Bridget Mullen Bloodâs Bluff 2022, Flashe on linen 84 x 60 in
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Bridget Mullen Bloodâs Bluff 2022, Flashe on linen 84 x 60 in
The Myth of Memory Offshore La Becque 2022
EDITORS: Jessica Gysel, Christoph Miler, Isabel Seiffert ART DIRECTION & GRAPHIC DESIGN: Offshore Studio PUBLISHER: Jan van Eyck Academie
Contributing artists and writers: Persis Bekkering, Frederik Willem Daem, David Habets, Christoph Miler, Viktor Hachmang, Anna Haifisch, Fabio Barille, Guillaume Simoneau, Marvin Leuvrey, Elena Aya Bundurakis, Grace Ndiritu. PURCHASE VIAÂ https://www.janvaneyck.nl/shop/elements-book-2021
Humankind and plants are engaged in an intimate and complex relationship. The beings and survival of both is the result of hybridisation, networks, exchange and migration. However, although plants move and change like human beings do, their pace of movement and scale of exchange are mostly too intricate to enter the doors of human perception. Yet it might be worth looking closer: Understanding and admiring the abilities of plants to collaborate and evolve on a planetary scale, could allow us to rethink a world not through political borders and nation states, but through the lens of collaborative networks of exchange. Simply, because at the end of the day, purity is not an option: The membranes of human culture are as permeable as those of individual plants. By introducing a group of fictional plants we provoke questions about their evolution and urge to look at them in a new light: Not as solitary and immutable objects, forever frozen by the gaze of scientific categorisation, but as subjects that evolve constantly in all sorts of unexpected and collective ways.
The set of fictional plants are developed by Offshore (Isabel Seiffert & Christoph Miler) and are part of the mixed-media installation âWelcome to Borderlandâ, curated by researcher and writer Justinien Tribillon, currently on view at the Venice Biennale of Architecture 2021.
Welcome to Borderland! More soonâŚ
Managing the wild concept and illustration for a PCBÂ wipÂ
by Offshore
Unused. Sketches for identity and billboards.
2018, Offshore Studio
Migrant
Offshore Studio, 2019
Offshore Studio, Jan van Eyck Academie 2020
Managing the Wild
Managing the Wild
Ongoing visual experimentation, Managing the Wild, Offshore Studio 2020
AT&T Corp, 1979
Specimens of Hyper-Ecology. For Natural Capital (Modal Alam)Â curated by Charlotte Dumoncel DâArgence and Laura Herman at BOZAR in Brussels. "Finally, a series of pivoting, synthetic, organic-looking 3D objects by Offshore Studio refer to the artificiality of the ânaturalâ, as well as the challenges of going beyond clichĂŠs of cultural appropriation in contemporary modes of representation.â