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@ilittlemissmayflower
NIGHT LIGHTS
Maison Léoty | Corset | French | The Metropolitan Museum of Art
Stomacher — The John Bright Collection
Stomacher — The John Bright Collection
Georgian Stays
laces and silks collection by mirror palais
Aya Takano backstage during her collaborative runway collection with Issey Miyake (2004)
scans
Nancy Graves
Head on Spear (1969)
Hadi Rahnaward: 'Fragile Balance' (2023) rug sculpture created with matches
update: of course this was designed by christian lacroix...
OF COURSE!
This is from The American Ballet Theatre production of Gaîté Parisienne from 1988.
Also: the level of ICONS in that photo.
And here some MORE photos from his production:
Planche 1, Cabinet des Modes, May 15th 1786, Bibliothèque Nationale Française.
This plate has a LONG description, and here's a (shortened) rough translation of the description:
We can say it is no longer desirable for women to dress with great adornment (...) and these fashions are no longer made but for ceremonial gatherings, weddings, formal balls, large meals, which take place in very small numbers. This justifies us to not have often representations of these garments (...), nevertheless since they re sometimes worn, we show them in plates 1 and 2. In plate 1 we can clearly see that we no longer wear the big paniers and even in the most adornment, the fashions have been simplified (except, of course, the court clothes, which do not vary much and can be traces to the clothes of our fathers) (...). The woman in Plate 1 wears a blue robe à la Turque. The petticoat is of the same fabric and colour, the sleeves are made of white gros-de-Naples or another white fabric. The trim of the dress is in white crepe in the shape of rosettes, and in the middle of each is bouquet of artificial roses. The skirt of also decorated with white crepe and rosettes similar to the dress. The cuffs attached to the sleeves are made of cut white gauze. The throat is covered with a gauze fichu, tied at the front with a rainbow ribbon bow, she wears white leather gloves, and a fan. The head is covered with a bonnet also tied with a rainbow ribbon and topped with a garland of artificial roses. The ribbon forms a large bow at the back and holds a white crepe veil that falls almost to the waist, and on top of the bonnet rises a set of feathers: two rose, two blue, one white, and one green. The hairstyle has light curls along the entire front of the head, her hair is pulled up at the back in a flat bun, and two large curls on each side fall down her length. Her shoes are blue to match the colour of the dress, and are adorned with rainbow ribbon.
I found many funny things in this description, like that the magazine writers thought in 1786 that this look was simple, the concept of rainbow ribbon (ruban à l'Arc-en-Ciel) that seems to simply be a ribbon in colourful stripes, and the size and complexity of that bonnet. How about you? Please let me know in the comments or reblog tags, what is your favorite part of this outfit, or even if you'd like to reproduce it.
Also, the plate 2, that is a men's outfit, will be posted soon :)
Pair of gloves, ca. 1600 English Leather; satin worked with silk and metal thread, seed pearls; satin, couching, and darning stitches; metal bobbin lace; paper
This is such a @vinceaddams post that I was surprised it wasn’t from his blog!
Aaaaaaanyway, these gloves are in the Metropolitan Museum of Art collection but not in view.
Grey silk brocade stays, ca. 1750, France, The Museum at the Fashion Institute of Technology.
Marcel Rieder (French, 1862 - 1942)
Some of my favorite showcases of insects arranged by color from the Montreal Insectarium
The bug store for bugs
Alexander McQueen autumn/winter 2024 footwear