Adriana Varejão, Azulejaria de Cozinha com Presuntos [‘Kitchen’s Tiles with Hams’], 1995, oil on canvas,
at Witte de With Center for Contemporary Art, Rotterdam, 2020
No title available
Misplaced Lens Cap

gracie abrams
d e v o n
h

Discoholic 🪩
Mike Driver

Love Begins
almost home
YOU ARE THE REASON

bliss lane

shark vs the universe

if i look back, i am lost
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No title available
Not today Justin
Show & Tell
No title available

blake kathryn
noise dept.

seen from United Kingdom
seen from Nigeria

seen from Sweden
seen from Thailand
seen from United States

seen from United States
seen from United States

seen from United States

seen from Brazil
seen from Italy
seen from Canada

seen from Malaysia

seen from Malaysia
seen from United Kingdom
seen from United Kingdom

seen from Malaysia

seen from Malaysia

seen from Belarus
seen from United States

seen from Netherlands
@fv4
Adriana Varejão, Azulejaria de Cozinha com Presuntos [‘Kitchen’s Tiles with Hams’], 1995, oil on canvas,
at Witte de With Center for Contemporary Art, Rotterdam, 2020
judith k. mcmillian’s “optic exploration: brugmansia x candida (yellow angel’s trumpet)”, 2000. toned gelatin silver print .
Christian Lacroix | Haute Couture, Spring 2009
nodress67
"What is photography for? In what situations? In answer to whose desire to see? To see what? In order to do what? When? Is it really about seeing something or about doing something else through a photograph? What else? Something with others or with ourselves?" - Lyle Rexer, "Ways of Waiting" We are happy to announce that our new monograph is finally available: "The World's First Photobook was Blue" 📘 Editors: @irastehmann, @themthemthemthem and @ibasho___gallery Writer: @lylerexer Designers: @studio_des_signes Printing house:@robstolk.amsterdam Thank you all! We wanted to create a book not about what we do or how we do it, but why we do it. A book without a beginning or and end, without a specific cover (that is why this book has three), and where the text talks about why we photograph and not about the images per se. The title is a nod to Anna Atkins, the binding a nod to Brassaï and the entire book is a homage to this deceptively simple but really complex medium which is photography.
Noir Age
Subterranean Nerve Endings
Artwork by Richard Vergez for a forthcoming cassette release by Andreas Brandal on Noir Age
Robert Mapplethorpe, Calla Lily, 1987
Night Landscapes.
dilara findikoglu rtw autumn 2o2o, paper dolls .
opera night .
Cy Twombly - Madame D'O, 1999. Bronze, 177.8 x 40.6 x 27 cm.
bennie julian gay
Petrit Halilaj at Museo Nacional Centro de Arte Reina Sofía