filth

clara | nineteen são paulo, brazil

[asymptotic-silence]

valie export, {1977} unsichtbare gegner

[digitised-celluloid]

Kedi. Dir. Ceyda Torun. 2016.

[taste-in-music]

Absurdity is my favorite brand of humor because deep down inside, in our subconscious, it’s all surrealism. It’s all abstract. The world is the surrealism, the absurdity, the humor—it all just overlaps.

Weyes Blood for Pitchfork

[thatsbelievable]

[365filmsbyauroranocte]

Noita palaa elämään (a.k.a. The Witch) (Roland af Hällström, 1952)

[artisaword]

Adolph Gottlieb (1903–1974) Mist 1961

Oil on canvas 182.9 x 121.9 cm

Guggenheim Museum, New York

[crumbargento]

A Worthy Quarry. Written and performed by Lydia Lunch. Music by Mia Zabelka and Zahra Mani. Video by Jasmine Hirst

[neoyorzapoteca]

Alice Notley, The Descent of Alette

[filmaticbby]

“When I was eighteen I had so many ideas I hardly slept at all.”

Shirkers (2018) dir. Sandi Tan

[fuckyeahwomenfilmdirectors]

Dirty, grumpy girl goes for a long, furious walk and dies in a ditch.

Agnès Varda on her film Vagabond (1985) 

[communicants]

Je, tu, il, elle (Chantal Akerman, 1974)

[yesterdaysprint]

The Boston Globe, Massachusetts, February 6, 1959

[danceabletragedy]

Visit Original Link

Leonard Cohen - One of Us Cannot Be Wrong

[365filmsbyauroranocte]

You Were Never Really Here (Lynne Ramsay, 2017)

[performativerelics]

Gina Pane, Death Control (1974)

[filmerditelle]

Peggy’s Blue Skylight, Joyce Wieland, 1964.

[hermeneutica]

today i found out i got into the film program at my university (which has like a 2% acceptance rate), so now i can officially say i am no longer an architecture student. it's been fun, but i don't want to hear about cement or pillars ever again in my life.