byĀ GrandmaBeWildin
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@i-know-the-first-three-numbers
byĀ GrandmaBeWildin
Stop saying āthere are plenty of fish in the seaā. Iāve got my eye on one specific, emotionally distant salmon with commitment issues
SLAM
We both jerk bolt upright and look at each other. Her eyes are wide, reflecting me. "That was the wind," I say. "ā¦Yeah. We left the bedroom windows open." I let my face soften into a reassuring smile. "It's just us here. We're fine." She chuckles. "Yeah. We're fine." And she holds me tight.
So I just saw the most incredible production of Macbeth that wove parental grief into the whole regicide plot in such a fascinating way.
So at the very beginning of the play there was a scene where Macbeth and Lady Macbeth are at a funeral as the primary mourners. A stretcher is carried on with a covered body. The body was notably very small. They laid flowers on it and Macbeth immediately left for battle.
Now *I* studied Shakespeare in college so I immediately knew there is one single line that implies that the Macbeths lost a child at some point. Most of the time this isn't utilized in productions; it's just a throwaway line, intended to paint just how determined Lady M is for this regicide thing to work and how furious she is that her husband has cold feet. In this production she delivers "I have given suck, and know how tender tis to love the babe that milks me" nearly in tears. She takes a moment to steel herself before saying, "I would while it was smiling in my face, have plucked my nipple from his boneless gums and dashed the brains pit, had I so sworn" and she very nearly SCREAMED this in Macbeth's face.
Also noted was how the Macbeths looked at Macduff's children. Lady M was clutching her heart, nearly breaking watching them embrace their parents. Macbeth could not even look at them.
At the end of Lady Macbeth's plot, when she is sleepwalking and sleeptalking, she is typically portrayed as speaking to no one or to her husband. However, at a certain point of her monologue she got on her knees, raised her voice to a comforting octave, and began miming tear wiping, hand holding, hair and face stroking, around a child-sized figure. "Wash your hands, put on your nightgown, look not so pale. I tell you yet again, Banquoās buried; he cannot come out onās grave." Then she stands and appears to take the child's hand. "Go to bed, go to bed. I can hear knocking at the gate-" then she looks down and realizes that no one is there, followed be the most heartbreaking shriek I've ever heard followed by a full minute of her just weeping while curled up on the floor before she stood up, finished her monologue and left the stage.
Most of the time when the loss of a child is utilized in a performance or adaptation, it is assumed that the child was an infant and lost some time ago. To imply that the child died IMMEDIATELY prior to the events of the play and had been cared for and loved by their parents for a few years adds such a fascinating layer to the desperation to ascend to the throne, Lady M's madness, and Macbeth's initial hesitation into "in for a penny, in for a pound" attitude, Macbeth's fury that Banquo's, not his, children will take the throne, and even Macbeth's eventual demise following a frenzied final battle.
How far will grief push you to fill a hole? How far will grief push you to desperation? And what happens when none of your new pursuits are filling the void left by the one you lost? And what happens when you realize you have nothing left to lose?
It was a PHENOMENAL production.
Waht if we kissed on the pokemon legends z-a anti homeless architecture bench,
Just some crow things.
I love that this could be also a zen coloring sheet šØšļø
āMany people seem to think it foolish, even superstitious, to believe that the world could still change for the better. And it is true that in winter it is sometimes so bitingly cold that one is tempted to say, āWhat do I care if there is a summer; its warmth is no help to me now.ā Yes, evil often seems to surpass good. But then, in spite of us, and without our permission, there comes at last an end to the bitter frosts. One morning the wind turns, and there is a thaw. And so I must still have hope.ā
ā Vincent Van Gogh
Charlie Brown: I just hope Lucy isn't mean to me today.
Snoopy and Woodstock B Plot:
me as i click theĀ āplace orderā button thinking material items will stop me being sad
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