world's slowest artist

hello! i make art ▪︎ 21 ▪︎ queer ▪︎ redbubble ▪︎ kofi ▪︎ enjoy :]

[hypo-critic-art]

hello! i’m hypo, and this is my art sideblog :]

my main: @hypo-critic-al (mostly reblogs)

on this blog i post my art, doodles, school projects and so on.

you can find anything here from frankenstein to gravity falls, behind the scenes of my paintings and art of any media that consumes my brain the most.

feel free to support my artistic endeavours through redbubble or kofi!

thank you :D

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karamazov brothers on my brain... so I drew them :)

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„Dáme cigu?“

so I finished playing Felvidek the other day.

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márnotratný syn

[🇸🇰] Poznáte ten pocit, keď vás nejaký príbeh, ktorý si potajomnky vytvárate v hlave už niekoľko rokov hryzie a kmáše, a trhá, dokým sa nedostane von?

Kiežby som vedela rozpovedať ten Janov... ale toľkokrát som jeho život prepisovala a prehodnocovala, že z neho zostali už len pocity.

Veď to poznáte, rusínska dedinka kdesi pánubohu za chrbtom, hladová dolina, napäté vzťahy medzi pravoslávnymi a greckokatolikmi, kde starý systém sveta je v troskách a túžba po zázrakoch je väčšia než veľká...

Doprostred tejto horkosti prichádza mladý chalan, seminarista, so svojím ujom, kňazom, a na všetkých i na všetko sa znesie tichá predtucha, že nič nebude ako predtým.

[🇬🇧] You know that feeling when a story you've been secretly creating in your head for years starts gnawing, shaking you, begging to be set free?

I wish I could tell Jan's story... but I've rewritten and reevaluated his tale so many times that only the vibes alone remain.

You know how it is: a rusyn village somewhere in the middle of nowhere, an impoverished region, tense relations between the orthodox and greek catholics, where the old way of the world is long gone, and the longing for miracles is greater than ever...

Into the midst of this bitterness arrives a young man, a seminarian, with his uncle, a priest, and a quiet premonition descends upon everyone and everything that nothing will be as it was before.

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my historically first design of jan vs my latest drawing...

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márnotratný syn

[🇸🇰] Poznáte ten pocit, keď vás nejaký príbeh, ktorý si potajomnky vytvárate v hlave už niekoľko rokov hryzie a kmáše, a trhá, dokým sa nedostane von?

Kiežby som vedela rozpovedať ten Janov... ale toľkokrát som jeho život prepisovala a prehodnocovala, že z neho zostali už len pocity.

Veď to poznáte, rusínska dedinka kdesi pánubohu za chrbtom, hladová dolina, napäté vzťahy medzi pravoslávnymi a greckokatolikmi, kde starý systém sveta je v troskách a túžba po zázrakoch je väčšia než veľká...

Doprostred tejto horkosti prichádza mladý chalan, seminarista, so svojím ujom, kňazom, a na všetkých i na všetko sa znesie tichá predtucha, že nič nebude ako predtým.

[🇬🇧] You know that feeling when a story you've been secretly creating in your head for years starts gnawing, shaking you, begging to be set free?

I wish I could tell Jan's story... but I've rewritten and reevaluated his tale so many times that only the vibes alone remain.

You know how it is: a rusyn village somewhere in the middle of nowhere, an impoverished region, tense relations between the orthodox and greek catholics, where the old way of the world is long gone, and the longing for miracles is greater than ever...

Into the midst of this bitterness arrives a young man, a seminarian, with his uncle, a priest, and a quiet premonition descends upon everyone and everything that nothing will be as it was before.

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▪▪ Judášov bozk (Kiss of Judas) ▪▪

acrylic on canvas

90x190cm

2026

studies and annotation under the cut / štúdie a anotácia nižšie

[SK] Judášov bozk, tradične chápaný ako akt zrady, je zároveň jednou z podmienok naplnenia kresťanského spásneho naratívu.

K Biblii sa vraciam nie ako veriaca osoba, ale ako čitateľka fascinovaná jej historickou, literárnou a náboženskou komplexnosťou. Pri tvorbe vychádzam z akademických prístupov k biblickým textom, z poznatkov biblickej archeológie, teológie a religionistiky. Významnú úlohu pri vzniku tohto diela zohralo aj štúdium apokryfných textov, predovšetkým Evanjelia podľa Judáša, ktoré zásadne prehodnocuje tradičné chápanie Judášovej úlohy a jeho motivácií.

Postava učeníka stojí medzi dvoma temnými priestormi, v ktorých sa odohráva chvíľa bezprostredne pred a po bozku. Tento opakovaný výjav vytvára dojem nevyhnutnosti, poukazuje na paradox celej udalosti: zradca Judáš stojí zároveň ako nástroj naplnenia božieho plánu. Postavy na pozadí Getsemanskej záhrady strácajú svoje rysy v tme, čo odkazuje na anonymitu dejinných aktérov a nejednoznačnosť historickej reality, ktorú dnes poznáme len sprostredkovane, cez texty neznámych biblických autorov, tradície a interpretácie.

V mojej práci sa pohybujem na pomedzí ikonografickej tradície a jej dekonštrukcie. Zaujíma ma, do akej miery je Judášova „zrada“ výsledkom neskoršej teologickej interpretácie a do akej miery je historickým jadrom príbehu. Dielom teda nechcem dávať jednoznačné odpovede, ale skôr otvárať priestor na kritickú reflexiu biblických príbehov.

(Rovnako ako k reflexii chcem pozvať diváka, aby si vzal so sebou jednu zo série drobných malieb mincí - 30 strieborných - symbolickú cenu, za ktorú Judáš zradil Krista)

▪ ▪ ▪

[ENG] Judas' kiss, traditionally understood as an act of betrayal, is at the same time one of the necessary conditions for the fulfillment of the Christian salvific narrative.

I return to the Bible not as a believer, but as a reader fascinated by the book's historical, literary, and religious complexity. In my work, I draw on academic approaches to biblical texts, as well as insights from biblical archaeology, theology, and the study of religion. An important role in the creation of this work was also played by the study of apocryphal texts, such as the Gospel of Judas, which fundamentally reconsiders the traditional understanding of Judas’s role and motivations.

The figure of the disciple stands between two dark spaces in which the moment immediately before and after the kiss unfolds. This repeated scene creates a sense of inevitability, pointing to the paradox of the entire event: Judas the betrayer simultaneously stands as an instrument in the fulfillment of God’s plan. The figures in the background of the Garden of Gethsemane lose their features in the darkness, referring to the anonymity of historical actors and the ambiguity of historical reality, which we now know only indirectly: through the texts of unknown biblical authors, traditions, and interpretations.

In my work, I position myself on the boundary between iconographic tradition and its deconstruction. I am interested in the extent to which Judas’s "betrayal" is the result of later theological interpretation, and to what extent it constitutes the historical core of the story. Rather than offering definitive answers, this work seeks to open a space for critical reflection on biblical narratives.

(As part of this reflection, I also invite the viewer to take with them one of a series of small paintings of coins on small canvases placed beneath the piece: thirty pieces of silver, symbolic of price for which Judas betrayed Christ.)

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I didn't think I will find art for each month, but I'm surprised I did! Had my ups and downs, had been doing art for myself and for my friends, had my art blocks and had my art exhibited. I'm very grateful for everything, and I hope to create more next year :]

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frankenvember art requests!!

not yet all of them yet whoops, but i plan to finish second half of them throughout winter holidays

requested by: @raccoonclubhouse @dykensteinery (and partially by @robertwaltons too :D ) over on frankensteinery discord server

had so much fun drawing them and I'm looking forward opening next set of requests ❤️

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empty tomb

2025

70x200 cm (x3)

acrylic on canvas

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disciples at tomb

2024

210x450cm

acrylic on canvas

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pride month frankenstein art requests time! ft. burying your beloved gays

artistic nudity requests + link to frankenserver under the cut ;]

Check out the (⚡)　CHAROBIN'S F͟R͟A͟N͟K͟E͟N͟S͟T͟E͟I͟N͟E͟R͟Y͟. community on Discord - hang out with 168 other members and enjoy free voice and

i think i’ll keep opening free frankenart requests once in a while over in the server, so if you want to see more of it, enjoy great frankenstein analysis, meet cool gothlit people and simply vibe in the community, you’re more than welcome to join! :D

[humanizedzine]

HUMANIZED: A BILL CIPHER ZINE IS NOW OPEN FOR PREORDERS!!! It's happening!! It's finally, finally happening!! Make sure to preorder a physical or a digital copy of our Human Bill Cipher Zine at the links below!!! 💛💛💛

Open from June 20th-July 31st! All proceeds are going to PCRF!

For shipping inside the US/Canada: https://humanizedzine.bigcartel.com/

For shipping elsewhere: https://www.etsy.com/shop/HumanizedZine

Digital zine will be sold exclusively through bigcartel with no intl. fees

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"Jesus said, “[Come], that I may teach you about [secrets] no person [has] ever seen."

- The Gospel of Judas, verse 47

so. the trailer for Judas Iscariot short film dropped the other day an i truly CANNOT wait.

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frankenstein art? in a year of our lord 2025? on my blog?? more likely than you think

1. robert walton and his sister margaret

2. captain walton himself

3. louis manoir (a guy that was mentioned in the book once (1) and yet we love him)

4. clerval and walton smooching victor

5. morenza. need i say more

6.-7. victor again

decided to draw some of art requests from a frankensteinery server (exact request wording and server link under the cut 🙏)

@frankendykez @robertwaltons

Join the (⚡)　CHAROBIN'S F͟R͟A͟N͟K͟E͟N͟S͟T͟E͟I͟N͟E͟R͟Y͟. Discord Server!

Check out the (⚡)　CHAROBIN'S F͟R͟A͟N͟K͟E͟N͟S͟T͟E͟I͟N͟E͟R͟Y͟. community on Discord - hang out with 142 other members and enjoy free voice and

(keep in mind that the server is 15+!)

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Will you Bill my Valentine?

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omg there is no toggle to ask anonymously, OKAY WHATEVER IT'S FINE. DON'T MESS THIS UP, ME!!!

First of freaking all I absolutely adore your art. I know you get that a lot, CLEARLY. But I truly mean it from the bottom of my heart when I say that your drawings bring me the most dazzling snazzi-licious glammourful amount of pure unbridled joy. It's so rare to see realism artists in fandom spaces, so when I come across one, I just HAVE to let them know what an honor they are serving.. I say this because as a fellow artist who is working their way towards realism, I find it so hard to imagine characters as how they would really look in real life! So people like you seriously do a major service in helping me visualize said characters as real people... does that make sense? Now let me prefice that I am not throwing shade at artists who don't draw in a realism style, OBVIOUSLY. I'm just clarifying in case my compliment came off as back handed. LOL.

I especially love your Ford drawings so so much.. you give him life, and it's just so beautiful.. he truly looks exactly how I picture him. You made my vague imagination come to life and I admire you for that so freakin' much. May I ask, do you use references of real people when drawing ? Cuz if not, HOW ARE YOU SO GOOD AT PUTTING YOUR THOUGHTS ON PAPER LIKE THAT. AUGH! Like that one pic of Grunkle Stan struggling with his phone? That's just SO HIM. I'm so impressed by your work, friend. If you DO use references, please help a guy out!!! Tell me what the heck to look up!?!? Specifically for drawing Ford and Stan, I wanna draw them super realistic like you do.

Sorrryyyy for rambling, you don't even have to answer this I just wanted to let you know how amazing you are.. you really inspire me. You inspire a lot of people. Have a stantastic day/night :-3

hi hello!! thank you for the ask :]

i would turn anons on if i was able to do it on my sideblogs :( and i’m sorry for such late response, i had quite a busy week

but!! thank you!!! <:D all feedback is welcome, and each comment makes me want to create more!!!! i feel really happy knowing that others enjoy the art i do!!!

like you said, i may have a thing for realism(ish?) - both in my traditional and digital art. but i absolutely adore and envy artist who create most intricate, unique, colourful, bouncy, abstract, simplistic or any other personal style!!!!

i do also love artists who can see highly stylised characters and transform them into more realistic styles, which is what i’m trying to do with my gravity falls art :]

i’m learning realism to be able to break the rules of it and i have a long way until i define my style for sure 😅

and about Ford… gosh, i kept rereading that part of your ask so many times, I love Ford so much and i’m glad that i made him proper justice - thank you so much!!!! thank you :'D

i do use reference pictures!! i don’t think i’d be able to pull such realism without them, and i think they’re really helpful even when one’s drawing even more stylised and less-realistic characters. before i draw a character i’ve never drawn before i look up images of people on pinterest, with stan and ford i used to type something like "old man photo reference" and then i let myself to get lost for hours in sea of images and references. when you manage to find someone, somebody famous, an actor, or a model who matches your idea of a character - that’s when you striked bingo!! i actually used pictures of two actors to inspire my design of grunks but i will never say which ones (though i’ve seen someone guess ford’s inspiration correctly in the notes lmao)

once i find a reference i like, i study it, sketch it couple of times and while i’m keeping anatomy and some elements of facial structure of a person on a picture i have to keep in mind the look of the og animated character, like a big nose, thick eyebrows, big ears and so on, adding those to the drawing too. and then shading when i feel like it.

i really thank you so much!! i feel really honoured to be an inspiration to someone, and i hope i could help you at least a little bit!!

have a stantastic day/night too :]

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my take on human Bill, he’s such a diva ✨