j4sm1ne=0don

23. UK

[fymodernflapper]

Victorian Tear Catchers

During the Victorian era, mourners sometimes collected their tears in gold decorated “tear bottles” to keep as a remembrance for the next of kin. It has also been said that the widows would go to the grave on the anniversary of the first year of death and sprinkle the tears on the grave to signify the end of the first year of mourning.

[80sretroelectro]

by slime sunday

[zetkaaa-blog-blog]

[jhasablogagain-blog]

[j47m1n3-o80n]

[theriseofmysoul]

[j47m1n3-o80n]

[j47m1n3-o80n]

[visualjunkee]

CONTE JAPONAIS - model: Tony Thornburg - photography: Sølve Sundsbø - styling: Mattias Karlsson - hair: Malcolm Edwards - makeup: Sam Bryant - set design: Max Bellhops - creative direction: Thomas Persson - Luncheon Magazine #5 Spring/Summer 2018

[sixv-blog]

Christiane F. - Wir Kinder vom Bahnhof Zoo.

[whitepeopletwitter]

[gangstacartoon]

[coolkidsofhistory]

Salvador “I don’t do drugs I am drugs” Dalí painting The Face of War, 1941.

[coltre]

[j47m1n3-o80n]

[sixpenceee]

The worn marble steps at the Leaning Tower of Pisa. This is the result of 500 years of walking. 

[witchinghour]

“We knew we wanted it to be beautiful and disturbing, often concurrently within the same shot. In the end, a lot of it was just from nature. We found images that were atmospherically relevant. One I remember was of a vapor trail behind an airplane, and in the sort of vortices, light was reflecting through the water droplets and creating rainbow shapes. That became relevant to how we created the look of The Shimmer. Another was a tree that was covered in thousands, hundreds of thousands of spider webs. The spider webs in the branches made the tree like a tree, but not a tree, and that sort of became the crystal trees at the end of the film. It was that kind of thing.” – Director Alex Garland on the inspiration behind The Shimmer in Annihilation (2018)