Johnny Mnemonic (1995)
AnasAbdin
Cosmic Funnies
d e v o n

No title available
Acquired Stardust
almost home
RMH
I'd rather be in outer space 🛸
let's talk about Bridgerton tea, my ask is open
Peter Solarz
🪼
DEAR READER

❣ Chile in a Photography ❣
ojovivo
Alisa U Zemlji Chuda
art blog(derogatory)

roma★
Aqua Utopia|海の底で記憶を紡ぐ
dirt enthusiast
No title available

seen from United States
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seen from United States

seen from United States
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seen from Singapore
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@fillthespaceinbetween
Johnny Mnemonic (1995)
It’s the Great Pumpkin, Charlie Brown (1966)
RoyalPrincessAlice様(@R_P_Alice)とのコラボで描かせていただきました。 「Rose Garden」 https://t.co/CYKzqQlw3S
I Won’t Let You Fall Apart
Nine Inch Nails - The Fragile (1999 MTV VIdeo Music Awards)
Hardware AKA MARK 13 (1990)
AOL Instant Messager [AIM] (1997 - 2017)
Trent Reznor & Atticus Ross (NIN) Break Down Their Most Iconic Tracks - GQ Magazine
I thought this recurring joke/little bit of continuity between Penguins of Madagascar and The Penguins of Madagascar was funny.
The Penguins of Madagascar (2008) S02E43 “Cute-Astrophe” wtr. Brandon Sawyer, dir. David Knott
Colin Farrell in the trailer for Sugar (2024-)
Hard to believe Nine Inch Nails' classic The Downward Spiral is 30 years old today! Here is some detail photography I took of the original album cover painting by Russell Mills for the 10th anniversary deluxe edition release, which I had the unique honor of designing, and somehow that is now 20 year old.
Everyone has that one album that hit at just the right moment of adolescence to change their perspective on music and get them through their teenage angst. The Downward Spiral was that album for me, released as it was in 1994, when I was a freshman in high school (and an absolute banner year for music/films/games all around). I must have stared at the artwork for hours over those years, without even much detail to draw from on its tiny 5” CD slip case. So five years later, when I found myself inexplicably working for Nine Inch Nails, it was surreal to see the actual original painting in the flesh, hanging as it was at the time in Trent Reznor’s office at Nothing Studios, New Orleans.
I was struck by how much dimension and texture there was in the artwork that never translated on that tiny slipcase printing, how much detail was happening in the physical materials of the art: Flies, moths, wires, blood… I had been staring at this “painting” for so long, yet suddenly it was like I had never seen it before. I also noticed that it had aged - the wires had wilted over the years, drooping down from their original position as captured in the original album cover (interestingly, judging by the photo posted today by NIN, the piece has since been restored); a tooth was missing from the other main piece.
That experience stuck with me and it was the first thing I thought about when the task of re-imagining the album package fell upon me in 2004. I wanted to re-photograph the artwork, subtly updating the cover to show that ten years had changed it physically, much like our perceptions of art and music and memories change over time with perspective. I also wanted to dig into the previously unseen details of the work and explore it with my macro lens, so that fans like me, old and new, could have new layers of texture to pore over for hours while listening to a legendary album.
Happy birthday, old friend.
i am better than i was. i will be better than i am.
Deep (2001)
hes so neurodivergent-coded. im just like trent reznor but a girl
He's just like me for real
Nine Inch Nails | Promo from The Guardian (1999)