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YOU ARE THE REASON
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@inaday
look who’s clearly lost the will to make more than one graphic! you’re stuck with this wonderful bacall edit that’s been put to use four times over. ( anyway. i’ve got a lot of clowns in here. come take a gander. film, video games, television, you name it. ) / and, like it says on the tin, all these fuckers are written by me, theo.
and besides i’m certain if you knew me, you’d find i’m very good company. won’t you kindly let me stay? / ( what it says on the tin. written by theo, est. ‘19. )
@hokeful.
‘ now, i could be mistaken, ’ sarah says, fingers laced loosely together, a thumb pushing circles into her open palm. it’s the flicker of teeth and the deepening crease in her cheek that betray the evidence of her certainty. ‘ -- but you must be cosmo brown. ’
@astralcrafts.
‘ oh! --- f-fhh -- f-fancy seeing you here, princess. ’
slipped in after the pleasant surprise of being discovered, the bite of dull teeth split his mouth open into a tiny grin. ‘ are we h--ere on business or pleasure? ’
@astralcrafts.
‘ zzzt -- shut. please -- hey -- shut it. ’ he’s crouched atop one of kit’s counters, ( because why not? ) frantically waving his hands at sandy in a shoo-ing motion. she has him cornered, paws set firm against the edge of the counter, jaw all wide from her barking.
@sulveig.
look at your dad, solveig. isn’t he cool? look at that balance.
@sinninggod.
‘ this -- ’ there’s a single-handed gesture toward the glass in her hand. ( the glass she shouldn’t have accepted. the house she shouldn’t have stepped into. the accord she should not have created -- ) she’d be signing if it weren’t for that full hand.
‘ don’t -- don’t get -- used to it. ’
@sinninggod.
‘ must say -- i’m an enormous fan of your work, darling. ’
@twosense.
‘ ohh -- ’ he drags the word out with a leisure that stings. ‘ ain’t that a bite. ’
THOUGH I’VE HANDLED THE WOOD, i still worship the flame. / writ. by theo. art.
i LOVE when lemuela goes off about music theory on the dash you GO best friend
i’m adding my 1950s gaybie soon his name is richard isaac peabody and he’s a comedian who leans somewhere between lenny bruce and my own humor, which you’d think would be a super weird and maybe haphazardly balanced mix to make -- but we’re gonna make it work. wildly inappropriate at the best of times and dry, deadpan humor at any other given moment.
who’s gonna use ted danson and matthew goode for fae ocs or do i have to do the work all by myself --
handsigned.
rook grins, ducking her head to hide her smile. as much as she WANTS to pay attention, whitehorse is notorious for his receptive briefings. keeping her hands low, she motions in front of them, “ i think s-t-a-c-i-s asleep. “
her neck tilts backward as her chair tips gently onto two legs, eyes casting past rook’s head and toward the slumped shoulders of their fellow deputy. nancy is unsubtly trying to nudge his chair with her foot. joey snorts, settling back down to earth. < like a light. >
you know, if an adult is a nice person that’s not “innocence.” they learned how to actively be a good person. they’re not some eternal child
also i’m gonna be real why is it that being nice in general is seen as a childish or immature trait
concept: i make my sosu again but i use midge and make her impervious to wasteland wear and tear and she’s just unfathomably clean at all times and no one can understand why
but also: who’s gonna let me capitalize off of the infinite lives / checkpoints phenomenon in video games and let me write a player character oc ( namely sosu or rook ) who is just. somehow immortal. a character that is just inexplicably immortal and doesn't notice until someone watches them take a solid drop from like four or five stories and come away unscathed. a character who crashes a helicopter and tumbles out of the burning wreck with ash on their face and nothing but a scratch to show for it.
@liteborne.
he flicks a balled up straw wrapper toward her her plate.
