“Come back. Come back to me.”
Atonement (2007) dir. Joe Wright.

Kaledo Art

Origami Around

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Today's Document
Stranger Things
will byers stan first human second
Cosimo Galluzzi

roma★
No title available
Alisa U Zemlji Chuda

shark vs the universe
DEAR READER
Lint Roller? I Barely Know Her
Misplaced Lens Cap

PR's Tumblrdome
taylor price
styofa doing anything

Discoholic 🪩

izzy's playlists!
Acquired Stardust

seen from Australia
seen from United States
seen from United States

seen from Israel
seen from France
seen from United States
seen from Türkiye
seen from Netherlands
seen from France
seen from United States
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seen from T1

seen from United States

seen from Saudi Arabia
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seen from Saudi Arabia
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seen from Singapore
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@filmbabyy
“Come back. Come back to me.”
Atonement (2007) dir. Joe Wright.
coraline (2009)
directed by henry selick
coraline (2009)
directed by henry selick
Ashton Sanders as Chiron in Moonlight (2016)
directed by Barry Jenkins
cinematography by James Laxton
Mid90s (2018)
directed by Jonah Hill
cinematography by Christopher Blauvelt
Ashton Sanders as Chiron in Moonlight (2016)
directed by Barry Jenkins
cinematography by James Laxton
Call Me by Your Name (2017)
directed by Luca Guadagnino
“Come back. Come back to me.”
Atonement (2007) dir. Joe Wright.
Running on Empty (1988) dir. Sydney Lumet.
Mid90s (2018)
directed by Jonah Hill
cinematography by Christopher Blauvelt
“Can you feel that? The energy, coming up from the earth?”
Midsommar (2019)
directed by Ari Aster
“Can you feel that? The energy, coming up from the earth?”
Midsommar (2019)
directed by Ari Aster
saw midsommar today,hence my new layout
Mid90s (2018)
directed by Jonah Hill
cinematography by Christopher Blauvelt
“Life is like the surf, so give yourself away like the sea.”
Y Tu Mamá También (2001)
directed by Alfonso Cuarón
cinematography by Emmanuel Lubezki
Black Mirror: San Junipero (2016)
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directed by Owen Harris
cinematography by Gustav Danielsson
“I always had hopes of being a big star. But as you get older, you aim a little lower. Everybody wants to make an impression, some mark upon the world. Then you think, you've made a mark on the world if you just get through it, and a few people remember your name. Then you've left a mark. You don't have to bend the whole world. I think it's better to just enjoy it. Pay your dues, and just enjoy it. If you shoot an arrow and it goes real high, hooray for you.”
Paris is Burning (1990)
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directed by Jennie Livingston
cinematography by Paul Gibson