📍national museum of anthropology, 2024.

oozey mess
TVSTRANGERTHINGS
Claire Keane

Product Placement
Jules of Nature
Show & Tell
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith

JBB: An Artblog!
Acquired Stardust
NASA

★

No title available
Today's Document
tumblr dot com
No title available

祝日 / Permanent Vacation
Peter Solarz
we're not kids anymore.
sheepfilms
seen from United Kingdom
seen from Argentina

seen from United States
seen from United States
seen from Denmark
seen from Singapore

seen from Hungary
seen from Malaysia
seen from Malaysia
seen from United States
seen from Malaysia
seen from Singapore
seen from Estonia
seen from United States
seen from United States
seen from Spain
seen from Indonesia

seen from Malaysia

seen from United States

seen from Bangladesh
@hasminnn
📍national museum of anthropology, 2024.
📍baguio country club christmas village, 2023.
📍the manor at camp john hay, december 2023.
📍the manor at camp john hay, december 2023.
mojojo, 2023.
📍bencab museum, 2022.
📍bencab museum, 2022.
favorites:
—ready to hope (2011) by abi dionisio is an absolute favorite of mine. the figure stands in front of a tattered wallpaper, with a fabric wrapped around their body. the whole piece might have been a nod to the phrase “blind hope”; to be so helpless as to cover one’s eyes, to dream freely and without abandon, and to optimistically leave everything to an idealistic fate. i find myself resonating with the sentiment. maybe the security of not knowing and perceiving the world through rose-colored glasses is comforting. naïve, but better than quitting [3rd row, left].
—brick game (2001) by jose santos iii is a thought-provoking piece. the brick depicted in the painting interestingly takes on the form of the person behind the window. on the other side, a man holding a ten of diamonds card seems to be leaving, and a woman is watching his departure. the girl at the center pulls the focus from the entire piece, as she is clad in red as opposed to the pallidness of the other figures. every element, in my eyes, all come together to portray the tale of a shattered family. the girl in red, sitting forlorn and dejected, recalls the day her father left, seemingly after his true motives have been revealed as symbolized by his handheld card (i.e. showing his hand), and her mother watching him walk out the door. the figure on the right, behind the brick wall, might have represented her self-perception—trapped, unable to do anything as she watched it all unfold before and as she relive it in her mind now. so ensnared within that even the brick wall has memorized her. and that might have been the reason behind the title—to break out of the game, to break out of the brick. but, of course, that’s only one out of surely hundreds of possible interpretations [2nd row, left].
📍bencab museum, 2022.
📍bencab museum, 2022.
📍heritage hill and nature park garden (old diplomat hotel), 2023.
on the road again, 2023.
on the road again, 2023.