sylvie vartan on her wedding day, 1965
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sylvie vartan on her wedding day, 1965
Ann Miller believed deeply in the spirit world, and said she was often visited at night by the great MGM dancing star Eleanor Powell. Miller insisted that in a past life she was Hatshepsut, the first queen of Egypt, whom she believed was murdered, along with her sister, by their half-brother. Ann visited Egypt three times, where she cried incessantly.
On her last visit, a guard in a Cairo museum escorted her towards the sarcophagus of a female pharaoh. As Ann approached, she claimed she was bitten by an asp, just like Cleopatra was. Although no asp had been seen in Egypt for thousands of years, Ann was flown out by helicopter, and spent three weeks in a hospital where she nearly died. She stated, “It was a warning. The spirits don’t want me to return there.” She also said. "I’ve been recycled many times, honey. My hand has so many lifelines, it looks like an old monkey’s paw.“
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Ginger Rogers
Julie Newmar
Rita Hayworth
Marilyn Monroe
Joan Collins
Lana Turner by Eric Carpenter for Slightly Dangerous (1942)
Bettie Page
Claudia Cardinale
Paulette Goddard photographed by Eugene Robert Richee (Paramount, 1940s)
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Mamie Van Doren
Brigitte Bardot photographed by Ghislain Dussart, 1960s
Elizabeth Taylor’s costumes in Suddenly Last Summer (1959) were designed by Oliver Messel. He is one of the most celebrated English designers, whose work as production designer overlapped the world of costume, set design and architecture. Messel was also the art director for this movie, having created those dramatic sets. Elizabeth’s style in the film is simple and enduring and Helen Rose’s words perfectly apply to her look here, as well as in many other films: ‘If you have a magnificent jewel, you put it in a simple setting – you don’t distract from it with a lot of detail.’
And here is the dress with fitted bodice, A-line skirt and matching belt that came in a beautiful shade of green. Green was a favourite colour of Oliver Messel’s and one of the legacies he left was “Messel green”, his trademark shade that he often used in his interior designs. She wore the dress with simple bangles and hoop earrings and white flat sandals with thin straps. It’s one of the most iconic looks of the fifties and it has become an intrinsic part of screen history. (Source)
Rita Moreno