Tommy Östmar (1934-2007). Oil on canvas
Mike Driver
Keni
Three Goblin Art
NASA
noise dept.
hello vonnie
Jules of Nature

@theartofmadeline
Aqua Utopia|海の底で記憶を紡ぐ

Kaledo Art
Sade Olutola

❣ Chile in a Photography ❣

PR's Tumblrdome
YOU ARE THE REASON
𓃗
Lint Roller? I Barely Know Her

izzy's playlists!
PUT YOUR BEARD IN MY MOUTH
cherry valley forever
Today's Document
seen from Italy
seen from Georgia

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Spain
seen from United States
seen from United States
seen from United States
seen from Italy
seen from Ecuador
seen from Spain
seen from Sweden

seen from United States

seen from United Kingdom
seen from Benin
seen from United States
@jgronesjo
Tommy Östmar (1934-2007). Oil on canvas
Eve Eriksson. 1956. Oil on canvas.
Torsten Jovinge, Still life, oil on canvas, early 1930′s.
Torsten Jovinge, Still life, oil on canvas, 1927
Ludvig Eikaas, woodcut, before 1971. Edition of 20.
Ulrik Samuelson, 1973, oil and metal foil on glass. 61 x 61 cm.
Britt Lundbohm-Reutersvärd
Ola Billgren, 1966, “Vittnet, Rondellen” (The Witness, the round about”)
Peter Weiss, “Staden” (The city), 1940. Oil on canvas, 95 x 124 cm.
Inger Ekdahl, “painting no. 5″, 1959, oil on panel.
Anna-Eva Bergman, N°87-1960 Double Mur, 1960, tempera metal leaf on cardboard mounted on canvas.
Lars Englund, “Relative”, 1980, exhibition view at PS1 New York
Gunnel Wåhlstrand, ink wash on paper, “Långedrag”, 2004.
Ola Billgren (Swedish, 1940-2001), Spansk trädgård [Spanish Garden], 1990. Canvas, 68 x 62 cm.
Anna-Eva Bergman, Oil paint and metal foil, 1955.
Anna-Eva Bergman, Stèle, 1953.
Björn Trädgårdh, Hus i Helsike, Oil on panel, 1927.
Trädgårdh, a radical leftist, is primarily remembered as a front man for the Scandinavian purist design movement. The pinnacle career-wise as well as in terms of purism almost comically being the pewter coffin commissioned by Nazi leader Herman Goering for is deceased wife. A fun fact often (and deliberately) omitted in Swedish design history.