e.e. cummings, from ‘now that,more nearest even than your fate’ (Poem #37 in 73 Poems), Complete Poems: 1904-1962
[Text ID: “that hugest whole creation may be less incalculable than a single kiss”]
NASA
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ojovivo

blake kathryn
dirt enthusiast
Stranger Things

pixel skylines
Sweet Seals For You, Always

Love Begins
styofa doing anything
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Claire Keane
sheepfilms
Lint Roller? I Barely Know Her

JBB: An Artblog!

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TVSTRANGERTHINGS
Misplaced Lens Cap
will byers stan first human second

if i look back, i am lost
seen from United States
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@jsperfhey
e.e. cummings, from ‘now that,more nearest even than your fate’ (Poem #37 in 73 Poems), Complete Poems: 1904-1962
[Text ID: “that hugest whole creation may be less incalculable than a single kiss”]
from journal entry (april 11th 2022, silas denver melvin, paper + digital)
click for quality + do not remove caption (instagram)
[ID: a black and white photograph of several muscovy ducks swimming in a line on a pond. in yellow text above them it reads "it's hard work, trying to make yourself into something your mother can stand to look at." /End ID]
Audra McDonald, Anne Hathaway and Raúl Esparza in Twelfth Night by Brigitte Lacombe, 2009.
inspired by @mercuriian and her lovely prompts for napowrimo! day 13: a poem about an animal 🐍❤️🐍
do u ever think abt how people leave so many parts of themselves in your life like. my two most played artists on spotify were introduced to me by the first girl i ever had a real crush on & we havent seen each other or even talked in in four years
Ravioli Of Lying To God
Diary of a Wimpy Kid dir. Thor Freudenthal
what a mother does for you out of obligation vs what a mother does for you because she wants to. the taste of a cup of coffee made from obligation vs. the taste of a cup of coffee made. did you raise me because you wanted to or did you raise me because you had to, because i was in your home and you thought, i have to put food in every mouth under this roof. did you look at me with love or did you look at me. did you ever look at me? did you ever see me? did you want to? do you want to still? if i asked you to love me would you laugh? would you ask me why? would you tell me to not ask such stupid questions? would you go to bed and wonder to yourself, why does she think i don't love her? i've done everything for her i've bathed her i've clothed her i've fed her i kept a roof over her head. isn't that love? do you even know? do you know what love looks like? did your mother love you? did she make you coffee? can you tell me what it tasted like?
Sue Zhao
Which articles did you read??
Speaking to No One: Broadcasting on social media is less about communication than making you the audience to yourself
Social media as masochism: Using social media can be a masochistic means of escaping the self
Social Media Is Not Self-Expression: Self-expression is the internalization of social authority, not the externalization of a “true identity”
if capitalism didn’t exist what would your dream job be. btw if you say something like ‘engineer’ i’ll kill you
do you ever think about this quote by mary lambert because i think about it all the time
Chuck Palahniuk, Invisible Monsters
natalie wee, our bodies & other fine machines
sam sax, hydrophobia
the pride flag industrial complex
but seriously: thinking about how ppl in the west are OBSESSED with symbols and visual indicators and little markers and acknowledgement of identity as a manifestation of marketing and brand culture & as a product of this particular ‘late’ manifestation of capitalism, and how this has affected how we approach the marginalisation of LGBT people and liberation politics as a result
The ever-increasing number of ever more specific flags, the constant arguments and redesigns and all that other bullshit surrounding them has got so ridiculous, I mean I say it all the time that it seems almost completely forgotten that the central point of the communities they were supposed to represent was to unite us by the ways in which we are similarly marginalised, but the endless crap over which specifics people fall under and whether these specific microlabels are perfectly right or you’re an invader for using them and not something almost exactly the same, all this as if it’s the be all and end all of what the community is, it’s a great and terrible example of the signifier eclipsing the signified.
Gay USA (1978) dir. Arthur J. Bressan Jr.
KANG SAE-BYEOK SQUID GAME | 오징어 게임 (2021)
Alexander Dashevskiy - Forgotten Memorial (oil on canvas, 2013)
GEMMA CHAN — by Annie Lai for Porter Magazine, November 2021.