Battle Card for European Uni
Illustration part of EUROPEAN UNION vs FAKE BURBERRY, a work for Clifford Jago’s third issue Clifford Jago & The Sunflower Children, made in collab with Yacinth Pos.
Misplaced Lens Cap

tannertan36
No title available
TVSTRANGERTHINGS
todays bird
taylor price
trying on a metaphor
YOU ARE THE REASON

@theartofmadeline

Love Begins

Andulka
No title available

No title available
Alisa U Zemlji Chuda

祝日 / Permanent Vacation

No title available
occasionally subtle
hello vonnie
Peter Solarz
$LAYYYTER

seen from United States

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seen from India
seen from United States
seen from United States
seen from United States

seen from United States
seen from Türkiye
seen from United States

seen from United States
seen from United States
seen from Germany

seen from Türkiye

seen from United States

seen from United States
seen from United States

seen from United States

seen from United States

seen from United States

seen from Türkiye
@jordyringeling
Battle Card for European Uni
Illustration part of EUROPEAN UNION vs FAKE BURBERRY, a work for Clifford Jago’s third issue Clifford Jago & The Sunflower Children, made in collab with Yacinth Pos.
Spread design by Yacinth Pos and myself for creative studio Clifford Jago’s third issue Clifford Jago & The Sunflower Children. EUROPEAN UNI vs FAKE BURBERRY A standoff between one of CJ’s styled models and an unexpected passerby. Inspired by the iconic Street Fighter character selection, power effect sprites and forgotten video game mascots.
(Lite edition) Revamp of an older project (2014), animated this time: dark-branding Nokia™. At the time inspired by the iconic album cover of metal act Strapping Young Lad – Alien.
Outtake from unused proposal for party flyer
Excerpts from The Architecture of Together and Apart that compiles all research and essays that accompany the exhibition of the Latvian Pavilion at the 2018 Venice Architecture Biennale. Designed with and at Goys & Birls.
The Well: speculative OS for a robot that dreams. As part of a hybride documentary series by Dirk Vis & Selby Gildemacher.
Graphic for ‘Error Of Errors’ by Luciënne Venner. Designed at Goys & Birls
Exhibition publication packages for Good Work expo designed together with Yacinth Pos. The 250 unique silkscreened packages included the publication, floor plan, the exhibition flyer, and a limited edition print and post card of one of the exhibited works.
Exhibition publication and floor plan for the Good Work exhibition, designed together with Yacinth Pos.
Exhibition publication and floor plan for the Good Work exhibition, designed together with Yacinth Pos.
Exhibition publication for the Good Work exhibition designed together with Yacinth Pos. Double sided A1 with custom odd fold.
Exhibition publication for the Good Work exhibition designed together with Yacinth Pos. Double sided A1 with custom odd fold.
1/3 posters made together with Yacinth Pos as part of the identity for the Good Work expo by NOUN. We documented process of the 33 students and archived it as archeological/anthropological findings in a visual exploration to find "Good Work".
As society treats the term as a definable quality, so we sought out to find a physical form for this frequently used measure, while speculating the answer lies in subjective elements like emotional value, individual experiences and other personal definitions.
1/3 posters made together with Yacinth Pos as part of the identity for the Good Work expo by NOUN. We documented process of the 33 students and archived it as archeological/anthropological findings in a visual exploration to find "Good Work".
As society treats the term as a definable quality, so we sought out to find a physical form for this frequently used measure, while speculating the answer lies in subjective elements like emotional value, individual experiences and other personal definitions.
1/3 posters made together with Yacinth Pos as part of the identity for the Good Work expo by NOUN. We documented process of the 33 students and archived it as archeological/anthropological findings in a visual exploration to find "Good Work".
As society treats the term as a definable quality, so we sought out to find a physical form for this frequently used measure, while speculating the answer lies in subjective elements like emotional value, individual experiences and other personal definitions.