Sometimes I still can’t believe that “Endgame” was so overtly J7 and have to bang out a few hundred words why; or, in which I feel strongly that the series finale of Voyager might as well have been called “Seven of Nine Is Going to Die” and this is why.
The script gives such emphasis to Admiral Janeway’s preoccupation with and trauma surrounding her Seven’s death, especially in comparison to her grief over Chakotay’s death and Tuvok’s degenerative illness. She desires to save them also, yes! Of course! She loves and misses them too! I would never argue otherwise!
Seven is repeatedly bucketed into a very different category than Tuvok and Chakotay, who are likewise repeatedly bucketed together into the same category, in line and in frame. See for reference:
Admiral Janeway talking with sorrow, but fairly easily, about Chakotay and Tuvok before the time jump, vs. her almost inability to even mention Seven’s name (I’d… prefer not to discuss Seven of Nine.)
Admiral Janeway beaming aboard Voyager and fondly taking in the sight of Tuvok and Chakotay standing together in one frame vs. Admiral Janeway leaping off her biobed when Seven of Nine walks in, staring intensely and hungrily at her for the length of an entire scene
Admiral Janeway working with Tuvok and Chakotay on either side of her on the bridge in a fucking voiceover montage vs. Admiral Janeway tracking down Seven and exhorting her in the rawest voice you personally have ever heard to think about “people who love you” re: avoiding Seven’s future death
Admiral Janeway cutting off lines and lines and lines and lines and lines of Captain Janeway’s anger and determined idealistic optimism with a single phrase: “Seven of Nine is going to die.” Captain Janeway’s attention thusly grabbed, Admiral Janeway then reveals Tuvok’s illness. She says nothing about Chakotay aside from “He’s never the same after Seven’s death - and neither are you.”
This is JUST BARELY still in the subtext at this point, and only by the bludgeoning force of the emotionally nonsensical Chakotay/Seven scenes that are dropped around them to heteronorm up the episodes. None of them matter, because even their slap-in-the-face absurdity can’t detract from the power of the real emotional thread of the finale:
Seven of Nine Is Going to Die.
This is the turning point of the entire finale, the moment when Captain Janeway and Admiral Janeway find common ground. Admiral Janeway has gambled everything on being able to travel to the past and say these exact words to her younger self, knowing the effect they would have. And guess what? She was fucking right.
The entirety of the rest of the plot turns on this moment, and I’m absolutely not exaggerating when I say this. It’s around this point that Captain Janeway starts taking Admiral Janeway seriously and begins to not only trust her and ground her assistance in that trust, but also try to understand her - which, after an entire episode where Captain Janeway has been running on stubborn disbelief and rejection of this vision of who she is quite capable of becoming, is almost the more miraculous turning point.
And why? Because Seven of Nine Is Going to Die. That’s the consequence of not doing so. And if there’s one thing - one thing - that all versions of Janeway can agree on, it’s that Seven of Nine’s death is unacceptable. And for a finale that is very nearly a referendum on the constancy of Janeway’s character, that’s saying a hell of a lot.
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