now @cultfic

𝘪𝘵'𝘴   𝘫𝘪𝘮   𝘩𝘰𝘱𝘱𝘦𝘳.     𝗰𝗵𝗶𝗲𝗳   𝗷𝗶𝗺   𝗵𝗼𝗽𝗽𝗲𝗿.

[jimhop-a]

#JIMHOP.          WRITING  BLOG  FOR  JIM  HOPPER  OF  STRANGER  THINGS.          BY  NANNIE,          SHE  /  HER          ( 21 + )          MATURE  THEMES  PRESENT.          NOT  SPOILER  FREE.          EST  ‘18.          AFFILIATED  WITH  @LIGHTSPOKE.

[jimhop-a]

unpopular opinion but jim has never once called jane ‘‘‘el’’’ in his life 👌

[ohisms]

𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 .    (  a  collection  of  100  nonverbal  action  prompts .   mature  and  potentially  triggering  themes  are  present .   add  “ + reverse ”  to  swap  assigned  roles .)

∗ o1﹕ sender  tucks  hair  out  of  receiver’s  face . ∗ o2﹕ sender  offers  receiver  a  bite  from  their  fork . ∗ o3﹕ sender  places  their  feet / legs  in  receiver's  lap . ∗ o4﹕ sender  offers  receiver  an  earbud  to  share  their  music . ∗ o5﹕ sender  comforts  receiver  in  the  aftermath  of  a  nightmare . ∗ o6﹕ sender  gives  receiver  company  in  the  hospital . ∗ o7﹕ sender  wraps  their  arms  around  a  hysterical  receiver  to  calm  them . ∗ o8﹕ sender  shows  up  at  receiver’s  home  late  at  night . ∗ o9﹕ sender  falls  asleep  leaning  against  receiver . ∗ 1o﹕ sender  wields  a  [ gun / knife ]  at  receiver . ∗ 11﹕ sender  runs  their  fingers  through  receiver’s  hair . ∗ 12﹕ sender  invites  receiver  to  dance . ∗ 13﹕ sender  takes  a  [ picture / video ]  of  receiver . ∗ 14﹕ sender  places  their  head  in  receiver’s  lap . ∗ 15﹕ sender  and  receiver  make  eye  contact  across  a  busy  room . ∗ 16﹕ sender  pushes  receiver  against  a  wall  to  kiss  them . ∗ 17﹕ sender  and  receiver  cook  together . ∗ 18﹕ sender  comes  to  receiver  after  being  injured . ∗ 19﹕ sender  sits  in  receiver’s  lap . ∗ 2o﹕ sender  lifts  receiver's  chin ,  invoking  eye  contact . ∗ 21﹕ sender  overtakes  receiver  in  combat . ∗ 22﹕ sender  finds  receiver  [ injured / bloodied ] . ∗ 23﹕ sender  straightens  an  article  of  receiver’s  clothes . ∗ 24﹕ sender  crawls  into  bed  with  receiver . ∗ 25﹕ sender  rolls  their  eyes  at  receiver . ∗ 26﹕ sender  lights  receiver’s  [ cigarette / joint ] . ∗ 27﹕ sender  is  caught  wearing  receiver's  clothes . ∗ 28﹕ sender  strikes  receiver  with  a  pillow . ∗ 29﹕ sender  writes  a  note  on  receiver’s  skin :  [ note ] . ∗ 3o﹕ sender  wraps  a  blanket  around  receiver’s  shoulders . ∗ 31﹕ sender  runs  and  jumps  into  receiver’s  arms . ∗ 32﹕ sender  shoves  receiver  out  of  anger . ∗ 33﹕ sender  hovers  over  receiver’s  shoulder  as  they  complete  a  task . ∗ 34﹕ sender  is  found  by  receiver  somewhere  they  shouldn’t  be . ∗ 35﹕ sender  curls  up  against  receiver  in  their  sleep . ∗ 36﹕ sender  is  found  drunk  by  receiver . ∗ 37﹕ sender  throws  an  item  of  sentiment  bitterly  at  receiver . ∗ 38﹕ sender  joins  receiver  in  the  shower . ∗ 39﹕ sender  is  caught  following  receiver . ∗ 4o﹕ sender  traces  one  of  receiver’s  [ scars / bruises ] . ∗ 41﹕ sender  twines  their  fingers  with  receiver’s . ∗ 42﹕ sender  barges  into  receiver’s  home  unannounced . ∗ 43﹕ sender  kicks  receiver’s  shin  beneath  a  table . ∗ 44﹕ sender  aggressively  shoves  past  receiver . ∗ 45﹕ sender  kisses  receiver’s  [ forehead / cheek ] . ∗ 46﹕ sender  pulls  receiver  out  of  harm’s  way . ∗ 47﹕ sender  is  found  sobbing  by  receiver . ∗ 48﹕ sender  locks  receiver  out  of  their  room . ∗ 49﹕ sender  brings  receiver  [ coffee / tea ]  in  the  morning . ∗ 5o﹕ sender  rests  their  forehead  against  receiver’s . ∗ 51﹕ sender  plays  a  song  for  receiver  that  reminds  them  of  them :  [ song ] . ∗ 52﹕ sender  takes  a  [ punch / stab / bullet ]  meant  for  receiver . ∗ 53﹕ sender  buys  receiver  a  drink  at  a  bar . ∗ 54﹕ sender  needs  receiver’s  help  getting  in  the  bath . ∗ 55﹕ sender  and  receiver  cross  paths  in  the  kitchen  late  at  night . ∗ 56﹕ sender  twists  receiver’s  arm  behind  their  back . ∗ 57﹕ sender  winks  at  receiver . ∗ 58﹕ sender  is  found  collapsed  by  receiver . ∗ 59﹕ sender  prevents  an  injured  receiver  from  getting  up . ∗ 6o﹕ sender  claps  a  hand  over  receiver’s  mouth  to  silence  them . ∗ 61﹕ sender  cages  receiver  against  a  [ wall / the floor ]  with  their  arms . ∗ 62﹕ sender  storms  away  from  receiver  during  an  argument . ∗ 63﹕ sender  is  found  by  receiver  sleeping  in  receiver’s  bed . ∗ 64﹕ sender  [ applies / touches up ]  receiver’s  makeup . ∗ 65﹕ sender  throws  receiver  into  a  wall  during  combat . ∗ 66﹕ sender  dances  sensually  with  receiver . ∗ 67﹕ sender  strikes  receiver  across  the  face . ∗ 68﹕ sender  places  their  hand  on  receiver’s  leg  while  driving . ∗ 69﹕ sender  pulls  a  chair  out  from  under  receiver . ∗ 7o﹕ sender  catches  receiver’s  wrist  when  they  turn  to  leave . ∗ 71﹕ sender  leaves  an  intimate  mark  on  receiver . ∗ 72﹕ sender  beats  receiver  in  a  video  game . ∗ 73﹕ sender  and  receiver  stand  in  stunned  silence  after  a  fight . ∗ 74﹕ sender  cares  for  receiver  while  they’re  sick . ∗ 75﹕ sender  and  receiver  go  on  a  hike . ∗ 76﹕ sender  is  caught  snooping  in  receiver’s  things . ∗ 77﹕ sender  and  receiver  cuddle  while  watching  television . ∗ 78﹕ sender  throws  something  aggressively  at  receiver . ∗ 79﹕ sender  creeps  up  behind  receiver  to  scare  them . ∗ 8o﹕ sender  and  receiver  go  shopping  together . ∗ 81﹕ sender  helps  receiver  [ dye / style ]  their  hair . ∗ 82﹕ sender  draws  receiver  into  a  kiss  by  the  back  of  their  neck . ∗ 83﹕ sender  is  discovered  having  a  panic  attack  by  receiver . ∗ 84﹕ sender  accidentally  injures  receiver  during  sparring . ∗ 85﹕ sender  grabs  receiver  roughly  by  the  hair . ∗ 86﹕ sender  brings  receiver  to  their  knees  during  combat . ∗ 87﹕ sender  shows  receiver  evidence  of  a  lie  they  told . ∗ 88﹕ sender  winks  [ seductively / mockingly ]  at  receiver . ∗ 89﹕ sender  yells  at  receiver  to  put  their  hands  in  the  air . ∗ 9o﹕ sender  helps  receiver  patch  up  a  wound . ∗ 91﹕ sender  holds  receiver  as  they  cry . ∗ 92﹕ sender  silently  and  angrily  points  receiver  towards  the  door . ∗ 93﹕ sender  gestures  for  receiver  to  sit  down . ∗ 94﹕ sender  pulls  receiver  into  their  lap . ∗ 95﹕ sender  cradles  receiver’s  face . ∗ 96﹕ sender  tackles  receiver  out  of  the  way  of  danger . ∗ 97﹕ sender  has  hidden  an  injury  from  receiver ,  and  receiver  finds  out . ∗ 98﹕ sender  confronts  receiver  about  their  unhealthy  behavior . ∗ 99﹕ sender  proposes  to  receiver . ∗ 1oo﹕ sender  has  just  died ,  receiver  finds  out .

[jimhop-a]

hi i just wanna remind tunglr that h.opper is chief and not sheriff

[jimhop-a]

i     wasn’t     cursed.          I     AM     THE     CURSE.

[jimhop-a]

head empty just joyce hugging jim

[toadmemes]

more random dialogue prompts ,

“why do you have that look on your face?”

“finish what you’re doing, we have to talk.”

“what have you done to yourself?”

“did you do something different with your hair?”

“it doesn’t do any good to get worked up.”

“when was the last time we had a real conversation.”

“are you in the witness protection program, or what?”

“there’s something wrong with me.”

“no, i don’t hate you.”

“hey stupid.”

“we’re aren’t them.”

“looks like i’ll live long enough to make you pay.”

“you know you’re wrong.”

“i don’t understand, why are you doing this?”

“now, before i say anything, promise me you’ll stay calm.”

“what makes me so special?”

“you have no idea what i’ve been through.”

“you really don’t have to do that, not for me.”

“did you really think you’d get a second chance?”

"how about we don’t do that.”

“i have a lot going for me, but humility is not one of them.”

“you’re the worst.”

“i don’t need you right now.”

“don’t just stand there, looking at me.”

“i thought you were supposed to call me.”

“take my hand.”

“i need you.”

“you’re allowed to need help sometimes.”

“for someone who doesn’t like to feel things, you sure feel a lot of it out loud.”

“when this is all over, i want it to be you and me.”

“why won’t you tell me what happened?”

“you don’t know what this means to me.

“i know it doesn’t make sense.”

“i’m trying really hard to keep it together.”

“i know you’re new, but we do things a little differently here.”

“your voice is putting me to sleep.”

“did you find what you were looking for?”

"you knew and you didn’t even warn me?”

“well, i guess that’s broken.”

“i thought it was part of the act.”

“you think u don’t know you’re only here because they sent you?”

“you promised to call me if you didn’t know what to wear.”

“you can keep a secret, can’t you?”

“how could you do this to me?”

“put the gun down, dearest. i have news!”

“i know you don’t have any reason to trust me, but you need to know something.”

“if you’re here to tell me what happened last night, someone beat you to it.”

“people think i’m weird.”

“i think i’m losing myself again.”

“you can’t be here.”

“i wish you’d come to the funeral.”

“do you know what today is?”

“so, you broke my favourite mug… and you’re breaking up with me?”

“i need to get out.”

“it’s like i’m cursed or something.”

“you are remarkably well-behaved tonight, what have you been up to?”

“you gonna eat that?”

“sir, the pony rides are for children only.”

“i don’t want you to worry about that anymore.”

“we’ll never make it in time.”

“you’d be late for your own funeral.”

“you should have seen it coming.”

“oh, good, you’re here! hold this.”

“why can’t you just be happy for me?”

“on a scale of one to ten, how do you feel about nachos right now?”

“is this how you flirt with everyone?”

“how much longer till we’re there?”

“what have you done?”

“it’s time for you to repay that debt you owe me.”

“where did you get that? who gave it to you?”

“what kind of mother has thoughts like that?”

“i know I haven’t been what you needed, but i’m here, and i wanna help.”

“i never want to hear you say that again.”

“you’re all i have.”

“i know it’s not perfect, but i did follow the recipe this time.”

“i was doing so well until you showed up.”

“don’t eat that! i made it ‘specially for our guest.”

“it’s not that i don’t like my life, it’s that i don’t have the energy to enjoy it.”

“how can you stand this place?”

“don’t take this the wrong way, but you don’t exactly blend in.”

“you need to stop.”

“i don’t like that look, what happened?”

“is that seriously your password?”

“what’s your problem?”

“you had no right to use it without asking.”

“oh, wow, you weren’t kidding.”

“i couldn’t trust my own parents to protect me.”

“i’m surprised you haven’t been arrested yet. wait, no, i’m not.”

“why do you want to help me?”

“ten bucks for that piece of crap?”

“we have to hurry, they’re coming!”

“hey, look what came in the mail!”

“do you want to get a drink or something?”

“please tell me you didn’t eat that.”

“the worst part is you didn’t even notice.”

“if i wanted help, i would have asked.”

“wanna tell me what’s going on with your grades?”

“you need to leave.”

“talk to me, okay? i need to know what’s going on.”

“i do blame you.”

“sometimes life deals you a bad hand, but you can still play your cards right and win.”

“you’re no longer useful to me.”

“i’m not good with sarcasm: if you don’t like me, just say it.”

[jimhop-a]

hop gettin punched in every scene is karma for the way he treated ppl in s3

[jimhop-a]

loggin here real quick to say i won’t be able to watch the new season until monday evening most likely but i’ll be here v soon i’ve missed the st fam sfm

[forgetmcnotts]

JOYCE BYERS and JIM HOPPER

STRANGER THINGS, VOL 1, COMING MAY 27TH

[jimhop-a]

here for the bald head and disheveled look like,, yes 🔥🔥🔥

[lev-calder-deactivated20230421]

[jimhop-a]

i have the jameshopper url but

[jimhop-a]

𝐉𝐈𝐌     𝐇𝐎𝐏𝐏𝐄𝐑     𝐈𝐍     ‘𝟖𝟑     &     ‘𝟖𝟒     :          

infiltrated      a      heavily     -     guarded      government      facility   ,

located   a   gateway   to   the   upside   down     &     found   the   courage   to   investigate   it   on   his   own   without   knowing   what   he   was   facing   ,

penetrated    a    biohazard    area    without    wearing    a    proper    attire    because    he    thought    it    would    lead    him    to    a    missing    kid     .

was   one   step   ahead     &     knew   what   was   going   on   before   anyone   else   in   hawkins   ,

showed     up     at     every     doctor’s     appointment     with     will     &     joyce     byers     to     provide     emotional     support     &     make     sure     they     were    safe     even     though     it     must     have     brought     back     some     dreadful     memories     .

uncovered          government         -         supervised          experiments          on          children   ,

risked    his    life    to    ensure    his    friend    wasn’t    insane    or    delusional     &     that    there    was    a    way    to    find    her    son    even    though    all    pointed    to    the   fact    that    he    was    already    dead     .

sheltered  ,     fed  ,     taught     &     protected     one     of     the     children     experimented     on     &     struggled     like     hell     for     her     to     have     a     normal     life   ,

returned       to       the       monster      -      infested       lab       to       protect       el       knowing       full       well       he       had       high       chances       of       dying       in       the       process .

[jimhop-a]

lightspoke·.

sara.  is  it  wrong  that  her  first  thought  is  what  a  lovely  name  ?  a  nanothought  that  will  surely  eat  at  her  later  when  she’s  doing  stocktake,  or  watching  television  long  after  the  boys  are  in  bed.  there  are,  immediately,  instantaneously,  a  million  questions  she  wants  to  ask.  WHAT  WAS  SHE  LIKE  ?  i  bet  she  had  your  eyes,  huh  ?  she  knows,  though,  that  there’ll  never  be  a  good  &  right  moment  to  ask  those  questions,  &  instead  joyce  lets  the  curiosity  burn  furiously  within  her,  bright  &  hot,  for  the  handful  of  moments  it  takes  to  burn  itself  out.  CURIOSITY  IS  HUMAN  NATURE  ;  to  act  on  its  impulses  is  a  choice.

a  surreptitious  glance  at  her  watch  as  hopper  catches  benny’s  attention.  resolves  to  ask  benny  soon  if  she  can  use  his  phone  —-  call  donald,  request  the  rest  of  the  day  off.  SOMETHING  CAME  UP.  jonathan’s  sick,  perhaps.  even  that  triggers  an  overwhelming  sense  of  guilt,  &  joyce  finds  herself  chewing  on  her  bottom  lip,  closely  watching  hopper  light  a  new  cigarette.  the  shake  of  the  hand  reminds  her  of  herself,  as  odd  as  that  feels.  the  realization  brings  with  it  the  hideous  reminder  of  a  friendship  all  but  dissolved  in  the  sands  of  time  ;  someone  once  so  close  is  now  little  more  than  a  stranger.

❛     i’m  sorry  to  hear  about  her  —  sara.     ❜  words  are  quiet  yet  earnest,  not  expecting  a  response.  not  expecting  any  more  explanation.  it  answers  more  than  enough,  anyway.  at  mention  of  her  boys,  though,  &  joyce  finds  herself  smiling  softly,  leaning  back  a  little  in  the  booth.  (  she  gets  so  tightly  wound  when  she’s  worried  ;  always  has  to  remind  herself  to  loosen  up,  literally.  )  ❛    jonathan  &  will.  jonathan’s  twelve  ;  will’s  eight.     ❜  she  answers  a  question  that  wasn’t  posed,  careful  not  to  say  too  much.  it  wouldn’t  be  right  ;  not  after  what  hopper’s  just  told  her.  she  handwaves  away  the  question  that  was  posed,  however,  answering  it  with  a  short,  cynical  laugh.  ❛     yeah.  lonnie, huh  is  about  right.     ❜  THE  WRONG  CHOICE  SHE’D  MAKE  AGAIN  IF  IT  GAVE  HER  HER  BOYS.  ❛     he  left  a  few  years  ago.     ❜  𝚂𝚃𝚁𝙰𝙽𝙶𝙴𝚁𝚂  ›  𝙵𝚁𝙸𝙴𝙽𝙳𝚂  ›  𝙻𝙾𝚅𝙴𝚁𝚂  ›  𝚂𝚃𝚁𝙰𝙽𝙶𝙴𝚁𝚂  ›  𝙳𝙸𝚅𝙾𝚁𝙲𝙴𝙴𝚂  𝙲𝙰𝚃𝙲𝙷𝙸𝙽𝙶  𝚄𝙿  𝙾𝙽  𝙼𝙸𝚂𝚂𝙴𝙳  𝚈𝙴𝙰𝚁𝚂  𝙸𝙽  𝙰  𝙱𝙰𝙲𝙺  𝙱𝙾𝙾𝚃𝙷  𝙰𝚃  𝙱𝙴𝙽𝙽𝚈’𝚂.  ❛     (  .  .  .  )  the  town  still  talks  about  it,  sometimes.     ❜

THE  BURST  OF  LIFE  IGNITED  WITHIN  HER  when  she  elaborates  on  her  boys  echoes  hopper’s  former  feelings  when  people  brought  up  his  child;          things  have  changed  in  that  regard,          &  from  infinite  delight  his  own  sentiments  have  turned  to  bitterness,          a  furious  twinge  in  his  heart,          far  more  powerful  than  memory  alone,          NOSTALGIA  EATS  AT  HIS  CORE,          burns  like  the  pain  from  an  old,          invisible  wound.          she  glows  with  the  parental  pride  he’s  witnessed  in  new  york,          the  kind  that  tells  she’s  the  best  thing  that  could  have  happened  to  those  two  boys,          jonathan  &  will,          &  it’s  absolutely  no  surprise.          IN  THE  CREASES  AT  THE  CORNERS  OF  HER  EYES,          he  recognizes  the  youthful  mischief  he  once  admired  &  fed  so  greedily,          but  she’s  gotten  wiser,          mature,          a  slight  change  he  suspects  was  inspired  by  the  birth  of  her  first  &  the  joyful  burden  of  responsibility  that  came  with him.

❝     town’ll   still   be   talkin   about   it   in   fifty   years.     ❞          a  bitter  chuckle,          HOPPER’S  PERSPECTIVE  ON  THE  TOWN  TURNED  ALMOST  CYNICAL  where  it  was  once  little  more  than  contempt.          give  these  people  a  bone  they’ll  gnaw  on  it  till  they  tear  it  into  tiny  little  pieces,          regardless  of  the  consequences.          hell,          he’s  taken  on  the  job  five  days  ago  &  he’s  already  had  a  garden  -  gnome  emergency  to  control,          courtesy  of  mrs.  atkins  &  her eight  cats:          the  things  they’d  say,          back  in  new  york,          if  they  knew  how  low  he’s  stooped  to  for  the  sake  of  quiet.          A  LIGHT  EXHALE  OF  STRONG  TOBACCO  as  he  refocuses,          rests  heavy  eyes  upon  her  frame,          memories  of  days  long  since  past  resurfacing  with  every  step  he’s  taken  back  into  town,          but  her  presence  hits  the  hardest:          she  always  was  a  little  special  to  him.          ❝     m’sorry   it   didn’t   work   out.     ❞

OKAY,          MAYBE  HE  LACKS  A  LITTLE  CONVICTION,          but  he’s  always  thought  lonnie  byers  was  an  asshole,          least  of  all  worthy  of  ending  up  with  her  but  jim’d  backed  down,          hadn’t  he?          had  been  shipped  off  across  the  atlantic  &  into  the  choking  furnace  of  vietnam.          last  thing  he  wanted  to  see  upon  returning  from  combat  was  the  deadly  stillness  of  hawkins,          so  he’d  made  his  way  up  the  big  city,          as  he  always  said  he  would.          ❝     i’ve   missed   you,          joyce.     ❞          LOW  VOICE  CARRIES  WITH  AUTHENTICITY  as  he  looks  up,          fingers  toying  with  his  glass.          ❝     it’s   insane   to   realize   how   quickly   time   has   gone   by━     ❞          how  quickly  he’s  been  robbed  of  his  daughter.          jonathan’s  twelve,          will’s  eight.          ❝     but   despite   all   the   things   that’ve   happened   in   between,          i’m   glad   i   got   to   see   you   again.          ━got   a   picture   of   your   kids?     ❞

[y-ennefers]

#mood of the day

[jimhop-a]

❛     𝗒𝗈𝗎’𝗋𝖾   𝗅𝖾𝖺𝗏𝗂𝗇𝗀   𝖺𝗅𝗋𝖾𝖺𝖽𝗒?     ❜          @elverted​​​

SHE  PLEADS  &  IT  PULLS  AT  HIS  HEART,          a  familiar  twinge  long  buried  but  never  forgotten,          the  kind  he’d  been  seeking  with  every  pill  swallowed,          every  beer  emptied,          every  camel  lit.          sara  had  a  way  of  turning  his  life  upside  down,          came  in  like  a  wrecking  ball  &  left  with  an  even  more  thunderous  bang  BUT  SHE’S  NOT  SARA,          JIM.          𝚢𝚘𝚞𝚛  𝚍𝚊𝚞𝚐𝚑𝚝𝚎𝚛’𝚜  𝚐𝚘𝚗𝚎,          𝚐𝚊𝚙  -  𝚝𝚘𝚘𝚝𝚑𝚎𝚍  𝚐𝚛𝚒𝚗,          𝚙𝚒𝚐𝚝𝚊𝚒𝚕𝚜  &  𝚊𝚕𝚕.          &  in  her  stead  he’s  sheltered  another  stray  soul,          much  like  his  own.          maybe  they  can  find  themselves  in  each  other?          ❝     yeah,          listen,          err.     ❞          CIGARETTE  DANGLES  WITH  EVERY  WORD,          dries  chapped  lips  against  the  cold  but  he  doesn’t  mind,          stuffs  his  hands  down  his  pockets.          ❝     i   gotta   go   to   work.          you   know?          put   food   on   the   table.          things   ain’t   free.     ❞          he  still  needs  to  get  into  the  concept  of  money,          business  &  trade  with  her  but  she’s  sharp,          he  can  stick  to  bits  &  pieces  for  now.          MATCH  SCRATCHED  &  BROUGHT  TO  HIS  CAMEL  before  he  starts  inhaling  the  strong,          unfiltered  tobacco.          ❝     you   remember   what   we   said,          right?          keep   the   door   closed   an’   the   heat   on,          eat   lunch   at   twelve   thirty,          read   your   book. . .          an’   remember   to   turn   the   tv   on   at   four:          they’re   playin’   an   old   cary   grant   flick.          the   awful   truth.          you   should   like   it.     ❞          A  FOND  GAZE  CAST  HER  WAY  AS  HE  NOTICES  THE  EARLY  SIGNS  OF  CURLS,          growth  of  hair  a  welcome  change  from  his  own  daughter’s  final  look.          &  hopper  throws  in  a  friendly  wink.          ❝     you   gonna   be   good?     ❞