“Echeverias”
Graphite, watercolor, acrylic on paper
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@findbella
“Echeverias”
Graphite, watercolor, acrylic on paper
i.
thoughts of being a better human occupy her head since the beginning of this year. life has revealed so much that breathing often becomes difficult. no matter how much she declutters little mementos, clothes from years ago, warm presents, cheapskate finds, inside her mind she drowns in clutter still. often she swims with rippled images of distant strangers and nonexistent occurrences she architects for her own destruction. inside, her voice only echoes, no one hears.
she believes progression accompanied the two months that has gone. however, her obsessions sail along unnoticed and steal her chest of professed growth. how devastating, she gasps.
she supposes herself a ruin, a wreckage on the seabed. howling gales above laugh as she struggles, her lungs about to burst apart. but spirited flows never betray, rather they sustain. she finds herself ashore.
her forlorn attempts wear her now. her flowery promises that never come about, she finally picks off. the remaining territory becomes undisguised, suggesting repose.
here and now, she catches breath.
“011″
"Azure y Carmine"
9 3/8" x 12 1/2" Watercolor and acrylic on paper
A sisterhood that holds the cardinal quality of initiating manifestation and change. Their tresses of delicate blues and lusty reds entwine together; hand in hand, they appear as one.
One rushes in and fills every space while the other consumes and razes entities. Extremes divided in two; Azure soothes as Carmine ignites.
This original piece is still available. Message me for inquiries. ☺
“Sidhe”
11″ x 17.5″ Watercolor on paper
Sidhes and humans dance with fate just the same, grow with ache all the same.
Born in springtime young with florets of pinks, grace, innocence.
Bloom in daytime lush with hibiscuses of blues, fascinations, questions.
Bond in nighttime wise with carnations of mauves, intellection, resilience.
A break from a lifetime full of strain compels tough spirits to travel through air.
This original piece is still available. Message me for inquiries.
Journal, January - March 2015
The last of August involved antiques alive with dust, a sweeping collection of old-fashioned footwear, broken keyboards, delicate platters and timeworn housewares, an army of forgotten dollies, and a gray-haired keeper who carried a smile and uttered hello.
When daylight fell between the cracks of the crowded repository, I heard the rag dolls alongside all unremembered ones hum Gaiman’s words:
we are small but we are many we are many we are small we were here before you rose we will be here when you fall
Hello, dear friends and strangers.
These original and limited artworks are up for sale and proceeds from this will help my friend's medications and transplant. Joseph is currently admitted at the National Kidney Transplant Institute due to Non-Hodgkin's Lymphoma or T-Cell Type Lymphoblastic Lymphoma and he has to go through stem cell transplant and high dose of chemotherapy that costs about 2-3 million pesos.
I have known this guy since fifth grade and we may not be the best of friends but he's undoubtedly that one person who is genuinely funny and kind.
You may send me a message here or contact me via e-mail at [email protected] if you are interested in purchasing one. You may also extend your help by donating to Joseph's transplant and chemotherapy through https://www.gofundme.com/helpforjosephb.
Let's help him get through this.
Journal, April-June 2015
Journal, March-July 2015
I wonder.
Journal, January-April 2015
Journal, January 2015
Even Solitaries Fleet Away
Perhaps tears are excess fuel from a carbon-based primitive tank in this silicon world – as Jeanette Winterson would assert. Although this time, it does not protest. It endures compromise and let itself be seduced by it. These little tanks embrace the lot which are far from the body and mind’s comprehension. But once filled to its capacity, it rids of the overabundant utterly.
A seemingly fathomless tank yet to make it full requires no effort from man. It brims over even the littlest notions of tenderness and warm feelings. Even so, she cannot decipher which among the many causes the leak ofttimes.
A borrowed blanket faintly mantles a portion of her figure. Second thoughts and a synthetic chill permeates through the night. Suddenly the room is painted blue.
She identifies the spell of weeping as both a curse and a gift. It is a gift for to sense so much of the world is the essence of being alive. It is what drives humans to create and to make a mark. But uncertainties come along uninvited, offering company. They linger in the most somber corners and pester her spirit’s dwelling. The unsought guests are poor navigators for they inevitably blur vision.
As the vision blurs, her cheeks welcome a familiar string of warmth escaping from a pair of brown mortal orbs. It plummets genuinely and feels summery on the skin. The sequence of droplets trickling down her cheeks bear a resemblance to a sun-drenced river’s flowing through April. Both outflow to and fro its genesis.
She keeps her hands pinned far from the weary visage as gravity pulls the string down to her floral pillowcase. She does not wish to wipe them off – at least not anymore. She then lets little puddles of oblivion stain her skin and grasps the enduring sense of belongingness.
Beyond the walls, the wee stars glister as the moon gleams and floods the surface of the world. She and the hours of darkness shared a thought, “not a thing lasts long so might as well latch on to the little remaining ones. Tomorrow you will awake to find the walls afresh and white again.”
The mortal pair of orbs is now hidden. The familiar strings gone.
Something about lines, points, shapes, and lack of color.
She is back to basics.
11122015.
For the group show Sa Pangatlong Kanto
An exhibit in celebration of Dante Alighieri's 750th Birth Anniversary.
The show runs from November 24 to 27, 2015 at the Museum of A History of Ideas, University of the Philippines Manila.
Similar to Alighieri's Divine Comedy and its three different realms of the dead, people on earth live bit by bit in their own kind of division too. Most stay in domains where they think they fairly belong, while some move from under to somewhere over and beyond in attempt to achieve a change of mind and of heart―a journey to metanoia.
This, in relation to Dante's sailing across the river of sorrow–also known as the Acheron–with Virgil and Charon the ferryman marks the beginning of his pilgrimage.
See Inferno, Canto III.
progress shot of A Forlorn Attempt