His parole officer is not gonna be happy about this
No title available

Andulka
d e v o n
🪼
Cosmic Funnies

Origami Around
Aqua Utopia|海の底で記憶を紡ぐ

★

roma★

titsay

izzy's playlists!

shark vs the universe
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PUT YOUR BEARD IN MY MOUTH

Janaina Medeiros
we're not kids anymore.
Sweet Seals For You, Always
noise dept.

#extradirty

Kiana Khansmith

seen from Türkiye
seen from Uruguay

seen from United States

seen from United States

seen from Spain
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
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seen from United States

seen from Chile

seen from Japan

seen from United States
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seen from United States
@garry-seinfeld
His parole officer is not gonna be happy about this
Seascape John Everett - Date unknown
Mimesis by Kim Kei
Kim Kei evokes the body without depicting the figure as a form. The body is implied by mimicking the skin’s surface and the gesture of the form depicted. Our skin contains the interior and is the point of contact with everything outside ourselves specifically one another. Kei creates sculpted, simulated skins that are inked and pressed to paper leaving a precise impression. The paper captures the cracks and wrinkles, the body’s acquired marks though time, injury, repair, and illness. Encompassing spaces between vulnerability, invasiveness and tenderness, the unnameable forms unfurl, contort, meet, and touch seemingly of their own vitality. The opportunity for empathy in looking closely and the intimacy being seen transmutes shame into a resilient, forceful affirmation. Creases strike through the form revealing what we attempt to keep hidden bringing these unruly parts of ourselves fully to the surface communicating a body in motion.
you can also find me @mary_bu__
[& &]
Depression 04
Inglewood, CA
© Sinziana Velicescu
[666]
ミントの風 ライオンTOPBOY 鈴木英人
Hish, by Sidney Sime. From Lord Dunsany’s Gods of Pegana, 1905.
Xuebing Du
HALF WAY HERE
Callum Innes Exposed Painting Paris Blue, 2018 oil on linen 235 x 230 cm