"black cat sabotage", 1997.

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"black cat sabotage", 1997.
Pilar Albarracín Source
Parties, Paranoia, Violence
Collective Turn-off -- Sophie Lewis
And as we abolish the capitalist logic of work and obligatory enjoyment, we will instantiate the conditions of possibility for the collective turn-on. We will, as survivors of the old regime of sexual violence, design whole cities full of erotic biotic infrastructure; whole continents adorned from coast to coast with spaces of thrilling safety; mushroom glades, therapy marquees, doula grottoes, patient-led free clinics, swimming holes, napping palaces, drop-in centres, temples for public weeping, bath-houses, multigenerational creches, polymorphously perverse aquifers, people’s banquet-halls, multispecies library-sensoriums, train compartments that can get you off, laundrettes that offer to fist you, collective houses that promote wellbeing, dance halls that promote bliss, massage coliseums, and pleasure pavilions. We shall all have become creatures well-versed in saying ‘I would prefer not to’ and ‘no’. The lustlessness of the pre-Covid era will become shockingly obvious to us in retrospect. We will hardly believe the historians when they tell us about the old days of #MeToo and heterofatalism. https://maljournal.com/5/sex-negative/sophie-lewis/collective-turn-off/
Art by @i_am_jason_thompson #artistsoninstagram https://www.instagram.com/p/CHYk9NKnCVS/?igshid=57lpf66k6jnw
Louise Bourgeois
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Asger Jorn Ainsi s’Ensor (out of this world - after Ensor), 1962.
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The year I stopped making art. Why the art world should assist artists beyond representation; in solidarity. 18.03.2020 Paul Maheke Open-letters The...