Gianluca Bertone

[gianlucabertone]

At our loft we prepped for an upcoming production the #SonyVenice in a #Super35 configuration with a @bertonevisuals #LeicaSummiluxC T1.4 prime lens, #freeflysystems , #mōvim15 ,#reflexmotor #HocusProducts #Axis1 , #Teradekbolt , counterweights for balancing, #brushlessgimbalwheels and #slingshot body vest by #WalterKlassen ——————————————————— #CineAlta #Sonyprousa #6K #digitalcinemacamera #movitech #mōvioperator #movioperator #productionhouse #productioncompany #ElSegundo #commercialshoot #commercials #filmmaking #setlife #postproduction #digitalintermediate #executiveproducer #cinematographer #DP #director @digital_emulsion @markwestla @jtberlin (at El Segundo, California)

[gianlucabertone]

An excerpt of a Bertone Visuals Aerial Productions shot with the Sony CineAlta Venice Camera for the first time ever in 6K Full Frame mode with an exposure index of 2500ISO.

We were flying a Pursuit Aviation AStar helicopter completely designed for aerial filming, the SONY Venice Camera and the Cooke S7/i 32mm T2.0 Large Format Prime were hosted in a state of the art gimbal system Shotover K1.

Bertone Visuals Digital Intermediate Dept. processed all the color grading using a professional color reference monitor SONY BVM X300.

The video content were prepared and delivered for multiple media devices and color spaces. It has been the very first time for our post production facility that we had to deliver HDR(High Dynamic Range) contents in 8K and in 6K for the SONY Cristal LED Wall (introduced last April at SONY's booth during NAB 2018 Las Vegas NV)

[gianlucabertone]

105mm #IRND and #Tiffen #T1 circular filters specifically designed for Cinema Canon Primes #4K. Here on #1Dc 4K Dslr mounted on #MōviM10