#GILDEDLIFE. captain james fitzjames of the terror (based mainly on the amc series, with limited characterization and plot inspiration from dan simmons' novel). written by merrin. she/they, 25+, est.
RULES. STATISTICS (no explicit spoilers). VERSES.
Monterey Bay Aquarium
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"I'm Dorothy Gale from Kansas"
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tannertan36
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@gildedlife
#GILDEDLIFE. captain james fitzjames of the terror (based mainly on the amc series, with limited characterization and plot inspiration from dan simmons' novel). written by merrin. she/they, 25+, est.
RULES. STATISTICS (no explicit spoilers). VERSES.
okay. little guy up. dark!!! and sad themes ahead. treated with some levity, but they are sad and dark. i'll be back later to follow people!
okay. little guy up. dark!!! and sad themes ahead. treated with some levity, but they are sad and dark. i'll be back later to follow people!
iâm not sure exactly who this will reach after all of this time away, but itâs been a year (!) since my last tiny burst of tumblr energy and i have been consideringâthis timeâbuckling down and trying for some sort of proper return. new blogs, some new characters. still james, though, because i canât release him.
i certainly canât guarantee anything will happen. youâve seen how i come and go. iâve just been thinking it might do me good to sink as deep as i can into a hobby iâve been avoiding out of. maybe shame. and as a result of probably grief.*
might even do some icons! might even set aside real writing time for myself
it might be worth trying. i think i need something.
*of course phrased like this deliberately although this doesnât excuse the rest
"not if i've been thorough. toâ" he makes a move to point. then changes his mind. guides james' hand by the knuckles, singling out a finger to brush by the curve where his neck glides out into shoulder. "about here."
not to say that james is stunned by this revelation of anticlimax, but he is, granting him his drama, a bit heartbroken to hear it. no evidence. what a loss.
while his finger marks the length, his thumb creeps under the collar of controlâs shirt. he gives him a sweep across the collarbone.
âthey must have fawned over you,â he says. âluscious curls the whole distance?â
he hears his own hum in his ears: how it reverberates down his spine, fills up the gaps that the tickling feeling left. he doesn't turn to look. let james paw at him like a cat, feel the love from touch alone.
"i grew it out once in college. horrible mistake. it was rock and roll, back then."
âdid you really,â he asks with a calculated flatness, as though heâd almost gasped his delight into the open and is now fighting to reel it back in: tone adjusted, the inside of his cheek bitten so that he doesnât grin at him.
âhow long?â he singles out a new grey and beams at it. âare there pictures?â
@gildedlife: [ play ] james is the player control is the playee. let him get his hands in that hair
the touch starts at the base of his neck but the feeling takes root in the bottom of his spine, works its way up slowly, climbing his vertabrae like a ladder.
it's a slow reaction, a head-turn that happens about the same time as the goosebumps crawling up his arms.
"i know." it's curling around his ears. "i need a haircut."
the nearer his thumb draws to the occiput, the more the path is impressed: curls upturned and stuck that way, shorter hairs pressed down and holding against his head. he kisses behind the ear on his side, more for a close look than anything else.
âby your estimate,â he agrees. but. âi think it becomes you.â
he thinks everything does.
james & control: bakery verse (NOT YOUR TRADITIONAL)
some jamestrol because it is lovely merrin @gildedlife's birthday. happy birthday!! what a joy it is to know and to create with you. i love our words and worlds. and most of all i love you!!
got to spend 10 days with my best friend @bluedprints and now weâre both sick and back in our countries so what is the point i ask.
without a word, but with the steely efficiency of a teacher handing out courseworkâhe slides james the case with his reading glasses, on his way from one room into the next.
james has extracted, unfolded, and put his glasses on before it occurs to him whatâs happened. the reading muscles in his face are relaxed when he lifts it to look for the next missing thing: control.
âyou canât tell me youâve found better company in there.â wherever âthereâ is. his eyes are cast aside, unfocused, as he listens for movement. âi will wither without attention.â
@bluedprints
heâs squinting. playing the trombone, insufferably and obliviously, with the papers from which he is attempting fruitlessly to pluck words without his reading glasses.
i havenât told very many people about this, but i think iâve covered the most immediate bases, so even if it travels from here i donât think much should change. just to get it out there, for my own peace of mind:
my dad died unexpectedly. itâs been an unusually difficult experience for me in thatâwith the exception of the one person here iâve told directlyâit seems to be assumed iâll have no reaction to it because he walked out on my family 11 years ago. almost like i should be celebrating.
iâm not 30 years old yet. this is the permanent loss of one of two people i was supposed to trust to love me unconditionally for life.
iâve just found it sort of⊠cold. when the few individuals iâve opened up to have responded with âplease donât feel guilty about however you react to thisâ as if 1. i am going to be happy, and 2. i donât need someone to say âare you okay?â or âwhat happened?â or âiâm sorry for your lossâ just, you know. once?
(again, excluding my friend here whoâs seen me through it. we were together just hours before i found out and it wouldâve felt like lying if i hadnât shared it straight away. also, i trust her. also, i wouldnât make vague posts like this about anyone actively using the site. iâm not like that.)
grief is grief, and i am. very sad. yes, granted, there are complexities because of my history with him, but none nearly to the extent of nullifying the heartbreak i feel over losing a parent.
iâm not doing so well and no one i need to be checking in on me is checking in, though i have asked for help (which for me is really only: sit down, donât worry about talking about it, let me show you some television and then iâll let you go about your life again. help me. please.)
in short, and without the residual thinking of my anger stage: i lost my dad. i am hurting a lot. he was young, i am young, and it should have been different.
one day youâre writing middle-aged men haunted by the narrative together, and the next youâre hanging out in london @gildedlife !!!!!!!!
happy halloween! youâll never guess my costume.
he does. love him.
so it might not be jealousy, but there is something sharp about itâin this sea of people, look at me, i am under these lights, too. but now he's won: out of all of them, and the prize is fresh air, the warmth of a hip pressing against hip.
"you still got it."
who could say no to you?
admiration, and relief: it gets lonely, sometimes, the art of knowing what to say when. the mask drop is significant, and heavy wtih how relatable it is. control pats down the front of james' pockets for him, and this is also an excuse, to touch.
"smoke?"
theyâre tucked away in an inside pocket so as not to ruin his silhouette; a slim case instead of a pack and a matchbook instead of a lighter for the same reason. he withdraws both and lights one before flipping it with his thumb and forefinger for control to take, no hands required.
âyou draw the eye more than i do. i might be jealous if i werenât looking, too.â only he is allowed this treat: control lit warmly from below by the ember of the cigarette. an openness to his expression for which he had to fight, from which they both bear scars.
âi talk well,â he smiles, as in âtoo much.â even this he wonât keep for long. âthatâs what iâve still got.â
nothing left to say, then. just glowing green exit signs over a door on the far side of the room. control pushes his glass into james' hand, like this is part of the escape plan.
"let's get some air."
down a staircase to a balcony, with a heavy door that control props open behind themâhe is guiding james by the small of his back the entire way, like he needs some grip on him to ensure he won't drift away under the lights again.
"they love you."
âyou love me,â he corrects, intending to balance it with a harmlessly negative accusation of bias before the glee of it overtakes him. and the uncertainty. the trust heâs asking control to hold in his hands like water.
you do, donât you? with a push back, a laugh, it would be. his expression would sit unevenly. because i do. i do.
âiâd forgottenââ he takes a breath and presses in, close enough to kiss him though heâd rather use him, for now, to block his view of everything else. how paradoxically consuming and unimportant it all is. âi was good at this once.â
@gildedlife: a kiss in secret
in the walk-in, the lights are a sort of muted silver but their breaths become an icy white. somehow that seems, to control, like the element that will give them away, even though the door is closed.
james reaches for the oranges, he reaches for an embroidered shirt pocket to pull close.
the kiss is quick, juvenile. tasting of whatever it is james is sneaking bites of outside.
control can't fight his grin. their mouths close enough together to melt each other's breath before it takes. there are footsteps just outsideâwhitby, or worse.
"sh-sh-sh."
it feels like the first breath heâs taken since the last time they met. as though heâs been in a suspension of time and space between kisses, and itâs only when they touch again that james notices, having suddenly had some of the life poured back into him.
one of his arms is still in the air en route to the oranges, but dragging now, hanging heavy against the fingers heâs hooked on the wire shelf.
the overhead light flickers, so he kisses him back.
âiâm innocent,â he says as he rocks backward on his heels, pulls his wrist, and slides out his proof in the form of a box of fruit. he could leave him, just like this, a guilt-ridden traitor on his own turf. âthey wonât catch me doing anything but my job.â