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@interiornotations-blog
Welcome :) Please add anything you please. Edit anything you want. Thoughts, questions, musings, responses, stories. Try and credit if you’re copying/pasting content but no stress if you cbf. Thank you kindly for any input! Evil ppl exist, it could happen fuck that’s rough ,is this violent...
Invitation to partake
Do as I show (and please don’t ask questions)
Looking at notation as instruction. How can I instigate body-movement and shape with written communication or oral direction?
These diagrams were quickly made for a separate project with very different context. I asked my housemate, Nina, to respond to the diagrams without any more clarification by me.
It’s interesting to note how Nina’s ‘core’ (brain or intuitive reaction) makes-do with what she had around her... or omitted the object in the picture altogether for the action/position.
In presenting this relationship between the user and ‘instruction’, I’ve experimented with overlaying the diagram on top, in varying intensity (size, composition)
Part 2:
Every day at 9.10am (aiming for my kitchen bench)
Part 1:
Every day at 9.10am (aiming for my kitchen bench)
Quotes taken and thoughts made.
Jane Rendell;: Site Writing 2008
http://www.bridielunney.com/Desire-will-not-hold Consistently thought-provoking in relation to themes of body, notation and performance… and control; when does Bridie stop becoming the ‘designer’ when the dancer/performer is asked to intuitively respond to the space? Even there are instructions, the performer must make (very sub-conscious?) decisions (or reactions) on the extension of limb, the shapes of their body, timing, speed etc.
Also, in what ways do objects and architecture intersect, blue or challenge these relations?
Immediate notations after my body has left. Light, shadow, wind, light, materiality, weight, volume, distance...
Before and afters, all mixed up. Working with immediacy, with body action + film + photograph give chance to come back at different points in time and “read” the situation in different manners, drawing out different information.
Meeting of past and current thoughts/work. Mash-up of Matthew Day, Sol Le Witt and Yoko Ono pieces, edited and curated by myself. Oral direction influencing bodies and their meeting with/in a space, in ways that support an attentiveness to their surrounds. Here, the bodies are notating through drawing, walking, collecting (selecting) and filmed (by me).
When does notating become design?
Must notation follow design?
Edit: film pending upload errors/issues
Introduction to thought and research on bodies notating and activating space [linking works and interests across my studies]
Thinking about collaboration, differing abilities of bodies, ethics, language, time and meaning. Is this interior design? Does that differ from “critical spatial practice” (Jane Rendell) When does notating become design? Must notation follow the design?
Shadow study: Nina’s studio every day at 8.50am
Making sense of things, how to learn from texts. Boxes, squiggles, underlining (with variation and hierarchy), explaining terms. About the photo, ending as a photo? Photo talk inception?
Found on campus 👀
In between posts. I created this when thinking-out my reflexive processes or “methodology”. How I come to a site and engage with it, and how that differs for you. Perhaps a more specified reiteration of notating Intuition as Method?
However, I came back to this after reading and engaging with “The Theory of Affordances” (J. Gibson)
What affordances do cigarettes offer? They’re a confusing mix of manipulated or manufactured surface/s, object discrimination (how and why to use the object) and nutrition?... Maybe nourishment in a different sense.
Layers of screens communicated through presence/walking
Communicating materiality of surfaces
still image showing movement, use and ways in which the space has been used or activated