jomc.links

joannemcneil.com

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graphic representation of the ground-penetrating WaveSense radar that can detect various driving conditions

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(via Rebels With Cause: How Scanlan's and Ramparts Raked Muck and Raised Hell in the 1960s and '70s | PRINT)

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(via SOUTHERN GUILD: FIRST AFRICAN DESIGN GALLERY TO PRESENT AT CHRISTIE?S LONDON - blogs de Decoration)

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(via Robot swans bring new advanced technology to water testing - Channel NewsAsia)

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- We can go to California, go anywhere. We can start from scratch. I wanna be with you

- That sounds nice

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(via Halt and Catch Fire on Twitter: "Not sure if we’ll see that stupid bike again. #HaltandCatchFire http://t.co/YIYpCJpUAc")

I love this show. I love this character. Tonight it was so on the mark like the series was custom made for me, comprising tech nostalgia and all my subtweets

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‘I use the Maidan for intimate needs,’ Good-Looking Patient confesses. ‘I never met men like this in peacetime. Where have they appeared from? From underground? I feel as if I have emerged from underground myself.’

Peter Pomerantsev · Diary: Iammmmyookkraaanian · LRB 19 February 2015

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(via MuckRock on Twitter: ".@FBI needs more details to clarify @jilliancyork's request regarding spy cats: http://t.co/2fefqaRLjS http://t.co/0fpV26NkNJ")

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Khaled Malas, Drawing of a Well (from ‘Excavating the Sky’), 2014. Courtesy: the artist

(via Frieze Magazine | Archive | Productive Anguish)

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Ilya and Emilia Kabakov, Mock-up for the Ruhr-Atoll project at Baldeneysee, Essen, 2010.

(via In Conversation with Ilya and Emilia Kabakov | e-flux)

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STEPHEN WILLATS: MAN FROM THE 21ST CENTURY

http://museotamayo.org/exposiciones/ver/stephen-willats-hombre-del-siglo-xxi

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http://tmagazine.blogs.nytimes.com/2015/03/27/deborah-needleman-editor-letter-spring-design-issue/

“Karl Lagerfeld was among the first to embrace the emerging Memphis movement, and he did so wholeheartedly in his Monte Carlo penthouse in the early ’80s”

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What look like hulking, geometric structures set in barren landscapes are, in fact, two-dimensional façades constructed from card or paper, which Goudal has photographed to appear ancient yet futuristic, fantastical yet uncannily real.

www.newyorker.com/culture/photo-booth/noemie-goudal-observatoires-2015-armory-show

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Liubov Popova: Set Model (1967 reconstruction) for The Magnanimous Cuckold produced at the Meierkhold Theatre, Moscow, 1922. Gouache, wood and metal.

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