hello vonnie
trying on a metaphor
@theartofmadeline
Peter Solarz
Misplaced Lens Cap
Lint Roller? I Barely Know Her
AnasAbdin
Mike Driver
DEAR READER
No title available
JBB: An Artblog!
d e v o n
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JVL
Love Begins
we're not kids anymore.
cherry valley forever
roma★
No title available
ellievsbear
seen from United States
seen from Singapore
seen from Netherlands
seen from United States
seen from El Salvador
seen from United States
seen from Hong Kong SAR China
seen from United States
seen from United States
seen from Bangladesh
seen from United Kingdom
seen from Canada
seen from United States
seen from Singapore
seen from Malaysia
seen from United States
seen from Malaysia
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seen from Türkiye
@ivoriginal
👉 Años en blanco 👈 es un proyecto autobiográfico que empecé en 2013 y nunca terminé 🤷🏻♂️ Ahora que mi vena creativa ha vuelto de entre los muertos 👻 quizá debería retomarlo 🤔 Anyway 🎅 @carloshugol dice que soy un nostálgico, así que no puedo terminar sin dedicarle este bello y extremadamente versátil emoji: 🖕 #ilustracion #ilustración #illustration #dibujo #feels
¿Qué es Madrid? #nophilter #nofoco #noencuadre #nocity (presso Lavapiés (Madrid Metro))
El viernes pasado en @campusmadrid. Vaya fotones se gestiona @jaldonzaphotography 🙈 (presso Campus Madrid)
Fritz Heider, Marianne Simmel, An Experimental Study of Apparent Behavior, The American Journal of Psychology, Vol. 57, No. 2 (Apr., 1944), pp. 243-259
Stories can be a way for humans to feel that we have control over the world. They allow people to see patterns where there is chaos, meaning where there is randomness. Humans are inclined to see narratives where there are none because it can afford meaning to our lives—a form of existential problem-solving. In a 1944 study conducted by Fritz Heider and Marianne Simmel at Smith College, 34 college students were shown a short film in which two triangles and a circle moved across the screen and a rectangle remained stationary on one side of the screen. When asked what they saw, 33 of the 34 students anthropomorphized the shapes and created a narrative: The circle was “worried,” the “little triangle” was an “innocent young thing,” the big triangle was “blinded by rage and frustration.” Only one student recorded that all he saw were geometric shapes on a screen.
¿Genio o imbécil?
Se va la jefa y Campus se desmadra. Jeje. Des-madra. Porque va a ser madre. Y se va. JEJEJEJEJEJE (en Google Campus Madrid)
Hoy, poesía ha florecido en Matadero 🌱 ojalá repetir la tarde como asistente en vez de organizador 😔 ¿lo bueno? Que en mayo la liamos again 😍 (en Matadero Madrid)
¿Parece un goblin malvado o no? 👿😂 ¡Retomando viejos proyectos como propósito de año nuevo! 💪
Buenos días :)
Maravilloso.
Remember last winter? (en Facultad de Humanidades, Comunicación y Documentación UC3M)
Turning London’s Free Publications into Contemporary Collages with @the.daily.splice
For your daily dose of Adam’s contemporary collage art, follow @the.daily.splice on Instagram.
Thanks to fellow commuters leaving behind free magazines on London’s Tube, Adam Hale (@the.daily.splice) compiles material for his daily collages on the go. “I thought it would strike a chord on social media, as there’s an immediacy to the work in which current topics, trends and affairs are given new context, turning something disposable into something of permanence,” says Adam.
Although a lot of people assume that Adam’s works are created digitally, everything is done by hand. Adam sees the analogue art form of collaging — and its challenges — as a welcome change from his day job at a digital company. “It’s often very hard to ‘splice’ images together without the ability to flip or resize individual elements as you would on a computer, but I enjoy problem-solving and it feels great when something finally slots into place.”
Hola, Ola
Cosas bonitas p'al future.
DatAsstro
