Claudia Rankine on the discussion topic: Poets Writing Prose. Recorded at this year’s Poets Forum.
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Claudia Rankine on the discussion topic: Poets Writing Prose. Recorded at this year’s Poets Forum.
See other videos and content related to this topic here.
(speechless) . death . speaks
Jacqueline Winter Thomas, Erasure from Jacques Derrida’s “Of Grammatology,” pg. 39
In the beginning of any formal procedure, I always feel like I’m trying to wrestle a bull by the horns, and guide it where I want to go. But by the end I have learned the same lesson, that the bull is smarter than me. The goal is not to steer it so much as ride it without falling off, and see where it takes you. The ambition comes in the selection of the meanest, gnarliest bull.
—Mark Leidner, BOMB 2011
“That it feels different here on this shore than you thought it would does not negate the enormity of the distance you traversed and the strength it took you to do it.” _____________________________________________
Cheryl Strayed
Write like a motherfucker. Don’t lament so much about how your career is going to turn out. You don’t have a career. You have a life. Do the work. Keep the faith. Be true blue. You are a writer because you write. Keep writing and quit your bitching. Your book has a birthday. You don’t know what it is yet. Acceptance is a small, quiet room. No one can protect you from your suffering. The fuck is your life. Answer it.
"Sugar" or Cheryl Strayed
"…I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet."
_The Bell Jar_ Sylvia Plath
“Let us record the atoms as they fall upon the mind in the order in which they fall, let us trace the pattern, however disconnected and incoherent in appearance, which each sight or incident scores upon the consciousness.”

― Virginia Woolf, The Common Reader
I am certain of nothing but the holiness of the Heart’s affections and the truth of the imagination. What imagination seizes as Beauty must be truth.
John Keats
Table of contents illustration by Peter Halley, “Untitled,” 1986, Kodalith print.
Perfectionism, that sneaky bugger, chips away at our ideas. It insists we aren’t ready yet, and asks who are you to do that? Perfectionism has no room for experimenting, playing, or process; it’s too busy evaluating the result and checking if everything is “just-so.” It’s the voice that stops us in our tracks. Don’t be fooled. This is the voice of No, instead of GO…
Ula Einstein
It is like what we imagine knowledge to be: dark, salt, clear, moving, utterly free, drawn from the cold hard mouth of the world, derived from the rocky breasts forever, flowing and drawn, and since our knowledge is historical, flowing, and flown.
Elizabeth Bishop, from “At the Fishhouses” (via the-final-sentence)
let it go - the smashed word broken open vow or the oath cracked length wise - let it go it was sworn to go let them go - the truthful liars and the false fair friends and the boths and neithers - you must let them go they were born to go let all go - the big small middling tall bigger really the biggest and all things - let all go dear so comes love
"let it go" by e.e. cumming
1
Missed Connection - m4w
I saw you on the Manhattan-bound Brooklyn Q train. I was wearing a blue-striped t-shirt and a pair of maroon pants. You were wearing a vintage red skirt and a smart white blouse. We both wore glasses. I guess we still do. You got on at DeKalb and sat across from me and we made eye contact, briefly. I fell in love with you a little bit, in that stupid way where you completely make up a fictional version of the person you’re looking at and fall in love with that person. But still I think there was something there. Several times we looked at each other and then looked away. I tried to think of something to say to you — maybe pretend I didn’t know where I was going and ask you for directions or say something nice about your boot-shaped earrings, or just say, “Hot day.” It all seemed so stupid. At one point, I caught you staring at me and you immediately averted your eyes. You pulled a book out of your bag and started reading it — a biography of Lyndon Johnson — but I noticed you never once turned a page. My stop was Union Square, but at Union Square I decided to stay on, rationalizing that I could just as easily transfer to the 7 at 42nd Street, but then I didn’t get off at 42nd Street either. You must have missed your stop as well, because when we got all the way to the end of the line at Ditmars, we both just sat there in the car, waiting. I cocked my head at you inquisitively. You shrugged and held up your book as if that was the reason. Still I said nothing. We took the train all the way back down — down through Astoria, across the East River, weaving through midtown, from Times Square to Herald Square to Union Square, under SoHo and Chinatown, up across the bridge back into Brooklyn, past Barclays and Prospect Park, past Flatbush and Midwood and Sheepshead Bay, all the way to Coney Island. And when we got to Coney Island, I knew I had to say something. Still I said nothing. And so we went back up. Up and down the Q line, over and over. We caught the rush hour crowds and then saw them thin out again. We watched the sun set over Manhattan as we crossed the East River. I gave myself deadlines: I’ll talk to her before Newkirk; I’ll talk to her before Canal. Still I remained silent. For months we sat on the train saying nothing to each other. We survived on bags of skittles sold to us by kids raising money for their basketball teams. We must have heard a million mariachi bands, had our faces nearly kicked in by a hundred thousand break dancers. I gave money to the beggars until I ran out of singles. When the train went above ground I’d get text messages and voicemails (“Where are you? What happened? Are you okay?”) until my phone ran out of battery. I’ll talk to her before daybreak; I’ll talk to her before Tuesday. The longer I waited, the harder it got. What could I possibly say to you now, now that we’ve passed this same station for the hundredth time? Maybe if I could go back to the first time the Q switched over to the local R line for the weekend, I could have said, “Well, this is inconvenient,” but I couldn’t very well say it now, could I? I would kick myself for days after every time you sneezed — why hadn’t I said “Bless You”? That tiny gesture could have been enough to pivot us into a conversation, but here in stupid silence still we sat. There were nights when we were the only two souls in the car, perhaps even on the whole train, and even then I felt self-conscious about bothering you. She’s reading her book, I thought, she doesn’t want to talk to me. Still, there were moments when I felt a connection. Someone would shout something crazy about Jesus and we’d immediately look at each other to register our reactions. A couple of teenagers would exit, holding hands, and we’d both think: Young Love. For sixty years, we sat in that car, just barely pretending not to notice each other. I got to know you so well, if only peripherally. I memorized the folds of your body, the contours of your face, the patterns of your breath. I saw you cry once after you’d glanced at a neighbor’s newspaper. I wondered if you were crying about something specific, or just the general passage of time, so unnoticeable until suddenly noticeable. I wanted to comfort you, wrap my arms around you, assure you I knew everything would be fine, but it felt too familiar; I stayed glued to my seat. One day, in the middle of the afternoon, you stood up as the train pulled into Queensboro Plaza. It was difficult for you, this simple task of standing up, you hadn’t done it in sixty years. Holding onto the rails, you managed to get yourself to the door. You hesitated briefly there, perhaps waiting for me to say something, giving me one last chance to stop you, but rather than spit out a lifetime of suppressed almost-conversations I said nothing, and I watched you slip out between the closing sliding doors. It took me a few more stops before I realized you were really gone. I kept waiting for you to reenter the subway car, sit down next to me, rest your head on my shoulder. Nothing would be said. Nothing would need to be said. When the train returned to Queensboro Plaza, I craned my neck as we entered the station. Perhaps you were there, on the platform, still waiting. Perhaps I would see you, smiling and bright, your long gray hair waving in the wind from the oncoming train. But no, you were gone. And I realized most likely I would never see you again. And I thought about how amazing it is that you can know somebody for sixty years and yet still not really know that person at all. I stayed on the train until it got to Union Square, at which point I got off and transferred to the L.
[via Craigslist]
Top picture taken in 1946 New York City by Stanley Kubrick.
6 Have regrets. They are fuel. On the page they flare into desire. From Geoff Dyer's "Ten Rules for Writing Fiction"
“I write abundantly. And then my next step is to struggle to reduce the ornament, to reduce the abundance—to prune the book, in other words, the way one prunes a tree—so it can grow. This is my idea of a book.”
James Wright (via theparisreview
Love is like believing that, unlike all the other santas at all the other malls, the mall santa at your local mall is the real Santa.
Me. (via juskysnewbooks)
Badlands, 1973.Â