Joy Sullivan, from “These Days People Are Really Selling Me On California”, Instructions for Traveling West
Tracy K. Smith, from “Don’t You Wonder, Sometimes?”, Life on Mars
almost home
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Aqua Utopia|海の底で記憶を紡ぐ

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Joy Sullivan, from “These Days People Are Really Selling Me On California”, Instructions for Traveling West
Tracy K. Smith, from “Don’t You Wonder, Sometimes?”, Life on Mars
after @nosebleedclub’s july prompt “figure in the reflection”
Anaïs Nin, Trapeze: The Unexpurgated Diary of Anaïs Nin, 1947-1955
after @nosebleedclub’s February prompt, ix. lucky streak
they don't want you to know this but being weird and staying silly really helps you feel young forever
How much of yourself are you willing to give?
How much is left?
how much is left.
last night, I put oil in my hair because I saw a woman with a pretty white smile online do the same. but I accidentally put too much in and now its hanging limp around my shoulders instead of baby soft like hers, and I wonder how many times in my life I will play act at beautiful. how many times I will cut myself up into pieces that still don't seem to fit in the places I want them to.
when I was thirteen I shaved my baby hairs at the top of my forehead and spent the rest of the year watching them grow awkwardly back. when I was fifteen I learned my body will never look like how I want it to. when I was seventeen I starved myself into submission.
and yet still beauty alluded me- sweeping out of my grasp like a siren in the night. deaf and blind, I chased her until I couldn't recognize myself.
two weeks ago I sat in front of my mirror and grabbed fistfuls of my stomach until it turned red. I then ended the night eating a bag of chips. I won't pretend that I am not to blame in some ways, but this is a defeat that I have long been at the precipice of. I have been running after a ghost for so much of my life I have forgotten the girl I left at the starting line. I think she sits somewhere in my sternum with wet cheeks and bright eyes, wondering what she ever did wrong.
I want to tell her so many things, but the words get stuck somewhere in my throat- because the truth is, I am terrified of her. terrified of the girl I have spent so long cutting myself out of. terrified of knowing the ways in which i've harmed her.
to speak to her would feel like a lie.
January Prompts
1. Everything begins
2. Domain
3. Creak
4. Thin light
5. Sheriff
6. The good twin
7. Highway 59
8. Wife
9. Iron bridges
10. Fingers
11. “Say what you mean”
12. The destroyer’s hour
13. To the marsh
14. Blue Jay
15. Bed of the past
16. The grey coat with the red lining
17. Strangling plant
18. The body
19. Black oak
20. A punishment
21. Gentleman
22. Mahler’s fifth
23. Dogtooth
24. Run the other way
25. Syrupy
26. Dark denim
27. What you really believe
28. Unexpected prophet
29. Secret project
30. Beheaded
31. And the rot sets in
and the rot sets in.
he taps three times on the hollow of my breastbone and I wonder how quickly i’ll split open. too often lately i’ve noticed the unkempt garden flowing vines that make their way out of my mouth when I say I love being alone. which is to say there’s a lot of shit i’m hiding. hiding in the way only beautiful women know how to hide. and being beautiful was the goal wasn’t it? being perfect, being whole- like he could make me whole, like they all could make me whole. but ultimately the sour mold that sits in my stomach along with the calla lilies were not put there by malicious hands but instead were self inflicted. and i’m tired of tying myself up in cellophane bows to make myself more palatable- trimming off the thorns so hands won’t bleed.
and he taps three times on my chest again like he’s waiting for the rabbit to emerge and confetti to bloom. because in the end my magic trick body and soul is for him and by him I mean them alone. but instead, instead this time I hold my breath- and give myself space to grow.
— Anne Sexton, Imitations of Drowning
“you liked to sit in sunbeams a lot, and imagined that they turned your brown eyes into something other than the color of the rug when your mother spilled red wine all over it and swore under her breath and then started to cry as if she had come in contact with the vast nothingness (listen, touch that once, you don’t come back from it), you liked to sit your hands on top of other people’s and say that you were just playing anchor instead of shiptossed yourself (that’s the thing about the water; her eyes were the same color) and not that you counted but there were exactly 106 small freckles like a clover patch covering the bridge of her lamb nose and crossing river down her cheekbones. people like that, you change for. people like that, with the small curl she had right by her widow’s peak, with her rabbit hair and downy eyelashes; like if people were tastes, she’d be two things. she’d be the morning after you decide to live again, sitting down and putting cheerios into your wide open mouth and crunching down on them and thinking: yesterday was not my last breakfast. she’d also be the cake you make a year later on your own birthday and eat all by yourself, like swallowing isn’t shameful anymore but rather an inhalation of joy. i mean she tasted like when you stop surviving and when you get on with living. this is the first time i kissed a girl. or maybe it’s the first time i wanted to kiss a girl. or maybe it’s the first time a girl wanted to kiss me (debateable). you’ve kissed boys before, but boys aren’t sunbeams. boys are sort of like the rice cakes that you see in the healthy section of most chain food stores and are 90 calories (not that you’re counting) and everybody who’s anybody swears you should eat. like the pretty girls crunch their pretty teeth on boys, on their bodies, sharpen themselves into right angles (or wrong angels, depending on how bright the light is in that particular room) for. you’ve tried both - angels and angles; boys and rice cakes. you’ve tried shifting yourself like sand to fit inside the bottle, but never seemed to get a handle on the art of squeezing yourself into perfection (at least not like everyone else did) and while rice cakes and boys were just fine, your staple diet didn’t quite connect the pages of your little weak heart together. and girls. girls are those rock candies you used to get as a kid and shove down the back of your tongue where they hurt the most and made your ears fill with the sound of the bubbling ocean. your father never forgave you for the burns she left on your lips, but when she trembled and turned sunbright with her palm warm against your cheek and leaned in and inhaled and pulled you tighter to her and brought you the clay beast into the kiln of her wanting; you sort of accepted that some things are worth scarring for. she said, “i’m sorry,” her greenblue (when you were seven you lived by the beach and used to chase waves out as they lapped backwards towards the belly of their family and now when you sleep you still hear them laughing) wide eyes, mouth still redpink (yours is on fire and probably, you think suddenly, covered in the sheen of her slightly-gold-glitter lipgloss), “was that your first kiss?” it’s not. or it is. either way, from that moment onwards, a lot of things are suddenly, mysteriously answered. you forgive peter from back in the eighth grade when you found him with his tongue down jimmy’s throat (but seriously though, fuck jimmy, he’s just an asshole), you forgive you mother for the wrinkle of her nose when she says “bisexual”, you forgive yourself for not being born of stone. this is the story of a river, meeting the ocean. or maybe it’s the story of the lamb who came home. or maybe it’s the story of how you can put sunbeams in your eyes with just plain love alone. debateable.”
— there you see her, sitting there across the way: she don’t got a lot to say but you’re terrified of messing everything up with her // r.i.d
July Prompts
i. to the sea ii. your summer in five words iii. funeral suit iv. medieval v. blinded vi. cottonmouth vii. work of fiction viii. mermaid ix. unpleasant x. three swords xi. marsh witch xii. gulls xiii. the hem of your dress xiv. damnation xv. vermillion xvi. arrow xvii. county fair xviii. what is fair? xix. contentious xx. stone xxi. monet xxii. notoriety xxiii. jupiter xxiv. café xxv. it hurts xxvi. flowers we killed xxvii. blood curdling xxviii. pilgrim xxix. scraped knee xxx. cornfield xxxi. the chase
to the sea.
and as the waves crashed down my little hands found solace in the sand that never found a home for long. because the moon tide knew where it needed to be- and so brought the sea with her, leaving scattered pieces of grainy, slimy sand all over my thighs. salt-sprayed and rubbed-raw eyes, but a feeling of life and a sense of mourning for never knowing the depths of all that she can be. never in my life have I wanted to have my feet pulled out for under me. but in that moment i did. my heart was bursting to break like it was made of something more fragile than it was. like sea glass, like a shell, one that echoed the sound of the waves.
May Prompts
1. queen 2. cicada summer 3. tennis court 4. new home 5. overlook 6. crystalline 7. favorite girl 8. alarm 9. wall of portraits 10. pastry shop 11. aging ballerina 12. harm 13. never go back 14. clever stepchild 15. tearful vision 16. milk moon 17. departure time 18. aquarium 19. oil painting 20. early works 21. just 22. northern cabin 23. betraying kiss 24. a new god 25. worthless 26. the night before 27. unctuous 28. beneath the porch 29. cursed jewels 30. please 31. one thousand warships
aging ballerina.
the steps were easy, once.
jumbled now, they seem to be. her body decaying around the ribbon and lace, but her heart still remembers the dance. how to keep in time the way her toes will no longer allow. but it’s not just that-
miguel from the coffee shop two blocks down asked if she wanted milk in her americano- and she couldn’t remember the last time she did. it was easy once, to deprive herself of what she needed.
to fall out of love is to admit to a truth you cannot bring yourself to recognize. to allow yourself to look into the mirror(s) you have been avoiding.
to fall out of love is to unpin your hair after a show and realize you will never pin it back up again.
the steps were easy, once.
now they simply hurt.
ANIS MOJGANI x ALEXANDER HARDING
‘For Those Who Can Still Ride In An Airplane For The First Time’, spoken word, uploaded on Youtube on 20 Apr. 2009;
Visible Light series (2010), photography
Yves Olade, Belovéd
Discussion 2/19/21
1. Number one 2. Mirror 3. Strawberry 4. Paralysis 5. Understudy
NUMBER ONE
It’s interesting, you see, in Gods own world he has left us swallowing life whole instead of taking time to taste. And if by that, we wants us to delve further into madness- I’ll take death. I’ve looked out my window three times today, saw a little girl playing- and in that moment, i remembered what it was like to dream. I imagined what it would be like to flourish instead of wither, to be someone worth knowing.
its getting dark here and all I wanted from you, God, was a reason to stay alive, a reason to try.
MIRROR
liar.
STRAWBERRY
sweet cherry strawberry! lemon lime burst! I smack my lips and jump off the bench and nearly scrape my knees on the concrete. My mouth is red from the popsicle, or maybe its the chapped lips. its the kind of summer where u can feel the salt on your lips and the sweat on your back. dusk lays herself down upon us- and the cool air a gentle kiss.
PARALYSIS
its okay, I understand the feeling. you are shackled inside your own mind, never one for confrontation. oh heaven! sweet one, bow your head, let it be. know now that you will play possum for your own sake. trauma is a type of river that runs through you. Every day you attempt a dam(n), she will not undo you. you have spent too long in a manmade waterway understanding how to float. so play dead, don’t speak, listen to the sound of the shore. It will bring you home.
UNDERSTUDY
never number one. but thought of, at least.