PASAIARIUS
[noun]
a ferry man.
Etymology: Latin.
[Alexey Egorov - The shadow of Charon]
𓃗
Sade Olutola
Mike Driver
Cookie Run:Kingdom Official!
KIROKAZE

ellievsbear
tumblr dot com
Not today Justin
One Nice Bug Per Day

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ojovivo
Sweet Seals For You, Always
Lint Roller? I Barely Know Her

bliss lane
$LAYYYTER
Misplaced Lens Cap
EXPECTATIONS

Jar Jar Binks Fan Club

izzy's playlists!

blake kathryn

seen from Singapore

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seen from United Kingdom
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@jeretical-blog
PASAIARIUS
[noun]
a ferry man.
Etymology: Latin.
[Alexey Egorov - The shadow of Charon]
Glenn Ligon, Give us a Poem (Palindrome #2), 2007
“Glenn Ligon made this neon piece […] in 2007, and I saw it a little while back on the wall of the Studio Museum in Harlem, where it’s part of the permanent collection. The work is built around an incident that occurred at Harvard in 1975, when Muhammad Ali had just finished a speech and a student in the audience asked him to improvise a poem: ‘Me/We’ was the pithy verse Ali offered. Even then, at the height of the Black Power movement, it was an intriguingly opaque statement that could have been read as a gesture of solidarity between the black boxer and his white audience, or as an underlining of their difference. In Ligon’s work, the two words become a visual palindrome, of sorts – symmetrical top and bottom – and alternate being lit (white) and unlit (black), which just increases the tension inherent in them. In 2014, in a museum in Harlem, it strikes me that the tension is between the artist and the audience he addresses – with the issue of race still there, but now wrapped up in larger issues of aesthetic communities and the class, and color, they imply.“ Blake Gopnik, The Daily Pic
Reposting for Muhammad Ali, RIP
Sunset on Pluto
✧ ✧ ✧
http://amandalipke.vsco.co/
We have calcium in our bones, iron in our veins, carbon in our souls, and nitrogen in our brains. 93 percent stardust, with souls made of flames, we are all just stars that have people names.
Nikita Gill, “93 Percent Stardust” (via wordsnquotes)
The “dinosaur bones” that you see on display at the Museum aren’t really bones at all. Through the process of fossilization, ancient animal bones are turned into rock.
Most ancient animals never became fossils. Their carcasses were likely consumed by other organisms, or worn away by wind or water. But sometimes the conditions were right and their remains were preserved. The most common process of fossilization happens when an animal is buried by sediment, such as sand or silt, shortly after it dies. Its bones are protected from rotting by layers of sediment. As its body decomposes all the fleshy parts wear away and only the hard parts, like bones, teeth, and horns, are left behind. Over millions of years, water in the nearby rocks surrounds these hard parts, and minerals in the water replace them, bit by bit. When the minerals have completely replaced the organic tissue, what’s left is a solid rock copy of the original specimen.
Learn more on the Museum’s Dinosaur website.
Saying Goodbye Is Never Easy by Dylan Furst | LVSH
Plate XLVIII. Monograph of the British marine annelids. 1908.
This guy is practicing smoke bending …LOL
Yo, this guy is a fucking airbender.
don’t try to say he is otherwise, just look at him go.
He should do this onstage for money.
I wanna make fun of this person for vaping enough to develop this talent but this is like. beautiful
Volunteer in Void - Odd Nerdrum
AMAZON
The Samurai Trilogy, directed by Hiroshi Inagaki and starring the inimitable Toshiro Mifune, was one of Japan’s most successful exports of the 1950s, a rousing, emotionally gripping tale of combat and self-discovery. Based on a novel that’s often called Japan’s Gone with the Wind, this sweeping saga fictionalizes the life of the legendary seventeenth-century swordsman (and writer and artist) Musashi Miyamoto, following him on his path from unruly youth to enlightened warrior. With these three films—1954’s Oscar-winning Musashi Miyamoto, 1955’s Duel at Ichijoji Temple, and 1956’s Duel at Ganryu Island—Inagaki created a passionate epic that’s equal parts tender love story and bloody action.
Love the phoenix cannot be trapped nor in heaven or earth can it be named; no one has yet discovered its address: its desert holds not a single footprint.
~ Fakhruddin ‘Iraqi (10 June 1213 – 1289)
Fresh and clean, photo by sereno sky