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@georgia-o-keeffe
Flower Abstraction, Georgia O'Keeffe
Blue Line, 1919, Georgia O'Keeffe
It was a Man and a Pot, 1942, Georgia O'Keeffe
Pow Wow, 1979, Roy Lichtenstein
Medium: magna,oil,canvas
Painting, Willem de Kooning, 1948, MoMA: Painting and Sculpture
Purchase Size: 42 5/8 x 56 1/8" (108.3 x 142.5 cm) Medium: Enamel and oil on canvas
http://www.moma.org/collection/works/79242
Leaf Motif 2, Georgia O'Keeffe
Calla Lily on Grey, 1928, Georgia O'Keeffe
Comores, Walter Battiss
Black Hills with Cedar, Georgia O'Keeffe
Deers Skull with Pedernal, 1936, Georgia O'Keeffe
Blue and Green Music, Georgia O'Keeffe, 1919, Art Institute of Chicago: American Art
Around 1920 Georgia O’Keeffe painted a number of oils exploring, as she later recalled, “the idea that music could be translated into something for the eye.” In Blue and Green Music, O’Keeffe’s colors and forms simultaneously suggest the natural world and evoke the experience of sound. She was drawn to the theories of the Russian Expressionist painter Vasily Kandinsky, who, in his 1912 text Concerning the Spiritual in Art, argued that visual artists should emulate music in order to achieve pure expression free of literary references. Alfred Stieglitz Collection, gift of Georgia O'Keeffe Size: 58.4 × 48.3 cm (23 × 18 in.) Medium: Oil on canvas
https://www.artic.edu/artworks/24306/
Pink Sweet Peas, 1926, Georgia O'Keeffe
Oriental Poppies II, Georgia O'Keeffe
Untitled, Louise Bourgeois, 2000, MoMA: Drawings and Prints
Gift of the artist Size: plate: 10 7/8 x 8 3/8" (27.6 x 21.2 cm); sheet: 17 15/16 x 11 ¼" (45.6 x 28.6 cm) Medium: Drypoint
http://www.moma.org/collection/works/84544
Canna Leaves, 1925, Georgia O'Keeffe
Blue and Green Music, 1921, Georgia O'Keeffe
Medium: oil,canvas
The White Place in Sun, Georgia O'Keeffe, 1943, Art Institute of Chicago: American Art
Georgia O’Keeffe could see the dramatic geological formation known as the White Place, or Plaza Blanca, from a window in her home near Abiquiu, New Mexico. Composed of white stone that provides a stark contrast to the colors of the surrounding terrain, the White Place was whittled and smoothed by water and wind over centuries into a striking formation resembling columns, cliffs, and spires. O’Keeffe painted it a number of times, and in The White Place in Sun, she selected a view that emphasizes a deep cleft in the formation. The V-shaped composition enabled her to focus on the interplay between the brilliant blue sky, the eerie white color, and horizontal striations of the carved rock. Bequest of Paul and Gabriella Rosenbaum Size: 71.1 × 55.9 cm (28 × 22 in.) Medium: Oil on canvas
https://www.artic.edu/artworks/158752/