Chapter Two: I think I fell in love with you.
The Bowery Presents
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untitled

titsay
Color Me Curious
Cosmic Funnies
Not today Justin
Doug Jones
No title available
$LAYYYTER
The Bright Sessions

oozey mess
Fai_Ryy
I'd rather be in outer space đž

Origami Around
PUT YOUR BEARD IN MY MOUTH

Love Begins
sheepfilms

ellievsbear
đ©” avery cochrane đ©”
seen from Rwanda

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@fuckyeahelviscostello-blog
Chapter Two: I think I fell in love with you.
curemydeception:
(via madpage613)
Elvis Costello & The Attractions - Town Cryer
Maybe you donât believe my heart is in the right place Why donât you take a good look at my face?
Elvis Costello took his twin sons Dexter Henry Lorcan and Frank Harlan James, 18 months, for a walk in Beverly Hills. Oh, daddy. <3
curemydeception:
NOW I can go to bed. (via naznomad)
curemydeception:
El Mocambo (via littletriggers)
curemydeception:
Elvis Costello - Radio Sweetheart
Thank you guys! *___*
âWatching the Detectivesâ â Elvis Costello (Words/music: Elvis Costello, available on My Aim is True (Reissue), Rykodisc 1993) Elvis Costello earned a reputation as a gifted lyricist. Most discussions of his music, particularly his late â70s output, focuses on the sarcasm, wordplay, and wit in his lyrics (which makes sense for a man who uses the word âanaesthetizeâ in a pop song). His skill doesnât end on the lyric sheet, though; Costello could put notes on a staff with the same expertise he could fill his notebook. Whether arranging his own songs or producing others records, Costello has a knack for using his core group of musicians to create whatever sound or mood his song needs. âWatching the Detectivesâ does this particularly well. Using the same group of core instruments that made the melancholy âAllison,â Costello turns a wobbily reggae shuffle into a darker, more sinister sounding song. The lyrics draw on the melodrama in a TV detective show, and in turn Costello draws on some of sounds of a noir thriller in his song. Overall, it makes his story about a couple divided by television that much more mysterious. Like the shows the lover enjoys watching, weâre missing some of the clues about the relationship; borrowing some of the musical tricks from these shows is Costelloâs way of winking at us as he makes a boring night on the couch seem dramatic. From the dirty drums to the dark sounding guitar, the dark groove puts us on alert. When his band suddenly cuts out at the end of the third verse, Costello uses the band to create drama beyond his narrative, ultimately letting the music help him tell his story. Itâs hard to imagine making a droll night in this compelling with words alone.
More on Elvis Costello: Allmusic | Amazon MP3 | Emusic | Last.fm
(via somesongsconsidered )
stephencapps:
Emmylou Harris & Elvis Costello - Love Hurts
Gram Parsons and Emmylouâs version of this is great, also.
bunnysuit:
i canât explain how much I love this song.
Me neither.
Elvis Costello- No Dancing
(via caseybarr )
Musician magazine ~ march, 1989
Rolling Stone magazine ~ september 2, 1982.
Goldmine magazine ~ december, 1983
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