Here is a minute long recording of my sound sculpture in action. I particularly like how crisp the higher frequencies sound, and the way that the swinging bottles seem to attempt to find a rhythmÂ
Keni

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Here is a minute long recording of my sound sculpture in action. I particularly like how crisp the higher frequencies sound, and the way that the swinging bottles seem to attempt to find a rhythmÂ
Here is a 30 second visual example of my sculpture in action. I am inside so there is no wind or rain but with a gentle push & the bottles partially filled the idea is clear. Bottles played by nature, generating their own sounds and structure
Photographic evidence of my sound sculpture, built for the P3 module of my university course. Part instillation, part generative instrument, every element of this creation was reclaimed from the roadside in Brighton, primarily on Newhaven Street though the table was taken on Finsbury Road. Even the blanket, which I used solely for visually aesthetic purposes, was taken from a waste bin.
 In the initial version of this sculpture I used a wicker frame which I was able to salvage from a skip. Unfortunately the elements had worn it away and it couldn't take the weight of the bottles, breaking in two after a few minutes of the bottles blowing in the breeze. I was lucky enough to find this plywood table discarded in an alley & it not only supports the weight of the bottles but also keeps itself stable and upright, unlike the wicker frame.
 In the bottom right photo you can see the different water levels, a separate variable alongside strength of wind to negate the pitch (or frequency) as well as timbre. To give more sonic variability I also made sure to only reclaim different shapes and sizes of bottle.
Pedro Reyes Disarm (Mechanized), 2012 Recycled Metal Installation comprising of 8 mechanized instruments made from confiscated weapons installation views at the 2013 Carnegie International and Lisson Gallery
Generative Sound Sculpture
Expanding on the recyclable / analogue theme I have decided to build myself a sound sculpture using old glass bottles, cuttings of rope and/or old shoelaces & a wooden frame reclaimed from the roadside.Â
This sculpture should be placed outside, with maximum sonic effect occurring during a storm. This generative instrument is primarily controlled by two variables; the wind blowing the bottles, negating the timbre of the strike (much like a wind chime), and the rain water that collects in the bottles determining the pitch, or frequency. Throughout the storm the bottles will fill up at different rates therefore generating a piece played entirely by the elements.Â
Sarah Sze
Triple point, Venice biennale, 2013
Sarah Sze: Triple Point
Since the 1990s, Sarah Sze has developed a sculptural aesthetic that transforms space through radical shifts in scale, colonizing peripheral spaces, engaging with the history of a building, and altering the viewerâs perception and experience of architecture through large scale, site-specific interventions.
Triple Point brings together many of the ideas that Sze has developed during her practice. Central to the exhibition is the notion of the âcompassâ and the desire to locate ourselves in a disorienting world. Each of the rooms of the United States Pavilion functions as an experimental site, in which objects attempt to become instruments or assemblages that seek to measure or model the universe. The aspiration to model complexityâand the impossibility of that undertakingâis a key theme in Triple Point.
In thermodynamics, âtriple pointâ designates a singular combination of temperature and pressure at which all three phases of a substance (gas, liquid, and solid) can exist in perfect equilibrium. Triangulationâthe measurement of distance from three ordinal pointsâis also used to specify a unique position in space. Szeâs work references both these ideasâthe fragility of equilibrium and the constant ambition to create stability and location.
Sze approached the Pavilion as a site of live observation and experimentation; much of the exhibition evolved on-site over a three-month installation period. Elements from the urban landscape of Veniceâphotographs of stone, leaves from the Giardini, tickets from the vaporettoâwere collected to serve the growth of these installations. Small fragments of the sculptures were dispersed throughout shops and roofs around via Garibaldi, to be discovered by chance within the fabric of daily life. The exhibition inhabits the building and city, navigating its rooms, coalescing into systems, and ultimately degenerating into remnantsâin an effort to inscribe a very fragile personal order upon a disordered universe.
NOT SOUND ART BUT STILL VERY RELEVANT
P3 PROJECT
For my practice 3 project I have felt inspired to create a generative instrument using only recycled materials. My field of musical exploration has always featured primarily digital & electronic components, so for this task I shall strive to step away from this and work only with the physical, focussing on organic & human-produced waste. I feel that this preservation of the natural ties in with the idea of making sounds using recycled & reclaimed objects. Upon first inspection it seems to me that there has been a distinct lack of research into the creation of generative instruments using recycled materials, however as my progress continues iâm sure that iâll find other experiments conducted by my peers.Â
Afrofuturistic eyewear http://ift.tt/1QpmyUF
IDEA: Afrofuturism in music inspired eyewear photography.
WHAT: Sculptural spectacles made from found cassette tapes and recycled material sourced on the streets of Nairobi.âThrowbackâ is one of the photos out of the âNjia Ya Maisha Macho Nneâ, a portrait of himself.
WHY: A colliding mix between African tradition and plastic materialised recordings.
BY: #CyrusKabiry Go see at  #TheArmoryShow, #SMACArtGallery, Pier 94 -Focus, Booth 630.
VIA: #MakingWaves at SOLO Music Gallery
Art, Design, Exhibition, Photography, Sculpture, Afrofuturism, Cyrus Kabiry, making waves, SMAC Art Gallery, SOLO Music Gallery, The Armory Show
the blue lo fi music coming from a small bedroom in brighton contact me on [email protected] or thru the fb page :) ** im also looking for some people (drums/bass/guitar) who might wanna play so
A recording of one of our first run throughs. Getting this piece together has been an incredibly fun experience - itâs so easy in electronic music to get used to creativity being a personal process and it was refreshing to be able to be creative with other people in a productive fashion. There is an unrivalled sense of community in a group of people sculpting sounds, which can only be matched by the thrill of playing in a band.Â
the man like OJ GENIUS hard at work streaming from his sound walk around the house in real time to us downstairs.Â
NETWORK MUSIC
A piece recorded live using several components over a linked series of computers; a generative synthesiser created in pure data to emulate the environment of a train station, a microphone streaming live audio from a soundwalk, a selection of youtube videos from the film network being streamed in real time through pure data, and a hardware synthesiser run through Ableton Live.Â
Here is my final composition created from synthesis in Pure Data, sampled in Logic X
generating algorithms based on the balance of my bank recorded over a month
This is a clip taken from the beginning of my composition. This is all made from chopping up a test tone I recorded in Pure Data and rearranged in Logic X using the EXS24 sampler.
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ONE MINUTE TECHNO PIECE CREATED USING LOGICâS EXS24 SAMPLER AND A ONE SHOT OF MYSELF SAYING THE WORDÂ âMUSICâ
PD ring modulation
fm & am synthesis through a ring modulator