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@fagopticon
โIn order to be free you simply have to be so, without asking permission of anybody. You have to have your own hypothesis about what you are called to do, and follow it, not giving in to circumstances or complying with them. But that sort of freedom demands powerful inner resources, a high degree of self-awareness, a consciousness of your responsibility to yourself and therefore to other people.โ
Andrei Tarkovsky, from โThe artistโs responsibility,โ Sculpting in Time, trans. Kitty Hunter-Blair (University of Texas Press, 1987)
salt tunnels - semnan, iran
Roni Horn, Hot Water Suite (3), 1991-1994, offset lithograph, photo: Raimund Koch, New York
Angelina Yien by Nick Knight for CR Fashion Book Issue 27
keisha,from the book, atlanta by michael schmelling
daesja as mystique legendary performance @ selvins ball april 2001
W Jackson Street, Broken Arrow, Oklahoma.
Chair under window - Tuanshan, 2019
by me
43โx27โ
๐๐ญ'๐ฌ ๐ฅ๐ข๐ค๐ ๐ญ๐ก๐ฎ๐ง๐๐๐ซ, ๐ฅ๐ข๐ ๐ก๐ญ๐ง๐ข๐ง๐ ๐๐ก๐ ๐ฐ๐๐ฒ ๐ฒ๐จ๐ฎ ๐ฅ๐จ๐ฏ๐ ๐ฆ๐ ๐ข๐ฌ ๐๐ซ๐ข๐ ๐ก๐ญ๐๐ง๐ข๐ง๐ ๐๐จ๐ฎ ๐๐๐ญ๐ญ๐๐ซ ๐ค๐ง๐จ๐๐ค---๐ค๐ง๐จ๐๐ค---๐จ๐ง ๐ฐ๐จ๐จ๐, ๐๐๐๐ฒ!
Amii Stewart in the music video for her hit disco classic Knock on Wood, 1979. A cover of the #1 Eddie Floyd 1966 Stax classic, the song was also recorded by Otis Redding and Carla Thomas in 1967, David Bowie in 1974, and Cher in 1976. Amii's rendition, however, was the only version to hit #1 in the US, Canada, the UK and Italy and the song was quickly enshrined as a gay club anthem. Knock on Wood earned Amii a Grammy Award nomination for Best Female R&B Vocal Performance at the 22nd Grammy Awards in 1980. Amii's glamorous costume in the video was inspired by legendary 1920s-1930s actress and cabaret entertainer Josephine Baker.
thereโs joy in repetition