In this 503 paper making my Timeline Poster and Publication, I have developed many skills. I have learnt everything about my allocated designer MĂŒller-Brockmann from his work to his design method, his grid system, used in all of his work. I have also learnt Publication and magazine design and the process of making them.
In the first half of the semester, I learned new things while researching my allocated designer MĂŒller-Brockmann which allowed me to learn and try an approach to a design technique that I wouldn't have known, his grid system. From learning about the grid system and how it is used, I have found a new fondness for it, in most typography designers use a form of the grid system in terms of placement and size. I will be incorporating the grid system technique in my projects and assignments in the future.Â
Throughout the second half of the semester, I have learned about Publication and magazine design. At the end of the first half of the semester, my goal was to learn InDesign, and now after six weeks of our lecturers teaching us the basics of InDesign, I am well versed. I have learned the process behind making publications and discovered that behind every magazine there are grids and columns to assign texts, graphics and Imagery. I will be teaching myself more InDesign skills in the semester break.
Things I would improve on is my willingness to research more extensively. I feel like on my Tumblr blog, I haven't researched enough. So next semester I will try to research more.
I really enjoyed designing my publication magazine and my timeline and I am proud of the work Iâve done. I am excited for what's to come in semester two.
MĂŒller-Brockmann is one of the most influential graphic designers in the history. His work is always taught, studied and published. It is ce
The father of Swiss graphic design
MĂŒller-Brockmann is probably one of the most influential graphic designers in the history of our profession. His work is always taught, studied and published. It is certainly the figurehead of Swiss graphic design (which also takes the name of international style). His work is influenced by Bauhaus and constructivism. Typography and geometry are predominant. His compositions are based on very "rigid" grids which will be his trademark. An economical and rational style!
Not much is known about MĂŒller-Brockmann. The publisher Lars MĂŒller published the only complete monograph shortly before his death. This book is introduced by Paul Rand "himself" (the class!). Lars MĂŒller tries to explain what caused the sudden change in Brockmann's career, when he moved from illustration to "constructivist" graphics.
At the time, Brockmann was influenced by the work of Hungarian photographer Moholy-Nagy and Jan Tschichold's manifesto Die neue Typographie. This modernist manifesto proclaims the supremacy of bar typefaces (called grotesk in German). Brockmann was strongly influenced by these rules which he observed throughout his career.
These rules can be summarized by the use of very strict composition grids, objective photographs to avoid emotions, the importance of rhythm, harmony, mathematical and geometric compositions. For example, at that time Brockmann saw music as an abstract art, so he considered his concert posters in an abstract way. The publisher Lars MĂŒller described Beethoven's poster (1955) as the ultimate example of "musicality in design".
Brockmann explains his style very effectively: "In my poster, advertising, brochure and exhibition creations, subjectivity is removed in favour of a geometric grid that determines the arrangement of words and images. The grid is an organizational system that makes the message easier to read, this allows you to get an effective result at a minimum cost. With an arbitrary organization, the problem is solved more easily, faster and better. It also allows uniformity that goes beyond national borders (hence the international style!), a boon for advertising that IBM, for example, has benefited from. Information presented as objectively as possible is communicated without superlatives, without emotional subjectivity."
From the 1960s to the 1970s, the "Swiss style" began to lose its influence. The political climate has changed, the war in Vietnam has gone through it, the Swiss aesthetic is considered cold and authoritarian. The time is at flower-power...
Brockmann probably did not live long enough to see the great return of the "Swiss style" in the 2000s.
Graphic designer by accident
"I became a graphic designer by accident," Brockmann says. "At school, I didn't like writing much so I started drawing. My teacher was impressed, so I realized I had talent. He suggested that I should pursue an artistic career. So I became an apprentice retoucher in a printing house. It only lasted one day because it wasn't artistic enough. After that, I was apprenticed to two old architects. With them, it lasted four weeks. Then I went to all the graphic designers I found in the phone book to find out what they had studied. So I enrolled at the Zurich School of Arts and Crafts."
Un design rigide, mais un homme flexible
Behind this Swiss rigour, obviously hides a man, all those who knew him agree to present the portrait of a humble man with much humour.
In a 1996 interview in Eye magazine, he answered the question "what is your best work": "The white back of my posters!".
Again, when the interviewer asks "What does "order" mean to you?"Â Brockmann humbly answers "a pious wish", then finally declares that it is "knowledge of the rules that govern legibility". This statement illustrates well the power of his convictions.
After researching magazine layouts these are some layouts I liked.
This magazine spread has a two column body text, a picture with bleed on to the second page and text rotated 90 degrees. I really like the aspect of the image bleeding on to the second page.
Throughout the 6 weeks of research, I have learned a lot, not only from the work of my allocated designer Muller Brockmann, but I have developed my skills in Photoshop and Illustrator. This has broadened my look on design fundamentals such as colour, type, layout, shapes and posters/typography in general. What I discovered that was most significant about my designer Muller Brockmann's work was his grid system, the base layer of all his work. From learning about the grid system and how it is used, I have found a new fondness for it, in most typography, designers use a form of the grid system in terms of placement and size. I will be incorporating the grid system technique in my projects and assignments in the future.
I enjoyed learning the basics of photoshop and illustrator again, I already knew most of the things that were introduced but it was refreshing. Practising using the pen tool in illustrator with the exercises was very informative. Despise not using it in my final posters it is a very good tool when making illustrations
 I had a lot of fun and learned new things while researching Muller Brockmann which allowed me to learn and try an approach to design that I wouldn't have known. I am proud of the work I have created so far and I am excited for the second half of the semester in Materials and Media. My goal for the second half of the semester is to learn InDesign.
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