Useful websites / links for rentry , bundlrs , gfx & etc for you!
symbol sanatorium - Links to a google document with a ton of symbols , kaomojis & text layouts. I use it for pretty much all of my recent rentrys.
sozaino.site - Website that's been making its rounds on rentry as of late, useful for graphic making. Has dividers, pngs, frames ~ etc if you have the creative touch.
sozai-good - site I found recently that has a lot of pngs you can download, also has frames and borders. In japanese but isn't hard to translate. Everything is also sorted into sections.
lottie lab - Website useful for animating, can be used to move around PNGs for rentry and the like. I don't use it much myself atm, but it's pretty easy to get the hang of.
scripted.neocities - Neocities full of code you can use for bundlrs or carrd. Also useful for stuff like spacehey and other sites that use CSS / HTML
blinkies.cafe - Easily make or find blinkies here! Great for beginners who want to make some simple things.
emojicombos - Search practically anything and you'll find an emoji combo for it. Useful for finding symbol / text combos and kaomojis.
unicode character table - Has pretty much every single symbol you've seen or needed. You can find what you want pretty easily due to its sectioning. Has stuff like arrows , dingbats , brackets , etc etc..
yaytext - Make your text 𝙼𝚘𝚗𝚘𝚜𝚙𝚊𝚌𝚎! or U͟n͟d͟e͟r͟l͟i͟n͟e͟d͟!͟ easily with this website! May possibly break screenreaders in the process though so be warned.
lorem ipsum generator - Too lazy to generate a block of text to make a page look filled out, well look no longer! This site can quickly generate of block of pure gibberish to make it seem like there's actually text there! Good for newspaper / magazine gfx ~
And that's all ( for now )! I use most of all these sites and find them very useful! Hopefully one of them will prove useful to you too dear friend (❁´◡`❁)
12!Arthur when he learns about the Vritra: I have to remain calm and collected and have a reasonable strategy, these are literal psuedo-gods and I understand even as a quadra-elemental I will have to train harder than anyone ever to even have a chance at defeating them
17!Arthur seeing a Vritra at 3 in the morning: YO CHUCKLEFUCK GET READY TO THROW DOWN
foolish says he wants a mob that strikes the fear of god in him whenever he sees it and he knows when he sees it that theres no escape
when describing it he kinda mimicked how cellbit narrated lucies death lmao saying that it'll make his death slow and painful and he'll be able to feel all the anguish as he slowly dies, the thing would even go as far as to take his kidney because it was bored
There's always been this joke amongst the crows that Phil's bird instincts cause him to perch a lot and in his playstyle that's something that just makes sense. It helps him be safe from threats while also getting a good view over the situation so he can come up with the best plan to deal with it.
Now why is this the time where I want to bring this up? Because Phil doesn't have a reason to perch technically. The room is small enough that he could easily see it all from the ground and he's not getting swarmed nor is there any direct threat so why did he perch as soon as forever left?
Cause he's cautious, anxious and scared. He already had a gun pointed at him mere moments ago, he's watching a good friend of him fall apart without him being able to do anything about it and he is unsure of what to do because one wrong step could be disastrous.
Perching is Phil's way to assess a situation, to analyze it and to find a good way to deal with whatever is happening at hand, this obviously doesn't work when the threat isn't necessarily physically but mentally. But it still gives him that same sense of comfort.
Perching means safety. It means analyzing. It means caution. And most importantly it's a sign of worry.
There's a reason why he instantly jumped to the ground as soon as Forever came back, Phil didn't want him to know how worried and scared Phil was. Phil knew he had to keep some type of front up, so this was the closest he got to showing how he truly felt down in forevers base
So I went back and watched Bad's conversations with Foolish, Baghera, and Tina and the difference in how Bad talks to each of them really speaks to who each character truly is.
While Bad's conversation with Foolish is still very much a test, he talks to Foolish like an equal, someone to bounce ideas off of. Bad knows Foolish's morals lines up with his own, and he is constantly seeking justification from him. They talk in metaphors, but their shared understanding of each other makes this one of the bluntest conversations Bad's had. He doesn't really lie, because he's heavily relying on Foolish to piece things together himself. It's him who asks openly "How much can I trust you, Foolish?" and Foolish gives him a very honest, logical answer. It's perfect for Bad. He's not looking for pity or emotional support. He just wants to know who's going to get in his way. And Foolish, untrustworthy as he may be, seems to be the only one actively cheering Bad on. They sound like co-conspirators. Bad knows he and Foolish are both playing two separate games of 3D chess ("It's a fun game, it's a fun game we're playing, Bad!"), so why would he pretend like he's not?
Throughout their conversation, he's constantly moving to talk to Foolish on the same ground level, until the very last conversation about Ron. This is when Bad drops his most important piece of info, shrouded completely in metaphor. He's looking up towards Foolish; he is finally showing his hand and placing Foolish on the upper ground. And when Foolish affirms what Bad wants the most from him--that family is above all else--he then tells him they're on the same page, and walks up to be eye-level with him once more.
"When the time comes, Foolish, I'm going to need your help. We'll burn it all down, Foolish." They do not trust each other, but can understand each other's motives. And this, for now, has Bad and Foolish on the same side.
Baghera and Bad's conversation has the most clash. The "test" for Baghera was in showing her Ron, so this is a continuation. Similar to Foolish, they have a co-conspirators vibe, but it's not fun for Baghera at all. It's as if her friend showed up with a dead body, and she's horrified but scrubbing blood out anyways. They're on different wavelengths: Baghera just wants to make this right, but Bad is only thinking about his benefit. ("Badboy, now we have to make things cleaner, not dirtier.") Baghera agrees with Bad in the sense that she's willing to do anything for the eggs--but she's not willing to justify it like Bad is. And here's the issue: Bad is not justifying his torture of Ron because he's trying to escape guilt, he genuinely believes his beliefs are correct. He talks childlishly to Baghera, like a kid caught with their hand in a cookie jar. He needs her to walk him through, step by step, the issues of his morals.
It's just...not a fun conversation. It feels like the devil trying to drag Baghera down to hell alongside him. Throughout their conversation, Bad's gaze is constantly shifting. With Foolish, they made constant eye contact. But here, all of Bad's agreements with Baghera comes off shady. He's just placating her. His mind is running a thousand miles a minute while they talk, and not all of it is shared with her. "So we're on the same page?" / "No." <- It's a direct parallel to landduo's conversation. They are on the same side, yes, but they are not the same.
"We can try to walk the road we're on. Baghera. And whatever paths we need to take to reach that destination, Baghera, I'm willing to take." Bad asks if Baghera understands him, and she says she does. Baghera will remain a trusted friend, but he'll remember their differences in beliefs. They share a destination, but not a path.
Now Tina and Bad...where do we even begin. Their conversation is the most emotionally-charged. Bad matches her vulnerability. This is simultaneously the most honest he's been, as well as the most manipulative. He gives her multiple tests throughout their talk, while also rewarding her with the most information. He doesn't actually want her to help him. These are all tests to see her reaction, to gauge her motives. ("I don't actually want you to say anything to Foolish.")
Tina's motives are selfish in such a pure way. She just wants to be trusted, wants to be helpful. And that is understandable to Bad. She is the only one who gets a vocal admission of trust, and I think it's because he can see right through her. I think there's part of him that admires her. They share commonalities. They are lonely. They want to be loved. They are willing to hurt themselves for love. But Tina, in Bad's eyes, is someone who has not yet been beaten down by the island. And instead of protecting her against all this, he believes it is inevitable she will fall. So he might as well kickstart her corruption and have her join him. Once again: "I think we're on the same page," he says.
She sits, huddled, as he circles her like a hawk, before they finally end up sitting side-by-side, not quite looking at each other. Tina is not an unsuspecting mouse, in this conversation. She is willing to fall into every trap she sees laid out if it means she can be trusted. Bad talks to her gently, with the hint of a threat. His finger is on the trigger, but the gun is not pointed at her.
"Y'know whats interesting, Tina? I like that. I think you just want someone who confides in you. Someone who cares about you for you no matter what. The eggs were like that, Tina." Bad sees his own self-destructiveness in Tina. He understands her from an emotional standpoint, a stark contrast from his understanding of Foolish. Perhaps he believes that if they get the eggs back, they'll both be fixed.
tl;dr: Bad treats Foolish as an equivalent gamemaster -> he understands that he and Foolish could potentially play on the same side. Baghera is Bad's trusted friend, but disagrees with his methods -> Bad will continue to trust her, but is aware their paths will diverge. Tina and Bad are very similar emotionally -> he is willing to use her, and she is willing to be used, and that puts them at an understanding.
origamiaround
theartofmadeline
annaxmalina
gummygunk
germansingergirl
yousharknotpass
andulkaphoto
