[Doesnt do it] [gets stressed] [gets scared thinking about doing it] [doesnt do it because it's scary] [keeps not doing it]
untitled

Origami Around
The Bowery Presents

if i look back, i am lost
Cookie Run:Kingdom Official!
tumblr dot com
Keni

tannertan36

shark vs the universe

Discoholic 🪩
Aqua Utopia|海の底で記憶を紡ぐ
Sweet Seals For You, Always
TMBGareOK. The Official They Might Be Giants tumblr
Fieri Frames
Show & Tell
The Bright Sessions

#extradirty
The Stonewall Inn
Mike Driver
One Nice Bug Per Day
seen from United States

seen from Belgium

seen from Brazil
seen from Thailand
seen from United States

seen from Türkiye
seen from United States

seen from Germany

seen from United States
seen from Malaysia

seen from United States

seen from Mexico
seen from United States
seen from Bahrain
seen from United States

seen from T1

seen from Chile
seen from Brazil
seen from Brazil
seen from United States
@heurtebizzz
[Doesnt do it] [gets stressed] [gets scared thinking about doing it] [doesnt do it because it's scary] [keeps not doing it]
Dahlov Ipcar (American painter, illustrator and author) 1917 - 2017
Encounter, 1967
oil on canvas
59.69 x 49.53 cm. (23.5 x 19.5 in.)
signed lower right, titled on original label verso, giving date of 1967 and price of $750
also label from 1974 Festival of Art (no location, possibly Rockland, Maine)
private collection
© photo Thomaston Place Auction Galleries
Dahlov Ipcar was an American painter, illustrator and author. She was best known for her colorful, kaleidoscopic-styled paintings featuring animals – primarily in either farm or wild settings.
Ipcar was born November 12, 1917, in Windsor, Vermont, the younger of two children, to parents William and Marguerite Zorach. She was raised in Greenwich Village, New York City; attended the City and Country School, Caroline Pratt's famous progressive school; and grew up surrounded by bohemian influences. Encouraged by her parents, she started painting at a very young age. She briefly attended Oberlin, dropping out after only one semester, frustrated with the academic restrictions on her artistic expression.
In 1936, at the age of 19, Dahlov married Adolph Ipcar, a young man hired to tutor her in math for her college tests. They spent that year in New York City, with Adolph working as a math tutor while Dahlov taught art two days a week. The following winter, they decided to move into the extra farm house on her parents' property in Georgetown, Maine, and started a farm of their own. They became modern-day subsistence farmers: growing their own food, raising animals and their two sons, and selling eggs and milk on the side for extra money. Dahlov continued painting throughout her life as both a source of pleasure and income. In addition to painting, she wrote four fantasy novels, wrote and/or illustrated numerous children's books, and crafted three-dimensional cloth sculptures. Her marriage lasted until 2003, when Adolph died at the age of 98 after a brief illness.
Dahlov died on February 10, 2017, at the age of 99.
In 1939 at the age of 21, she had her first solo exhibition at the Museum of Modern Art in New York City, called Creative Growth, the first of many solo shows over the next forty years.
In the 1940s and '50s, Dahlov's art was influenced by the prevailing style of Social Realism as best illustrated by her paintings of farm workers accompanied by their heavy draft horses and domestic farm animals.
In 1945, she illustrated The Little Fisherman, her first children's book, a story written by noted children's author Margaret Wise Brown. The book is still in print. Since then, Dahlov has gone on to write and illustrate thirty children's books of her own. She has also written four fantasy novels for a slightly older audience, as well as a volume of short stories for adults. While her art in general might be described as wild colors and cheerful, her writings for adults turn to a darker, almost grim intertwining of reality and fantasy. Many of her children's books are being reprinted for a whole new generation to enjoy.
By the '60s and '70s, her work began to take on a new direction. Intricate patterns and geometric designs have become her artistic signature; she always remained outside current art movements.
In addition to easel paintings, illustrations, and soft sculptures, Dahlov has also completed ten large-scale mural projects for public buildings, two of them for U.S. Post Offices in La Follette, Tennessee, and Yukon, Oklahoma. The remaining murals may be seen at several locations in Maine as well; including the children's room at the Patten Free Library in Bath, and a 106-ft. panorama of Maine animals in the Narragansett Elementary School, Gorham. Golden Savanna, a 21-ft. mural of African wildlife, can be seen in the atrium of the Shriners Hospital for Crippled Children in Springfield, Massachusetts. Many of her works can also be seen in Brunswick, Maine's Mid Coast Hospital, where she was well cared for in the end.
Dahlov's works are now in the permanent collections of museums such as the Metropolitan, Whitney, and Brooklyn in New York. She is also represented in the leading art museums of Maine, as well as in many corporate and private collections throughout the country.
Dahlov received honorary degrees from the University of Maine, Colby College and Bates College. In April 1998, The University of Minnesota honored Dahlov with The Kerlan Award for Children's literature.
This was ridiculous. The last thing he needed now was to be killed. It would require all sorts of explanations. They didn’t hand out new bodies just like that; they always wanted to know what you’d done with the old one. It was like trying to get a new pen from a particularly bloody-minded stationery department.
He looked at his hand in disbelief.
Sketchbook drawing from a moment in Verőce, Hungary.
The very last word of the book Good Omens is..."forever."
i love him
Posting this and running away🏃🏃🏃
Ship's cat Chiclet watches the harbour during her watch on the museum tanker Mary A. Whalen (1938)
were you good?
Cat on Stripes - Felicity House
British , b. 1950 -
Pastel on paper , 20 x 30 cm.
Would've been nice to see him cry at the end. Full res here
Finished drawing (weird shadow on the left is because it's in a bound sketchbook). So many amazing artists in the Good Omens fandom has definitely been a factor in inspiring my to draw again after a few "dry" years.
black and white
art tag // commission info
"I took him round the world, I took him to the wilderness, I took him to the temple, I took him to the top of the mountain, and I showed him the prosperity of the world."
Hold out your hand cos friends will be friends right till the end.
-Freddie Mercury
That nightingale is still singing somewhere.