trying on a metaphor
Lint Roller? I Barely Know Her
I'd rather be in outer space šø

Origami Around
Three Goblin Art
will byers stan first human second
One Nice Bug Per Day
Xuebing Du

Andulka
Keni
"I'm Dorothy Gale from Kansas"
Show & Tell
art blog(derogatory)
NASA

shark vs the universe
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
Cosimo Galluzzi

ā
Claire Keane
Peter Solarz
seen from United States
seen from China
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seen from United Kingdom
seen from United States
seen from United States

seen from United States
seen from United States
seen from Canada
seen from Chile
seen from Romania

seen from United States

seen from United States

seen from Japan

seen from Malaysia
seen from United States

seen from Malaysia
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seen from United States
seen from Chile
@infamoushero
šŖ
BLADE TRINITY (2004) Jessica Biel DOUBLE IMPACT (1991) Corinna āCoryā Everson SWEET HOME |Ā ģ¤ģķøķ (2020) Lee Si-young | ģ“ģģ TERMINATOR 2: JUDGEMENT DAY (1991) Linda Hamilton MY LUCKY STARS |Ā ē¦ęé«ē § (1985) Michiko NishiwakiĀ | 脿č ē¾ęŗå ACES: IRON EAGLE III (1992) Rachel McLish WHATāS LOVE GOT TO DO WITH IT (1993) Angela Bassett
god tumlr fucked this blog hard. canāt see my likes, canāt see my followers, canāt see notes
but i havenāt used it in 8 years so what difference does it make
and literally my dash is dead wow
god tumlr fucked this blog hard. canāt see my likes, canāt see my followers, canāt see notes
but i havenāt used it in 8 years so what difference does it make
@lancevance iām testing something donāt mind me....
JENNIFERāS BODY (2009) dir. Karyn Kusama
the full moon is waiting in the twilight
why wonāt my notes show up
Best Coast - I Wanna Know
why are we here? just to suffer? every 5 minutes i have to clean my glasses
I hate this website because I heard āThinking Out Loudā by Edward Sheeran and all I could think about was that one fucking video you know the one
Hey bud the hint only made me more confused
Iām so honored I get to share this with you
Mean Girls | Jingle Bells Rock
itās not christmas on tumblr without this
MAKKINRI! HEI HEI, MAKKINRI!
Enokido Youji
Snippets from āShoujo Kakumei Utenaā Privacy Files 1 ā 3 by Enokido Youji
I think the word āprinceā is the greatest pitfall for any young woman. In the show, Akio is not the prince of some country; he is of common origins (most likely). However, precisely because of that, there is significant meaning in the fact that he calls himself and is called a prince, because it is closer to what the word āprinceā has come to mean in the popular parlance.
Of course, it is not that the Utena staff wants to negate the idea of āprinceā. Itās just that somehow it turned out that we ended up questioning the idea of āprinceā in our work. It was not our motivation to begin with. In the beginning, we quite simply only wanted to depict sensual pleasure. But the more we pondered on what passes for sensual pleasure in the world nowadays, the imagery of prince somehow became something like Akio. It just turned out that way. Why? Because we were annoyed with such an obvious value. A cool prince appears out of nowhere, marries the heroine and they live happily ever after. We thought there is nothing convincing about this. If that is all it takes to be a prince, then it is too easy.
And such easy sensual pleasure based on dependency is made by Akio into a selling point with which to control people. There is something brave about Utena who doesnāt buy into this shit. There is something attractive about this because she is for ārealā. The happiness of prince and princess seems to lack this āfor realā-ness.
What I want to say is ā people who are in love for real would not be chasing after the image of a prince.
REVOLUTIONARY GIRL UTENA - INTERVIEW WITH HASHIMOTO KATSUYO
This interview appeared in āArt of Utenaā artbook.
As you may already know, Hashimoto Katsuyo (or Hosoda Mamoru which is his real name) was in charge of storyboards for Juri episodes (7, 29), but he also did the storyboard for episodes 14, 20, 23, 33 and 39. He was probably the most prominent figure involved with this series, right after Ikuhara and Enokido.
Here he talks about Juri and Rukaās relationship as it was presented in episode 29. Enjoy!
Ā - So next, continuing the subject of Juriās plotline please talk about episode 29
Hashimoto: Yes. In episode 7 Juri got considerably cornered, so I was wondering what kind of a man would it have to be to save such Juri. I knew from the screenplay that Ruka was supposed to die in the end, but I thought that he has to be a pretty āextremeā kind of guy, otherwise it wouldnāt be possible for Juri to be saved. And in the end I thought that it has to be someone who can completely sacrifice himself without any ulterior motives behind his desire of saving other person.
Ā - So, Hashimoto-san, it can be said without exaggeration that your image of Ruka is the person who saves Juriā¦
Hashimoto: Thatās right. Right from the end of episode 28 till the beginning of episode 29 Ruka Is portrayed as a manipulator. For example, the way he played around with Shiori. Well, Shiori is quite of a schemer in her own regard, but Ruka surpasses even her. But the fundamental difference between him and Shiori is that although a manipulator, at the core he really wants to help Juri. And while moving toward that goal, he sometimes ends up cornering even Juri herself depending on the situation. He corners her because he wants her to enter the duel and gain herself a miracle, but to bring things to that state, for that he acts as a manipulator. I think that since he cornered the very person he is in love with to such an extent it must have caused him a considerable amount of pain.
But I also think that by doing what he did he also wanted Juri to surpass him. In case of love relationships, even if one thinks āI want to save him/herā, it usually happens that there is some kind of ulterior motive behind that statement, right? So in the end it just doesnāt count as saving at all in most cases. I think it is a paradox that often happens. But in order to save Juri he knows he has to go pass that point. I think that one canāt really save other person if he or she doesnāt honestly think what is best for that person or doesnāt hold that person dearly in his/her heart. Rukaās time of death was getting nearer, but itās not that he could act without any ulterior motives because his was destined to die soon. He would do the same thing even if he wasnāt on the verge of dying.
He acted only on the base of his desire to release Juri from her suffering. In order to do that it was necessary to do something not only with Shiori, but with Juriās mind as well. For that he even decided to become a villain. I think he could become a villain because he didnāt have any ulterior motives.
Self-sacrifice might sound sort of pompous,Ā but I think that without this self-sacrifice it is not possible to save another person. In the middle of episode 29 Ruka said āIn order for miracle to happen a sacrifice is necessaryā. While watching the previous episode or the first part of this one it would seem that that sacrifice was Shiori and Juri herself, but of course that was false assumption; the object of self-sacrifice was Ruka himself.
Ā - I wonder if the fact that Ruka didnāt reveal his feelings till the very end is also closely connected with the idea of saving someone?
Hashimoto: Thatās right. It is like that, but Ruka had this internal conflict inside him as well. After he forcibly kissed Juri he attempted to smash her pendant. It was a part of the scheme, but in fact, some of his real feelings showed in this scene too. Even though he didnāt have any ulterior motives, he still hated Shiori because he loved Juri. After that Juri got panicked and slapped him, then crouched on the ground while holding the pendant ā but I wonder if it wasnāt heartbreaking for Ruka to get treated like that. I think that when one reaches this stage the imagination can go wild even more (laugh).
I think that since Juri had been cornered by Shiori all this time, the object of her affection changed in such way that she came to think of the pendant more dearly than of Shiori herself; that she became warped to such extent. I think it must have been painful for Ruka to watch Juri behaving in such a pitiful manner - holding the pendant like a mother hen protecting her children.
Ā - So the focus of episode 29 is the emotional entanglement and struggle of these characters?
Hashimoto: In each turning point I used this plot device of showing three chairs in order to describe their relationship in a simpler way. The direction toward which the chair is turned shows the direction of their feelings. But inside, the feelings are really complicated and extremely hard to understand. At the end there was a duel and she tried to win and gain the miracle, but she lost. But I think that the miracle really did happen in fact. I believe that the miracle happens not during the duel itself, but there is a moment when it happens inside personās feelings when he or she are heading toward the duel. Originally Juri wanted miracle in order to achieve her unattainable love, but when the pendant smashed into pieces she lost her will to fight, to live and was in a state of total shock.
And then she ripped her rose off with her own hand. I think you can interpreted it in whatever way you want, but my interpretation is that this was a miracle itself. I mean, wasnāt the fact that Juriās feelings got released a miracle? Until that moment, Juriās feelings were something that could never change, something that could never be changed unless some miracle happened. But Juri ripped off her rose by herself. I believe that was the real miracle.
I think that miracle is not some supernatural phenomenon, but it means the change of peoplesā feelings. I interpreted it this way: she lost the duel, but the miracle did happen. The scene when it started raining ā I intended it to be an indicator of the fact that miracle indeed happened. But Juri herself didnāt realize that the miracle happened. On the other hand, Ruka knew it did. Thatās why he said āDonāt worryā. At the end, Juri was sitting on the chair which was turned in Rukaās direction and while starring intently at his chair she was wondering āWhat was that?ā.
She didnāt gain miracle in a fight, but by getting released from her Ā obsession with miracle she also got released from Shiori. I think that was a miracle.
Ā - She wasnāt wearing any pendant after that, right? Did her story finish at that point?
Hashimoto: Yes. I created episode 29 because I wanted to end her story. But unless there was someone that forced her into getting released, it was very unlikely that she could get saved. In the last scene we have Shiori chasing after Juri. Until now it was Juri who was chasing after Shiori, but here we had a kind of reversal phenomenon. And Juri Ā didnāt push Shiori away nor she cared the same way she had been till now ā she just calmly kept on walking.
I think that at this point Juri became independent. In that sceneās monologue Shiori wasnāt mentioned at all. Juri was talking only about Ruka. But itās not that Juri understood Ruka. But she also didnāt think she needed to understand him. Until now she hated him, but she came to able to forgive him a bit, but thatās all. Taking that into account, there was no need for Juri to know what Ruka did and I think Ruka didnāt want her to know that either.
Ā - The episode about Juri and Ruka is greatly valued even among fans.
Hashimoto: The animation director of this episode, Takeuchi-san, also did fantastic job. In the beginning of this episodeās duel, when Ruka was about to pull the sword out of Juri, he put his hand on Juriās hair. I really like the animation of that scene and I think that Ruka, who never get his feelings reciprocated must have been waiting for this moment for a long time and must have been really happy at that moment. In the scene when they were inside Akioās car there was also a moment in Juri and Rukaās conversation when Juri said āI donāt care whether my feelings will get reciprocated or notā. This is exactly what Ruka was thinking. And since he got confirmation that Juri reached this stage he said āSo itās concludedā.