in my hair and your lips on my forehead, we are in love.

josefksays

RIP Ettore Scola (1931-2016) - One of the greatest Italian filmmakers of all time passed away today. Law student turned into writer/director, Scola made the cinema history with films such as We All Loved Each Other So Much (1974), Ugly, Dirty and Bad (1976), winning a Best Director award at the Cannes Film Festival; the Oscar nominated films A Special Day (1977), Le Bal (1983) and La Famiglia (1987); La Terrazza (1980), That Night in Varennes (1982), Splendor (1989), The Voyage of Captain Fracassa (1990), The Dinner (1998), Unfair Competition (2001), and his final film, How Strange to Be Named Federico (2013), a tribute to Fellini, are among his 88 screenplays and 41 films he directed. His works dealt with social and cultural clashes (always using of great humor, sometimes very sharp); the nostalgia from different periods and that nostalgia could be from all things, good or bad; memories about films and their cultural/historical importance were frequently used in his films - as evidenced in We All Loved Each Other So Much, recreating a moment from La Dolce Vita or with the film critic character supporting Bicycle Thieves and Splendor, which dealt with the dying days of an old movie theater. A master of poetry, words and vision.