Patience yields focus

Semi-selective AU specific Keith Kogane from Voltron Legendary Defender.

[elleonazul]

He squeezes his eyes shut. "Fine. I always end up doing as he's ordered anyway." But he does always have something to say while doing the task.

[fcrsakenn]

"Do it. No more of the complaints. Understood?"

[fcrsakenn]

OOC: okay but like Shiro would be the only one to talk some sense into Keith in dark paladins verse after Keith starts--not being loyal to the empire because fuck em' but more like I need to obey them because they'll kill my friends. He keeps his fellow paladins in arms reach. But with Shiro, he still listens.

kinda

[shmeemin]

did a bunch of voltron frame redraws recently !! it’s lots of fun seeing how a media i love looks in the original style vs my own style !

(it’s especially fun considering the first drawing (the 5 panel one) is something i’ve been redrawing since 2016, so i get to see my progress over the years)

[elleonazul]

"Are you giving pidge the same lecture you're giving me?" He doubts it.

[fcrsakenn]

"She will get the same lecture seeing as Sendak hates her more than you. She's on a mission right now." Keith sighs, "You and I are here right now and I might as well do this now then later. No more sass. Do as you're told. If he wants you to shoot someone---" a pause, "then do it."

[elleonazul]

"Wasn't the last warning the one?"

He hisses and steps back at the poke. "You know even if I do stop sassing him. What's to stop him from lying to you?" Lance finishes a scowl on his face as he crosses his arms.

[fcrsakenn]

"This ONE time I know he's not lying because I know you sass the galra on a daily basis. Ever since we were brought here. YOU and Pidge talk back. I can't protect you both forever."

[fcrsakenn]

"This is my last warning."

Keith scowls at him. Prodding his finger on Lance's chest, "I do not want to hear you sassed Sendak. He will hurt you. If he tells you to do something. You do it, because if you get hurt. Don't come crawling to me."

He warns because he cares about his friends enough he doesnt want to see them hurt by the Galra. They have no qualms about torturing them as they have done so when they first got here and he did not want any of his friends to endure that pain again.

Which was why he gave up and swore fealty.

Still thinking about that stings.

@elleonazul

[fcrsakenn]

"This beverage you people drink tastes like absolute SHIT." Hack. Cough. Aggressively throws drink at the wall.

Keith is not amused.

"That costs a shitton of GAC to buy. You better pay it back."

[soulrph]

"𝘿𝙄𝙍𝙀𝘾𝙏 𝘾𝙊𝙉𝙁𝙇𝙄𝘾𝙏" 𝙋𝙍𝙊𝙈𝙋𝙏𝙎. 𝙋𝙏. 1

okay so, this amazing anonymous request came in for prompts in which the sender is defending the receiver from a third party, who is being unnecessarily aggressive towards them! and me being me, i decided it was best to not only make a number of lists for this precise vibe, but ALSO to clarify in the list that these prompts are not directed towards the receiver of the meme, but rather to an NPC third party! unless the sender specifies otherwise. in which case, go wild! be sure to copy and paste the prefix (in this case: TO THE AGGRESSOR: ) to clarify with the receiver! i hope you guys enjoy using these as much as i enjoyed writing them!! and as always, DO NOT ADD TO THIS LIST!!! i am making MORE lists based on this request!

DIALOGUE PROMPTS:

TO THE AGGRESSOR: " that's enough. "

TO THE AGGRESSOR: " back off, already! "

TO THE AGGRESSOR: " you need to think very carefully about the next words that leave your mouth. "

TO THE AGGRESSOR: " watch your mouth, dickhead! "

TO THE AGGRESSOR: " how the hell is your response even CLOSE to being proportionate to what they did?! "

TO THE AGGRESSOR: " come on, man, they made a mistake. that's all. "

TO THE AGGRESSOR: " hey, hey, hey! it was just a stupid accident, right? that's all. no need to be a dick about it! "

TO THE AGGRESSOR: " hey, would you relax already?! they didn't mean to! they meant nothing by it! "

TO THE AGGRESSOR: " talk to them like that one more time, and i swear to you, you'll never talk again. "

TO THE AGGRESSOR: " if anyone else has something they'd like to say to [RECEIVER], they can direct it to me. got that? "

TO THE AGGRESSOR: " alright, they get it! you made your point! now shut the hell up! "

TO THE AGGRESSOR: " how much more sanctimonious bullshit do you intend on heaving on them?! shut up already! "

TO THE AGGRESSOR: " are you done? "

TO THE AGGRESSOR: " leave them alone! "

TO THE AGGRESSOR: " don't make me repeat myself, man. back off. "

TO THE AGGRESSOR: " pick on someone your own size, asshole! "

TO THE AGGRESSOR: " do you always have to be such a dick? "

TO THE AGGRESSOR: " don't go anywhere near them ever again, do you hear me?! "

TO THE AGGRESSOR: " go take a walk and come back when you're ready to be reasonable. "

TO THE AGGRESSOR: " i dare you to say another word to them. go on. i DARE you. "

TO THE AGGRESSOR: " keep going. go on. keep on terrorizing them. just remember, though: actions have consequences. "

TO THE AGGRESSOR: " how dare you speak to them like that?! "

TO THE AGGRESSOR: " god, you really do love the sound of your own voice, don't you? it's a shame that the rest of us don't. "

TO THE AGGRESSOR: " you must feel like a real badass right about now, yeah? yelling and frightening and humiliating someone with more decency and respect than you. except you're not a badass, you know. you're just a coward. "

TO THE AGGRESSOR: " okay, they get it! message received, asshole; now relax! "

TO THE AGGRESSOR: " oh, you're a special kind of asshole, huh? yelling at people you deem weaker than yourself for no good reason. how pathetic do you have to be? "

TO THE AGGRESSOR: " well, if you're done being a whinging cry-baby, [RECEIVER] and i have actual important shit to get on with, so... you better scuttle away, yeah? "

TO THE AGGRESSOR: " what the hell is your problem?! you don't get to just treat people like that, jackass! "

TO THE AGGRESSOR: " if making people cry is the only thing that gives your life meaning, you need serious help. now get away from them. "

TO THE AGGRESSOR: " i will not repeat myself. get. the hell. away from them. NOW. "

TO THE AGGRESSOR: " is there a problem here? "

TO THE AGGRESSOR: " you're teaching them a lesson, is that it?! you like lessons, dumbass? here's one for you; talk shit, get hit! "

TO THE AGGRESSOR: " you better shut your mouth before i shut it for you! "

TO THE AGGRESSOR: " i think they get the message, dickhead, okay? loud and clear. now back off!

TO THE AGGRESSOR: " tell me, is it a challenge to be such a relentless asshole, or does it just come naturally to you? "

TO THE AGGRESSOR: " quit acting like you've never messed up before, jackass, and leave them be! "

TO THE AGGRESSOR: " this was all just some big misunderstanding, right? why don't you go cool off? take a walk, grab some water, move on. sound good? "

ACTION PROMPTS:

[ PUNCH ]: sender intervenes in a conflict between the receiver and a third party by punching the aggressor solidly in the face.

[ BLOCK ]: when the aggressor begins to invade the receiver's body space, sender pushes between them and shoves the aggressor back, serving as a human shield to the receiver.

[ EVICT ]: after intervening on the receiver's behalf, sender firmly and inarguably forces the aggressor to leave the building, never to return to the premises again.

[ GLARE ]: while in full view of the receiver, sender pins a terrifyingly ruthless glare on the aggressor, engaging in a brief stand-off that ends with the aggressor reluctantly leaving.

[ LEAVE ]: having intervened in the conflict on the receiver's behalf, the sender glances back to make sure they're alright, then leaves the room to follow the aggressor and ensure they leave the building.

[ ESCORT ]: after the conflict is resolved, the sender escorts the receiver away from the building to get some fresh air and a break from the scene of the argument.

[rainydayrpmemes]

five word starters: volume iii

five word starter sentences! feel free to change the pronouns/tenses/etc. as you like!

❝ who are you waiting for? ❞

❝ i don’t have many friends. ❞

❝ you’ve got a friend now! ❞

❝ can we do this later? ❞

❝ please, just a little longer. ❞

❝ do we have to do this? ❞

❝ this’ll be all over soon. ❞

❝ what made you so bitter? ❞

❝ when did you realise that? ❞

❝ how can i help you? ❞

❝ how do you feel now? ❞

❝ i need you to understand! ❞

❝ i need someone to see! ❞

❝ where do you see yourself? ❞

❝ what do you see here? ❞

❝ i’m sorry, but you’re wrong. ❞

❝ no, you’re right about that. ❞

❝ we’ll try again another time. ❞

❝ we’ll get it right eventually! ❞

❝ you are doing your best! ❞

❝ you did all you could. ❞

❝ you’re going to be fine! ❞

❝ sorry, i know this hurts! ❞

❝ i thought i lost you! ❞

❝ you’re safe now, i promise. ❞

[fcrsakenn]

“ i must be hurt pretty bad if you’re being this nice to me. “ elleonazul

"What's that supposed to mean?"

Keith looks up at Lance and frowns. His expression stoic as always. It didn’t help that he LOOKED like he didn’t care about his teammate. He shakes his head, wrapping bandages around Lance’s arm tautly. At least, it wasn’t his leg.

Then, he would be completely useless---

“Can’t have you dragging the team down as usual, Lance.”  He says coldly, “It’s bad enough that your leg is injured.” Well, that injury is Keith’s fault and he will never forget that day.

“Get up.”

@elleonazul

[soulprompts]

𝐒𝐄𝐓𝐓𝐋𝐈𝐍𝐆 𝐃𝐔𝐒𝐓 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.

basically i was looking over the protective prompts and the hero prompts and it hit me that like. the unbridled angst and vibes of the whole “post-battle” scene, or a scene set after an attack or a disaster or smth, needs to be ADDRESSED!!! and so y’all get the full weight of my angst today, sprinkled with a lot of teamwork and selfless and sacrificing vibes. i hope you enjoy! do NOT add further contributions to this list!!! i will curse your potato crops!!!

DIALOGUE PROMPTS.

“ can you hear me? hey… [NAME], can you hear my voice? “

“ come on… wake up. please… please wake up… “

“ oh! oh, thank god! i thought we lost you… “

“ hey, hey… look at me, okay? you gotta get up now. you think you might be able to walk? ‘cause they sent for back-up, and if they find us… we cannot let them find us. understand? “

“ go, go! save yourself! i’ll buy you some time! “

“ we both know i’m not walking out of this one. it’s okay, alright? it’s okay… just… do me a favor, will you? will you make them pay for this? i don’t care how. but… don’t let them get away with it. “

“ hey, how badly are you hurt? can you move? you think you can walk? “

“ if you can’t walk, i’m gonna have to carry you, alright? we can’t stay here. “

“ hey, look at me. i’m slowing you down, we both know it. it’s okay. i’ll hide and wait for back-up; you get yourself out of here. “

“ you’re gonna need to climb up on my back, you’re slowing us down with that injury. “

“ will you quit talking like that?! i’m not leaving you behind! “

“ what the hell are you doing here?! i told you to get out of here! “

“ you’re shivering… hey. hey, listen to me, okay? everything’s gonna be alright, i promise. here… take my jacket. don’t worry, i’m warm-blooded. “

“ i’ll get blood on your shirt… “

“ hey, don’t you dare close your eyes, you hear me? you die in my arms, and i’m gonna stick the dry-cleaning bill for this shirt in your coffin, that’s a promise! “

“ i know we almost died just now, but… am i the only one who’s hungry? “

“ we need to get you to a hospital… “

“ hey, come on now… you’re okay. you’re good, right? “

“ i must be hurt pretty bad if you’re being this nice to me. “

“ quit playing the martyr. we’re not leaving you behind. “

“ you know, i hate to be the negative voice, but… did… did we just lose? “

“ look at me… i’m not gonna make it. it’s okay, i’m fine with that. but… you can’t stay here. you’ve got a good long life ahead of you. and you’re smart, too; too smart to wait around here and waste that long life. so you get out of here, and you go live that life. live it for both of us. will you promise me you’ll do that? “

“ back-up isn’t coming. is it? we’re on our own, right? “

“ can’t sleep, huh? it’s okay. it’s probably all that adrenaline and shock; i can’t sleep, either. wanna keep each other company? “

“ i don’t give two shits about the back-up; i’m just happy you’re alive. “

ACTION PROMPTS.

as always, add a “+ REVERSE” to switch the roles!

[ CARRY ]:     having found the receiver in an injured/weak/unconscious state, the sender carries them in their arms to safety.

[ TILT ]:     the sender gently tilts the receiver’s chin up so that they can check to see if they’re okay.

[ PULL ]:     sender takes the fallen receiver’s hands and carefully pulls them up so that they’re standing once more.

[ WAIST ]:     sender, while physically supporting and steadying the receiver, loops an arm around their waist for extra support.

[ BACK ]:     sender crouches down slightly to let the wounded receiver climb on their back, giving them a piggy-back ride to safety afterwards.

[ HAIR ]:     while in the process of checking the receiver for injuries or other signs of harm, the sender gently brushes several strands of hair from their eyes.

[ TEND ]:     sender begins to care for the receiver’s injuries.

[ LEAN ]:     the wounded sender leans against the receiver for physical support.

[ SUPPORT ]:     the sender encourages the wounded receiver to lean against them for physical support.

[ PUSH ]:     the sender gently pushes the receiver back to lie down so they can check them properly for injuries.

[ COAT ]:     sender removes their jacket and drapes it around the shoulders of the trembling receiver.

[ BLANKET ]:     just as they’re all about to go to sleep, the sender covers the receiver with their own blanket.

[ AWAKE ]:     the sender, unable to sleep, gets up to go for a walk, and finds that the receiver is also unable to sleep.

[ TOGETHER ]:     when the receiver awakens, they discover that the sender has been sleeping next to them, arms wrapped around one another for warmth, comfort, protection ( or something more… )

[ BANDAGE ]:     the sender sits down across from the receiver and begins to bandage their wounds.

[ DRAG ]:     unable to leave them behind, the sender drags the wounded receiver out of danger and into a safe hiding place for both of them to wait until help arrives.

[ TOUCH ]:     the sender nudges or touches the receiver to check and see if they’re alright after the attack.

[ CLEAN ]:     the sender gently and carefully begins to bathe the blood/soot/ash/dirt from the receiver’s skin during a moment of calm.

[ PRIORITY ]:     when they arrive at a designated safe place, the sender refuses to be examined or cared for until the receiver is taken care of first.

[ PROMISE ]:     before leaving to get help/food/water/a rescue mission etc, the sender assures and promises the receiver that they’ll return safely, refusing to bring them along or to stay behind.

[ BROKEN ]:     after having promised the receiver that they’d return, it’s learned that the sender died during their mission. how does the receiver respond?

[ TRAPPED ]:     after having promised the receiver that they’d return from a mission, the receiver learns that the sender has been kidnapped or otherwise trapped, requiring a rescue mission to bring them home.

[ RESCUE ]:     the sender and receiver reunite after the sender embarked upon an infamously perilous rescue mission to save the receiver.

[ FOUND ]:     after a massive rescue mission to try and find the missing receiver, the sender is the first to find them just as the efforts are about to be abandoned.

[ HOPE ]:     just as the receiver is about to lose hope in ever finding the sender again, a message or clue of some kind is discovered that essentially guarantees that the sender is still alive, restoring the receiver’s hope once more.

[ CLING ]:     having finally been reunited, the sender pulls the receiver into a tight, overwhelmingly relieved embrace, clinging to them and burying their face in their shoulder. the whole deal. make it EMOTIONAL–

[ TEARS ]:     having finally found the receiver, or having finally been found by the receiver, the sender breaks down in tears of relief, fear, and many other emotions as they officially reunite.

[ SACRIFICE ]:     knowing that the circumstances only allow one of them to survive, the sender sacrifices their life in order to guarantee the receiver’s survival and safety.

[leneemusing]

JEALOUS, FIERCLY PROTECTIVE & TERRITORIAL PROMPTS

feel free to edit pronouns as needed! content warning for some strong language,  threats and implied violence.

to each other:

❝  you’re mine. only mine.  ❞

❝  i’m all yours.  ❞

❝  mine.  ❞

❝  yours.  ❞

❝  we belong to each other.   ❞

❝  you belong to me.  ❞

❝  i belong to you.  only ever you.  ❞

❝  i just didn’t like the way they were looking at you.  like you weren’t mine.  ❞

❝  you know i’m yours,  right?  i only have eyes for you.  ❞

❝  no one else is ever gonna have a chance with me.  you’re it.  you’re all i want.  ❞

❝  i chose you.  and i need you to trust that my decision is final.  trust me.  ❞

❝  wait are you jealous?  ❞

❝  aw,  baby.  it’s cute when you’re jealous.  ❞

❝  i don’t like the way they keep staring at you.   ❞

❝  i don’t like how they keep staring at me.   ❞

❝  are they making you uncomfortable?  i can do something about it.  ❞

❝  no one should even get to look at you unless you want them to.  ❞

❝  stop—  it’s okay.  they’re not worth your anger.  just kiss me.  ❞

❝  stop saying i’m jealous.  i’m not—  i just.  i don’t like having to share. ❞

❝  i’m not jealous,  who said i’m jealous?  ❞

❝  well if i’m all yours then kiss me like it.  ❞

❝  show everyone who i belong to.  ❞

❝  i’m gonna remind them you’re mine.  ❞

❝  i want everyone here to see that you’re mine.  ❞

❝  i want everyone here to see that i’m yours.  ❞

❝  hey—  look at me.  why are you all upset?  ❞

❝  you can’t keep getting your feathers all ruffled when anyone else gives me attention.  ❞

❝  they don’t deserve you—  i don’t deserve you.  but at least i’m aware of it.  ❞

❝  i promise there’s no one else.  you have my heart completely.  ❞

❝  hey,  is this asshole bothering you?  ❞

❝  tell me you’re mine.  ❞

to a third party:

❝  get the fuck away from them!  ❞

❝  look at them like that again and you’ll won’t be seeing anything.  ❞

❝  don’t you dare touch them.  ❞

❝  yeah it’s time to walk the fuck away.  ❞

❝  you’re gonna lose a finger if you don’t get outta my sight right now.  ❞

❝  you heard them,  get lost.  ❞

❝  lucky for you,  i don’t wanna ruin their night.  but i see you sniffing around here again you might not be so fortunate.  ❞

❝  you wanna lose a limb?  beat it,  fucker.  ❞

❝  see,  i woulda left it alone.  but you made them fucking cry.  so now you’re gonna lose your eyes.  ❞

❝  hey,  they said ‘no.’  ❞

❝  hey asshole,  shut the fuck up or i’ll make you shut up.  ❞

❝  what did you just say to them,  you little shit?  ❞

❝  oh yeah.  now you’re all quiet.  not so bold when you’re not the toughest guy in the room,  huh?  ❞

❝  get lost.  ❞

❝  go.  ❞

❝  leave.  before my patience runs out.  ❞

❝  get the fuck outta their face.  ❞

❝  hey,  that’s enough.  ❞

actions:

[ CLAIM ]  for one muse to possessively place their hands on their shoulders or hips. 

[ HOLD ]  for one muse to slide their arm around the other in a possessive way. 

[ SHELTER ]  for one muse to lean into the other’s side or hug them to seek comfort from a crowd or individual while in public. 

[ STAKE ]  for one muse to protectively and/or possessively stand behind the other to intimidate a third party. 

[ RESCUE ]  for one muse to intervene upon seeing a third party making the other one uncomfortable. 

[ CHASE ]  for one muse to interrupt and make a third party leave the other alone out of jealousy/possessiveness. 

[ TENSION ]  for one muse to get in a fight on behalf of the other. 

[ STOP ]  for one muse to break up a fight which started because of them. 

[ MEND ]  for one muse to treat the other’s wounds they got from protecting them. 

[ SCOLD ]  for one muse to treat the other’s wounds they got from fighting over them. 

[ CARESS ]  for one muse to possessively kiss the other in public.

[ TAKE ]  for one muse to passionately kiss the other,  fueled by jealousy. 

[ TAUNT ]  for one muse to flirt with a third party to try and get the other to act possessively. 

[ REMIND ]  for our muses to have passionate sex meant to remind one party who they belong to. 

[ EMBRACE ]  for one muse to dominate the other due to possessiveness/jealousy. 

[ LINKED ]  for one muse to hold the other’s hand in public to stake claim. 

[ INTERTWINE ]  for one muse to hold the other’s hand in public in a comforting manner. 

[goofbcll]

Back for the moment. :) If you ever want to send memes you can. I don’t do starters as much because I can’t think of good ideas. Plus busy. lmao

[leneemusing]

JEALOUS, FIERCLY PROTECTIVE & TERRITORIAL PROMPTS

feel free to edit pronouns as needed! content warning for some strong language,  threats and implied violence.

to each other:

❝  you’re mine. only mine.  ❞

❝  i’m all yours.  ❞

❝  mine.  ❞

❝  yours.  ❞

❝  we belong to each other.   ❞

❝  you belong to me.  ❞

❝  i belong to you.  only ever you.  ❞

❝  i just didn’t like the way they were looking at you.  like you weren’t mine.  ❞

❝  you know i’m yours,  right?  i only have eyes for you.  ❞

❝  no one else is ever gonna have a chance with me.  you’re it.  you’re all i want.  ❞

❝  i chose you.  and i need you to trust that my decision is final.  trust me.  ❞

❝  wait are you jealous?  ❞

❝  aw,  baby.  it’s cute when you’re jealous.  ❞

❝  i don’t like the way they keep staring at you.   ❞

❝  i don’t like how they keep staring at me.   ❞

❝  are they making you uncomfortable?  i can do something about it.  ❞

❝  no one should even get to look at you unless you want them to.  ❞

❝  stop—  it’s okay.  they’re not worth your anger.  just kiss me.  ❞

❝  stop saying i’m jealous.  i’m not—  i just.  i don’t like having to share. ❞

❝  i’m not jealous,  who said i’m jealous?  ❞

❝  well if i’m all yours then kiss me like it.  ❞

❝  show everyone who i belong to.  ❞

❝  i’m gonna remind them you’re mine.  ❞

❝  i want everyone here to see that you’re mine.  ❞

❝  i want everyone here to see that i’m yours.  ❞

❝  hey—  look at me.  why are you all upset?  ❞

❝  you can’t keep getting your feathers all ruffled when anyone else gives me attention.  ❞

❝  they don’t deserve you—  i don’t deserve you.  but at least i’m aware of it.  ❞

❝  i promise there’s no one else.  you have my heart completely.  ❞

❝  hey,  is this asshole bothering you?  ❞

❝  tell me you’re mine.  ❞

to a third party:

❝  get the fuck away from them!  ❞

❝  look at them like that again and you’ll won’t be seeing anything.  ❞

❝  don’t you dare touch them.  ❞

❝  yeah it’s time to walk the fuck away.  ❞

❝  you’re gonna lose a finger if you don’t get outta my sight right now.  ❞

❝  you heard them,  get lost.  ❞

❝  lucky for you,  i don’t wanna ruin their night.  but i see you sniffing around here again you might not be so fortunate.  ❞

❝  you wanna lose a limb?  beat it,  fucker.  ❞

❝  see,  i woulda left it alone.  but you made them fucking cry.  so now you’re gonna lose your eyes.  ❞

❝  hey,  they said ‘no.’  ❞

❝  hey asshole,  shut the fuck up or i’ll make you shut up.  ❞

❝  what did you just say to them,  you little shit?  ❞

❝  oh yeah.  now you’re all quiet.  not so bold when you’re not the toughest guy in the room,  huh?  ❞

❝  get lost.  ❞

❝  go.  ❞

❝  leave.  before my patience runs out.  ❞

❝  get the fuck outta their face.  ❞

❝  hey,  that’s enough.  ❞

actions:

[ CLAIM ]  for one muse to possessively place their hands on their shoulders or hips. 

[ HOLD ]  for one muse to slide their arm around the other in a possessive way. 

[ SHELTER ]  for one muse to lean into the other’s side or hug them to seek comfort from a crowd or individual while in public. 

[ STAKE ]  for one muse to protectively and/or possessively stand behind the other to intimidate a third party. 

[ RESCUE ]  for one muse to intervene upon seeing a third party making the other one uncomfortable. 

[ CHASE ]  for one muse to interrupt and make a third party leave the other alone out of jealousy/possessiveness. 

[ TENSION ]  for one muse to get in a fight on behalf of the other. 

[ STOP ]  for one muse to break up a fight which started because of them. 

[ MEND ]  for one muse to treat the other’s wounds they got from protecting them. 

[ SCOLD ]  for one muse to treat the other’s wounds they got from fighting over them. 

[ CARESS ]  for one muse to possessively kiss the other in public.

[ TAKE ]  for one muse to passionately kiss the other,  fueled by jealousy. 

[ TAUNT ]  for one muse to flirt with a third party to try and get the other to act possessively. 

[ REMIND ]  for our muses to have passionate sex meant to remind one party who they belong to. 

[ EMBRACE ]  for one muse to dominate the other due to possessiveness/jealousy. 

[ LINKED ]  for one muse to hold the other’s hand in public to stake claim. 

[ INTERTWINE ]  for one muse to hold the other’s hand in public in a comforting manner. 

[leneemusing]

STAYING THE NIGHT PROMPTS

❝  don’t be ridiculous,  there’s enough room on this bed for both of us. ❞ 

❝  please stay.  i don’t think i can be alone tonight.  ❞

❝  i’m staying,  okay?  you don’t have to be alone tonight. ❞

❝  you shouldn’t be alone right now.  i’ll take the couch,  it’ll be fine.  ❞

❝  will you sleep with me?  i know how that sounds i just mean—  i feel safe when you’re there.  ❞

❝  i’ll be here the whole night okay?  nothing will get to you while i’m here.  ❞

❝  wait— have you been here all night?  ❞

❝  i thought you went home after i went to bed.  you didn’t have to do that— you could’ve at least joined me in bed that couch is shit for sleeping on.  ❞

❝  can i stay with you tonight?  i don’t wanna go home yet.  ❞

❝  it’s late,  you might as well just stay here.  ❞

❝  can you just…stay here?  and hold me.  ❞

❝  i know this might sound weird but,  do you wanna stay over?  i guess ‘sleepover’ sounds kind of childish but.  i think it’d be nice.  ❞

❝  i’m not expecting anything,  i just,  thought it’d be nice to keep you company tonight. ❞

❝  i don’t have nightmares when you’re there.  ❞

❝  i get you’re doing the whole protective thing— and i appreciate it.  i do,  but there’s no reason for you to stay awake all night.  might as well come to bed.  ❞

❝  thank you for staying.  it just gets so lonely at night sometimes.  ❞

❝  i don’t want you to be alone tonight and honestly,  i don’t really wanna be alone either.  ❞

❝  do you wanna stay with me tonight?  ❞

❝  stay,  please.  ❞

❝  i’ll stay.  ❞

❝  i’m staying.  ❞

❝  i’m staying.  end of discussion.  you gotta learn to let people take care of you.  ❞

❝  i’m not ready to say goodbye yet.  ❞

❝  i don’t wanna have to say goodnight.  ❞

❝  honestly i can’t sleep,  so if you wanna stay up with me?  ❞

❝  i don’t sleep a lot either these days.  we can be insomniacs together.  ❞

❝  well,  i can think of some ways to wear you out.  ❞

❝  if you can’t sleep,  there are other things we could do.  ❞

❝  i’d rather fuck than stare at the ceiling counting sheep to be honest.  ❞

❝  it doesn’t have to mean anything,  i just don’t wanna feel lonely tonight.  and i want to feel good for once.  ❞

❝  please don’t go—  i need.  i need someone—  i need you.  ❞

❝  the night doesn’t have to end here,  you know.  ❞

❝  i like it when you’re here.  so stay.  please?  ❞

❝  you’re just as lonely as i am.  might as well be lonely together.  ❞

❝  you can stay but i’m not letting you sleep on that couch.  ❞

❝  chivalry is overrated,  get in my bed.  ❞

❝  you’re clearly exhausted.  you can go in the morning.  ❞

❝  you don’t have to pretend to be fine,  if you need me to stay i will.  ❞

❝  when i said i wanted everyone to leave me alone i didn’t mean you.  i can’t handle everyone else right now but you…you’re different.  ❞

❝  you need someone right now.  and i’m the one that’s here.  let me be what you need.  ❞

SCENARIOS

[ GUARDED ]  sender insists on staying the night to keep watch over receiver who has been in some kind of danger. 

[ GUARDING ]  receiver insists on staying the night to keep watch over sender who has been in some kind of danger. 

[ UNEXPECTED ]  one muse stays the night to keep an eye on the other after something traumatic and they end up having comfort sex.

[ CONSOLE ]  sender asks receiver to stay the night because they don’t want to be alone and they end up cuddling.  

[ CONSOLED ]  receiver asks sender to stay the night because they don’t want to be alone and they end up cuddling. 

[ ACCIDENT ]  sender winds up staying at receiver’s house all night because receiver fell asleep against them/in their lap and they didn’t have the heart to wake them. 

[ UNPLANNED ]  receiver winds up staying at sender’s house all night because sender fell asleep against them/in their lap and they didn’t have the heart to wake them. 

[ STAY ]  sender is carrying receiver to bed because they fell asleep somewhere else but when they start to walk away,  receiver grabs their hand so sender joins them in bed. 

[ STAYING ]  receiver is carrying sender to bed because they fell asleep somewhere else but when they start to walk away,  sender grabs their hand so receiver joins them in bed. 

[ APPROACHED ]  sender is staying with receiver for safety and asks if they can sleep in their bed with them. 

[ APPROACH ]  receiver is staying with sender for safety and asks if they can sleep in their bed with them. 

[ SHARE ]  sender is unexpectedly staying with receiver overnight,  receiver insisted sender sleep on the bed while they take the floor but sender winds up insisting they join them in bed. 

[ SHARED ]  receiver is unexpectedly staying with sender overnight,  sender insisted receiver sleep on the bed while they take the floor but receiver winds up insisting they join them in bed. 

[ FOUND ]  sender is staying with receiver who had them take the bed while receiver takes the couch.  in the middle of the night,  sender goes out to join receiver on the couch because they don’t want to sleep alone. 

[ FIND ]  receiver is staying with sender who had them take the bed while sender takes the couch.  in the middle of the night,  receiver goes out to join sender on the couch because they don’t want to sleep alone. 

[ DISCOVERED ]  receiver wakes up in the morning to find sender asleep on their couch because sender was watching over them. 

[ HAVEN ]  receiver wakes up in the morning to find sender asleep on their couch because sender felt safer with them. 

[ WEARY ]  sender cries themselves to sleep in receiver’s arms. 

[ TIRED ]  receiver cries themselves to sleep in sender’s arms. 

[ PROPOSITION ]  one or both muse(s) are having trouble sleeping so they have sex to pass the time. 

[ PURPOSE ]  one muse can’t sleep so the other initiates sex to wear them out. 

[ TRAPPED ]  one muse ends up staying the night with the other due to a storm. 

[ KEEP ]  sender fell asleep on receiver and when receiver tries to get up,  sender whines so they stay put.  

[formderptron]

Happy Birthday Keith!

(May your life be a bit easier than this now)

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[fcrsakenn]

immoralraigan​:

The deeper he traveled, the more his head buzzed. Such an unpleasant feeling– and yet it wasn’t debilitating. It was more like a prolonged static shock between two people, both invigorating and repelling at the same time. Farus’ hand had traced along a cave wall for a bit, until slender fingers passed over a streak of glowing blue substance. At that split second, whatever he felt caused him to jerk away, giving that luminous vein an accusatory scowl.

Ah… but it sounded like the young man he’d been trailing sensed his presence. Another scowl, this time expressing nothing more than annoyance, and he continued along the overhang to where he could see the stranger from above.

“…If you can’t think to look up, that’s your own damn problem,” he called down, reaching a hand up to steady himself on the wall of the ledge. But there was another bluish vein there as well, and just as his hand drew near enough for its glow to reflect off his skin, he recoiled from it. That hand now remained crossed before his flushed face, as if he had smelt something truly offensive.

“Tch!…Nasty stuff. Why the hell would you fools want such a thing? It’s vile.”

You fools, he said… Surely that insinuated that he’d watched others harvesting materials from caves like this as well.

“That’s none of your concern.”

Keith retrieves his bayard, a sword. Even though he had a gun on his waist. The sword was his weapon of choice, “This is a restricted area, no one should be here but me. Not sure how you got past the sentry. But you wont get past me!”

Keith jumps up, using his jet pack. He raises his sword and plunges down towards Farus. Intending on stabbing him.