JeuDeCartes

Symphonic (yet figurative) Tumblr in three Deals

[ceciliaiacopetti-deactivated202]

Giacomo Balla, Salutando, 1908

[v-ersacrum]

Antonio Ciseri, Mary Magdalene, c.1870

[laveneredissepolta]

Guido Cagnacci - Maddalena penitente, 1626-1627

quel rossore sulle guance e quell'espressione soddisfatta la dicono lunga…

[caravaggista]

William Merritt Chase, A Modern Magdalene (1888).

[v-ersacrum]

Mateo Cerezo, Magdalena, 17th century

[koredzas]

Giovanni Bellini - Madonna and Child with Saint Catherine of Alexandria and Mary Magdalene. 1490

[artstoria]

Piero di Cosimo, Saint Mary Magdalene Reading, 1490s

[fashionologyextraordinaire-deac]

Saint Mary Magdalene reading, at a table with fruit and a golden tazza. Workshop of The Master of the Parrot (active Antwerp 1525-50). Oil on panel.

Saved from: www.pinterest.com

[koredzas]

Artemisia Gentileschi - The Conversion of the Magdalene. The Penitent Mary Magdalene. 1615 - 1616

[koredzas]

Master of 1518 - Mary Magdalene. 1524 - 1526

[laclefdescoeurs]

Saint Mary Magdalene before a curtain supported by angels in an architectural niche, The Master of the Parrot

[achasma]

Penitent Magdalene (detail) by Domenico Tintoretto, c. 1598-1602.

[forevernoon-deactivated20181218]

Summer Warmth - Jeff Bellerose

American, b.1973

Oil on canvas, 20.5 x 15in

[kundst]

Cagnaccio di San Pietro (It. 1897-1946) La Ragazza e lo Specchio (1932)

[artesens]

Felice Casorati

[historyofartdaily]

Master of the Legend of the Magdalen, The Magdalen Weeping, circa 1525, oil on oak panel, National Gallery, London.

[life-imitates-art-far-more]

Sofonisba Anguissola (1532-1625) “Self-portrait at the easel” (1556) Oil on canvas Renaissance Located in the Łańcut Castle, Łańcut, Poland

Anguissola was an Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education, that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art. As a young woman, Anguissola traveled to Rome where she was introduced to Michelangelo, who immediately recognized her talent. The Spanish queen Elizabeth of Valois was a keen amateur painter, and in 1559 Anguissola was recruited to go to Madrid as her tutor, with the rank of lady-in-waiting. She later became an official court painter to the king, Philip II. After the queen’s death, Philip helped arrange an aristocratic marriage for her. She moved to Sicily, and later Pisa and Genoa, where she continued to practice as a leading portrait painter, living to the age of ninety-three.