IFA

Bazothi; ngaphila!

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B.K.S.V. <eternal>

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Ubudedengu bokweqela - 2dzn c/o Vumase Research and Design © 2025

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IMILINGO {An art science by Nomcebisi Moyikwa and Qhawe Vumase} 2022

The process:

willing

praying --- what is my name

and become --again

and --again --from nothing

into something;

antithesis

(so cold like chrome)

\ veneration to the avenues

=memory.

"and again we find ourselves...somethings into nothing. "

//

Credits:

Sound technologist Mlondiwethu Dubazane "Guitar Flew Flute" performed in Durban 26th March 2022

This film has been processed by APHULA 444 Laboratories.

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danger-gevaar

(self loathing remenants, impartitions of being in and not within the circumnavigation of self love propagation. I want to be your friend and feel free, Tamri said to Clive; him not paying two bits(fucks) about what she has shared..

Its within these spaces of infinite little heartbreaks that will define a lifetime of self help gospels.)

-"The sadness of your nonpresence is my shining moon (2022)

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[NO.HUMANS INVOLVED]1 (2019)

Courtesy of Nomcebisi Moyikwa / LUGHA © 2021

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[NO.HUMANS.INVOLVED] (Dreamed, Composed and painted by NOMCEBISI MOYIKWA; musicians, art scientists, movers, tellers, seekers, shakers: MLONDIWETHU DUBAZANE, NOMCEBISI MOYIKWA, TOBIAS NGOMANE AND QHAWE NTSELELO VUMASE.

Nomcebisi Moyikwa / LUGHA © 2021

Photo courtesy of Theater Spektakel, Zurich ~ SUI

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And so I came to an agreement with feels (2020)

Expanding on spatial/architectural practices of healing.

References of inspiration:

2046 [film] (dir: Won Kor Wai/ D.O.P: Christopher Doyle)

Moonlight [film] Cinematographer James Laxton and colorist Alex Bickel

Colouration [obective] : Plrd 600 A classic Polaroid® 600 emulation. Made from one of the last batches of original Polaroid®

James Turrell scapes

Olafur Eliasson's Sun installation + monochromatic light texture(s)

Production team: Nomcebisi Moyikwa (LUGHA), Thalente Ndlovu, Khayone Moyikwa.

Artwork/installation masterpiece featured : "the Mother-Daughter-and-Endotic Moya" courtesy of APHULA Gallery © 2021

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Give one, take none...?

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since 98″ to ∞

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A necessary reflection and re-visitation of agitative states, through the lens(es) of what has felt like being grown [too quick], being ‘too’ anything and centering, glacially, to one’s homing beacon [if any] among the deep salvage of the ancestral rivers, imaginative languages and patterns, art/identiable history(s) that I vibrate mad-real for. Home is somewhere in-btwn inter-realm playing/escape prisms. 

 NB I f*****g love mystique/mythical elements of life. Don't lose that, not yet/ever! It’s a whooole fabric and cosmos of its own; a worthy state to find oneself in, altho highly feared. Overly gassed up, and too many souls promised anything otherwise---for better?

With tenderness, chaotic endotic and ukuzithoba. 

Vubula! Shikhumbane!

[paradympixels]

IMVUSELELO (production draft-001) - 2019

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Untitled (hue-man and flower) - 2018

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“…sweeter the juice.” - 2018

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Waters a start, an end, humidifying humanism, theta and ofcourse…beauty.

ed.01. 2018 [Untitled Series]

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some place; where we’ll hopefully be asked to sleep while we’re young. [beyond thesis] - (2021) APHULA Gallery 1of 1 Original print. LUGHA @nomcebisimoyikwa in frame: 

(circa 2020; level 4 or 3 lockdown//experiment no. nth to the power of 3 of trying to get the meaning of how understanding language (of any) sits in the imaginative scapes, in the in-btwns of instrument, internal   performance and the subtle post-gretion? )

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haiku ye Imilingo (2020)

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“non-variable” (facts?) 2020