Forget about it @itsPeteski

if i look back, i am lost
almost home

ellievsbear
NASA

#extradirty
I'd rather be in outer space 🛸

Janaina Medeiros
DEAR READER
Keni

pixel skylines
trying on a metaphor
i don't do bad sauce passes
we're not kids anymore.
dirt enthusiast

Discoholic 🪩
Sweet Seals For You, Always
Claire Keane

Origami Around

No title available

No title available

seen from Türkiye
seen from Malaysia

seen from United States

seen from Brazil
seen from United States

seen from Türkiye

seen from Czechia

seen from Bulgaria

seen from United States

seen from Morocco

seen from Germany
seen from Spain
seen from United States
seen from United States

seen from Hungary
seen from Türkiye
seen from United States

seen from Malaysia

seen from Poland
seen from Türkiye
@fartstroll
Forget about it @itsPeteski
SPAWN - FROM THE BEGINNING- SAM & TWITCH - the best from issues 1 thru 4
Skinny shovel courtesy of @boomboomthump
Lolo
@fourtillfour
New York 1966 Kees Scherer
When you gotta go, you gotta go
The Lost Worlds of Wim Wenders’s Polaroids: “Alice in the Cities,” the 1974 film in which Wim Wenders found his artistic voice, is the story of a man who loses his job because of his Polaroids. Its protagonist, the journalist Philip Winter (played by Rüdiger Vogler)—who is Wenders’s recurring onscreen alter ego—is assigned to take a month-long car trip through the United States and to write about what he finds. The movie shows Philip starting out under the Rockaway boardwalk, taking Polaroids; then he drives through the country, stopping at motels and gas stations, taking more pictures. When he returns to his editor’s midtown Manhattan office with a box full of Polaroids and nothing written, he’s fired. (That’s only the start of the action—yet he keeps taking Polaroids nonetheless.)
New view of the Pillars of Creation
js