Jordan Ferree
Assignment #7
April 20, 2014
#VAP20002

blake kathryn
cherry valley forever
art blog(derogatory)
𓃗
todays bird

pixel skylines
almost home

Kaledo Art
KIROKAZE
Fai_Ryy
Noah Kahan
No title available
Misplaced Lens Cap
Sweet Seals For You, Always
EXPECTATIONS
we're not kids anymore.

No title available
RMH
Peter Solarz
PUT YOUR BEARD IN MY MOUTH

seen from T1
seen from Spain
seen from Türkiye

seen from United States

seen from United Kingdom

seen from Switzerland
seen from Malaysia
seen from United States
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seen from Yemen
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seen from Saudi Arabia
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@ferreej1-blog
Jordan Ferree
Assignment #7
April 20, 2014
#VAP20002
Jordan Ferree
Assignment 6
April 11, 2016
Theme: New York
#VAP20002
#VAP20002
#Exercise
New Profile System by PANZERI.
I like this photo because it goes along with our assignment. The lighting in the image is the subject. It has rhythm and pattern. I think the different spacing between the horizontal lights makes it interesting.
Ch. 5 Mental Modeling
Photographer’s have unique mental models in their minds that determine all aspects of their photographs. These mental model in their minds can be of two extremes. The first being, rigid and ossified, where it is bound by conditionings, or it can be supple and fluid, where it is readily adjusted. Think of it as a filter, where a photographer only takes certain kinds of pictures or as an adjusting filter. If a photographer can become aware of the model and level, he can control it and manipulate it to his liking and meaning.
Each level of photography discussed in Shore is attributed to the previous. The levels build upon each other, but they also strengthen and reflect back on each other. They are strengthened through a better understanding of a photograph and the scope and meaning are emphasized.
Jordan Ferree
Assignment #5
March 23, 2016
#VAP20002
Examples
Assignment #5
#VAP20002
Chapter 4: The Mental Level
“Pictures exist on a mental level that may be coincident with the depictive level - what the picture is showing - but does not mirror it.”
The mental level is your brain interpreting and refining the space or image in front of you. It creates a framework for the mental image of the picture. When taking pictures and examining photographs the mental level is determined by what is being photographed. The depictive level differs from the mental level, however, they are connected by choice of vantage point, frame, time, and focus. The mental and depictive space of an image can be deep or shallow depending on structural devices a photographer may use or what is actually in the photo.
brianstowell: Wild abandon. Bandon, Oregon - If you love this beautiful picture, like it. We post stuff just like this every day on Facebook. Like us by clicking here: http://on.fb.me/1bgLOYJ - You won’t regret it.
I like all the textures of this photo. There is the stiff hardness of the rocks. There is also the soft, wet sand. I like the mist and and fogginess in the air. The color of the sunset creates cool lighting on the waves that are crashing in.
Jordan Ferree
Assignment #4
March 9, 2016
#VAP20002
Ch. 3 The Depictive Level
When deciding to take a photograph, a photographer looks at the world around him or her and carefully choose what will be all the elements included in the photograph. According to Shore, the depictive level of the photograph is made up of four attributes, flatness, frame, time, and focus. A picture is flat because it is two-dimensional and has a relationship with the picture plane, where it has one vantage point. The frame of a picture is created by the edges, and the edges either bring in or cut out piece of the world. The subject within these edges determine the photographer’s recipient of the frame’s emphasis. There are two factors for time in a photograph, the duration of exposure and the state mess of the final image. The purpose of the focus of the photograph is to give emphasis to a part of the picture that is the subject rather than just a small part of the photograph.
Szarkowski describes five key elements of photography. The thing itself which is the actual photograph. The second element is the detail, which allows the photographer to use pictures as symbols, rather than as a narrative. The third element is the frame, which he states is the central act of photography. A photograph’s key element is time, it represents only the present and is determined through a shorter or longer exposure. Shore and Szarkowski both agree that time is important when making a photograph, it is a snapshot of what is. The final element is vantage point, which has allowed photographer’s to photograph the unexpected and get different pictures.
Jordan Ferree
February 29, 2016
Assignment #3
#VAP20002
Photo #2 - Brick Wall
This photograph grabs my attention the most of the five I took. I like the deterioration and the missing bricks. It almost reminds me of a puzzle that is missing several puzzle pieces. The pile on the ground could be a pile of all the missing bricks from the wall that have fallen out over time. It is also cool how you can see the different layers of brick colors and patterns. Lastly, I think the cool, bold blue adds a nice color and rhythmic element to the picture.
I chose this photo because it kind of goes along with our detritus assignment. It is rustic and worn, but at the same time has perfect shapes of the continents. I like the lighting. It is a little dark, but has some type of spotlight towards the top shining down on it. The frame of the picture is a little off because Australia is cut off, but I still find it appealing.
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Chapter 2 - The Physical Level
The physical level of a photograph is represented through flatness, edges, static, and its color. These qualities determine the visual attributes of an image. The flatness of a photo is the plane of the picture. The edges of the image demand boundedness. The staticness determines the experience of time in the photograph. Lastly, the color expands the palette and adds more description.
A photograph represents a moment in time, and a moment in time that a photographer thought should be captured. A picture lets the viewer experience what the photographer was seeing, doing, thinking, or feeling at that moment in time.
Jordan Ferree
February 15, 2016
Assignment #2 - Chance
Jordan Ferree
February 15, 2016
Assignment #2 - Intent