Tai Allen & Dasan Ahanu performs the works of Gil Scot-Heron and Oscar Brown Jr at the Skylight Cafe at the benefit reception for the Center of Black Literature. #nbwcwritingrace #brooklyn #nbwc2016 #medgareverscollege
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Tai Allen & Dasan Ahanu performs the works of Gil Scot-Heron and Oscar Brown Jr at the Skylight Cafe at the benefit reception for the Center of Black Literature. #nbwcwritingrace #brooklyn #nbwc2016 #medgareverscollege
Poet and African Voices poet editor Ekere Tallie in conversation with Kevin Powell on his latest book âThe Education of Kevin Powellâ at the opening art reception of â7th Generationâ. #africanvoices #kevinpowell #poets
This is a first. Never saw a street sculptor before. A sign of the struggle of artists living in NYC. Times Square, Manhattan, NY. #timesquare #art #nyc #artist
March 28, 2016, in conjunction with the 2016 National Black Writers Conference, was the opening reception for the photography group exhibit âProvocateurs: The Symbiotic Relationship Between Writers and Photographersâ.
As the curator of the exhibition, it was a great pleasure and experience to gather the work of five Brooklyn based photographers, including myself: Laylah Amatullah Barrayn, Thomas Sayers Ellis, Rachel Eliza Griffins, Ruddy Roye to express the theme of the relationship between the two art forms of photographers and writers. Twelve 24âłx36âł images of authors captioned with an excerpt/quote from their work, and nineteen images (of various sizes) that spotlight the political, social, spiritual and cultural aspect of Black life world-wide, is displayed to express this concept.
âProvocateurs: The Symbiotic Relationship Between Writers and Photographersâ is a testimonial to how images can inspire words and words can in turn, inspire images.
The images are divided into two areas. The first half (the images of the authors) are on the main level floor of the Charles Evans Innis Memorial Library at Medgar Evers College (behind the reception desk); the 2nd half of Provocateurs is on the lower level of the library. Itâs a shame when one sees one set, without seeing the other.
The exhibition has been extended to September 2016. 1650 Bedford Ave, Brooklyn, NY.
Photography by Anthony R. Wilson 2016
African Voices, and 1199SEIU Bread & Roses Cultural Project hosted the â7th Generationâ, an exhibition that honors past, present and future. The event was held at the 1199SEIU Gallery, 310 43rd St, NY, NY.
The event, an art opening (which includes the work of Aziza, Laylah Amatullah Barrayn, Tafa B. Tafa et al), included an author talk featuring Kevin Powell in discussion with Mariahadessa Ekere Tallie discussing Powellâs latest memoir âThe Education of Kevin Powellâ; and a powerful introduction to young artists and educators who shared their brilliance, wisdom and gave hope for the future. A truly reflective and refreshing evening.
photo - Marcia E. Wilson 2016
August 18th, 2015, New York City was pleasantly surprised with the announcement of a free Stevie Wonder âSongs In the Key of Lifeâ concert at the Central Park Summer Stage. The only catch was that the concert was on the same day that it was announced, which was an hour or two before they opened the online gates to retrieve tickets.Â
It was nerve wrecking retrieving the tickets online because it was asked of you to enter a promocode. âWhat PROMOCODE!!!?â was the first thought that almost killed my chances of going. So I started guessing passcodes by entering âstevie wonderâ âsongs in the key of lifeâ even the âdoodoodododo....â of the beginning of my favorite Stevie song âAsâ, to no avail. My cousin in London sent me a link on Facebook where a whole bunch of determined Stevie Wonder fans bonded together to figure it out, to no avail. Finally, I contacted the Central Park Summer Stage head quarters only to find out that there was NO code! I was instructed to keep refreshing the link until I got through. So I went back to the computer and boom on the first try after being informed, I was in. I felt as if I won lotto!!
I ordered four tickets and made phone calls to my friends and family members whom I knew wouldâve just died for the opportunity to see Stevie Wonder for free! But life was being unkind to them at that glorious moment. One had a terrible ear infection, another worked during the hours of the performance, another was at work in Rochester, NY, another had to attend a meeting and so on and so forth.Â
Then I went on FB and mentioned that I had tickets, and was reminded by my friend in London that our friend Cav Manning would definitely make the effort to go. I didnât even hesitate, I inboxed him on FB and within 10 minutes I got a response and Cav was definitely down. So there were two tickets accounted for and two still available. At that point I figured I did my part, I ordered 4 tickets, I made an announcement on FB and I sent texts and made phone calls. If anybody was interested they would contact me.
So I began the journey of getting to the concert. I took the train to 59th Street and after walking up a mountain of stairs I decided to jump in a taxi to take me to the park. I gave the driver the address that was on the ticket, and it turned out that I was on the East side of the park when I shouldâve been on the West (or visa versa, I have no sense of direction). So to reserve my energy I jumped on a bicycle taxi cab and spent $10 to arrive at the gate in the quaintest of fashion.
When I got to the gates there was no sign of Cav, so I asked if I could leave his tickets at the door so that he could pick them up. They didnât honor my request but suggested that I should text my guest to call me when he arrived, and that I was to pick him up at the gate. It wasnât what I wanted to hear but I figured it wouldnât be a big deal to leave my spot to pick him up. But it was a big deal because I found a great spot that was two people deep from the front stage left, and I was hoping that Cav would come soon before it became impossible to return to the spot if I had to leave.
Time was drawing closer for the concert to begin and there was no sign of Cav. The grounds was slowly beginning to feel as if we were in a can of sardines and the thought that kept running through my brain is that if I were to leave my great spot, it would be hell to get it back. So I started to think hard and realized that I should email Cav the tickets. A duh moment but at same time, Eureka!!!
Thankfully, Cav came in just in time to see Stevie being escorted to his keyboard and was not too far from standing behind me once I told him where I was located. He got in and I didnât have to leave my post, and Stevie Wonder blew our minds!
To be a resident of NYC, the key to truly enjoying our bold and great yet expensive city is to be flexible for those moments that could end up being the highlight of your day or maybe your summer. Also impromptu moments can cause a hell of a confusion if your head is too giddy with excitement.
I just love Summers in NYC!!!
Photoâs by Marcia E. Wilson 2015
Last week, July 14th I went to Robert Wagner Park, to check out singer/songwriter/multi-instrumentalist from Memphis, Tennessee Valerie June https://www.youtube.com/watch⊠Valerie June sound encompasses a mixture of folk, blues, gospel, soul, country, Appalachian and bluegrass and she is simply awesome.  I love her music!!!
For those of you who are not familiar with R. Wagner park just know it's one of those gentrified parks nearby the Hudson River, downtown, Manhattan. It's beautiful, a great place to visit, particularly when there is a free concert.
I saw playwright Susan Lori Park http://www.suzanloriparks.com/ in the front of stage on her blanket and picnic basket with her beautiful son, as was everybody else. Chilling to release stress and to be inspired.
Valerie June performance+wine+river+sunset will explain to you why I love summer in NYC.
Photos - Marcia Wilson 2015
Douglas R. Ewart and Quasar âFor Love of Barakaâ performed at the 2015 Vision Festival at on the Judson Memorial Church in the west Village (one of the venues for the festival). This year the Vision Festival celebrated their 20th anniversary.
âFor Love of Barakaâ is a community celebration that represents the impact, legacy, postulations and propositions of poet, playwright, fiction writer, essayist, educator and community-spirit-body-mind stoker Leroi Jones/Imamu Amiri Baraka (1934-2014). Our purpose is to stimulate positive thoughts, conscious conduct, substantive exchange between all concerned: laughter, deliberate acts of kindness and positivity, contemplation, stress-less-ness, responsible conduct, joy, happiness and being wise and âfull freeâ - Douglas R. Ewart.
Douglas R. Ewart - Soprano sax, poetry
Niâja Whitson - Choreography
Mankwe Ndosi - Voice, poetry
J.D. Parran - Reeds, Percussion
Oliva Lake - Sax
Craig Harris - Trombone
Edward Wilkerson - Percussion
Donald Smith - Piano
Reggie Nicholson - Marimba, Tympani
Talib Kweli rocked the stage at the 2015 International African Arts Festival. Â I just learned of the event this morning and I made sure I was there. Unfortunately, I missed Talib perform with his son Amani Fela but was pleasantly surprised to see Jessica Care-Moore rock the mic. Â
Tomorrow the rock band Living Color will grace the stage. Don't miss it!! Photo - Marcia Wilson 2015
The Joy of Childhood. St. Mary's Park, South Bronx, NY
With gentrification invading Brooklyn, my biggest concern for the Memorial weekend was the annual Dance Africa festival and how it would mesh with the scaffolds and cranes that has basically taken over downtown Brooklyn, NY. Last years festival felt like the beginning of the end. Was 2015 festival going to be worse?
Well I'm happy to say somebody put some thought in to it and that it did work out. We weren't shoved to the side as we were last year. Spacing was thoughtfully addressed and it felt freer.
The folks were out enjoying the weather, the music, the art; looking and feeling royal. We were either dancing, hula hooping, eating, reuniting, supporting Black businesses.
Sherry Turner DeCarava, independent art historian and Executive Director of the DeCarava Archives, in conversation with photojournalist, Ozier Muhammad, Â invokes her 40-year personal and professional partnership for a discussion of her husband Roy DeCarava artistic legacy, his continuing relevance and inspiration to the multiple currents of photography today.
Sunday, April 12th on a relatively lovely Spring day Artist Lamerol Gatewood along with fellow artists Al Johnson and Luando Lozanzo were featured in a group show titled "Coming Together" in Dorsey Art Gallery, Brooklyn NY. The group show drew in many from near and far to see the beautiful abstract work of the talented trio. It's a must see. The exhibit will end May 3rd. (Photos by Marcia Wilson 2015)
I had the lovely pleasure of attending BRIC's Stoop Series that hosted the discussion between our beloved novelists Bernice L. McFadden and Terry McMillan. Tracey Yvonne Smith from Go On Girl! Book Club was the moderator and the topic was on McFadden's novel "Loving Donavon", which has a new introduction by McMillan. Â The event was well attended and the conversation was inspiring, hilarious, educational and there was definitely food for thought. Go On Girls!
Here are few images taken for your viewing pleasure!! http://widevision.zenfolio.com/p270174477
Photoâs - Marcia Wilson 2015
March 28th, I had the wonderful opportunity of photographing the group "Heroes Are Gang Leaders" as they rehearsed and performed at the 2015 National Black Writers Conference (NBWC) Biannual Symposium at Medgar Evers College.
Poet Thomas Sayers Ellis, and his collaborator saxophonist James Brandon Lewis, formed the group, named after one of Amiri Baraka's (www.amiribaraka.com) stories, to honor Baraka's legacy by carrying the torch to "...resurrect the matrimony of Black Literary Art and Music as medicine, battle-cry, dirge, and the struggle for pleasure....". A formation that would've pleased Baraka's heart.
If you are in the DC area on Sunday, April 12th you should check them out. They will be performing at Howard University.
To see more images from my shoot with HAGL checkout http://widevision.zenfolio.com/p305397044
Photoâs - Marcia Wilson 2015
Akashic Books hosted the NYC book launching party for reggae producer and founder of RAS records Jim Himelfarb aka Doctor Dreadâs memoir âThe Half Thatâs Never Been Toldâ. In conversation with journalist/columnist/author Christopher John Farley, Dr. Dread shared, among many stories, his experience working behind reggae greats such as Gregory Isaac, Bunny Wailer, Steel Pulse et al. The evening ended with a special performance by David Hinds of Steel Pulse, who was accompanied by Vernon Reid of Living Color, Jerry âSaxmanâ Johnson of Steel Pulse, Bob Dylanâs base player Tony Garnier, Sidney Mills and Larry McDonald. At the end of the performance David Hinds presented Dr. Dread a portrait painted by David Hinds of Doctor Dread with Gregory Isaac, which is from a photograph, that is on the cover of the memoir. It was an irie evening at the Brooklyn Public Library.
Brooklyn based abstract artist Lamerol Gatewood exhibited his latest work with Hudson based artist Reginald Madison at the Shelnutt Gallery at the Rensselaer's Polytechnic Institute (RPI), Union, Troy, NY.