the obvious child

logan, 26 i’ve always been standing in your doorway

[70sscifiart]

Surreal Moebius artworks

[capvonlakers]

[ferrettaur]

So like an hour ago I just lear🪨︵︵ned that— what the fuck was that. Someone just skipped a rock across my post did you see that

[kikmessenger]

sits on my own blog like it’s the edge of a lake wistfully

[kikmessenger]

skips a stone over a few posts

[haleyatwell]

JAMES NORTON for Giorgio Armani FW25 Eyewear Collection

[ruraltears]

other side of town

[charmedmiffy]

life is so beautiful when you have a tv show

[unusual-suspects]

x

[fairycosmos]

not only is it not friday it’s not even thursday. or wednesday

[kosmogrl]

[kosmogrl]

[grem-lit]

-langston hughes

[kippdipp]

"If I fear him, who loves him, how must he fear himself, who hates himself?"

[neptuniite]

there is only the desert for you

[normasshearer]

"When [Lawrence of Arabia] was in production, screenwriter Michael Wilson was not paying much attention to Lawrence's sexuality. Wilson was more concerned with the theme of colonialism versus nationalism, and Lawrence's scholastic pursuits. This clearly displeased Lean, who wanted to paint more of a controversial character study, albeit on a large canvas, than Wilson had so far achieved. As far as one can judge from Wilson's notes, Lean had two overriding concerns - Lawrence's sexual make-up, and the scene that he would film in Petra. As far as the former is concerned, Wilson noted that Lean had, revealingly, compared the Lawrence-Ali relationship to Brief Encounter, his 1945 film about an unconsummated love affair starring Trevor Howard and Celia Johnson." - Brief Encounters: Lesbians and Gays in British Cinema 1930 – 1971 by Stephen Bourne

BRIEF ENCOUNTER (1945) & LAWRENCE OF ARABIA (1962) dir. David Lean (insp/insp)

[theladydi]

the only heated rivalry i care about

[singharit]

T.E. Lawrence + robes 💃